What is more powerful: the pedal, or the mighty foot of the player who steps upon it?

For years we have had players ask us if our pedals are appropriate for use in praise and worship settings. We have considered such a question blasphemous, as Crom is an angry deity who lives inside a mountaintop, who doesn’t concern himself with the matters of mere mortals, and cannot be bothered to hear their pleas for help, their prayers for vengeance, or anything that might resemble a song of praise or devotion.

CROM is a BC184 Supa Tone Bender style fuzzstortion like our original Olympia™, but with a classic tweed amp style tone control (MOUNTAIN) that interacts with the SWORD (gain) control. It is a LOT less lossy and less scooped than the classic M*ff style tone control in these circuits, giving the pedal an immediate and punchy response. A TURBO button on the side gives it extra power and gain.

Product Page

Review by Guitarworld

Manual

Demo by AndyDemos

Demo by Noise Generator

Official Product Video

Crom

A phaser even for people who don't normally like phasers, Arigato™ delivers incredible modulation, range, and warmth. 

ARIGATO neither seeks to recapture the sounds of the past, nor to be state of the art. It is a snapshot of a future we were promised as children. It is our way of saying thank you to customers who for years asked us for a phaser. (Really? A phaser???)

While capable of the airy psychedelia of classic units, this one is meant to rumble, wobble, shake, rattle, and roar. It is also capable of going fully wet for interesting vibrato sounds, max feedback for auto-wah sweeps, and a wide range of responsive shades throughout each control as they interact with the others.

We’re pretty excited about this release; the first pedal Philippe ever owned was a phaser, our team is a bunch of phase shifting nuts, and releasing this feels like coming home.

For those of you who didn't think you'd like a chorus, but fell in love with our Somersault™ pedal - we think you're going to really love this thing too. While we love classic one-knob units and their ALL CAPS WHOOSH approach to phasing, there's a world of subtle shading and different movement to be explored, and Arigato is here for it.

Review by guitar pedal X

Review by Russo Music

Arigato Phaser/Vibrato

If you’re reading this, you must be getting ready to party like it’s 1983.

We’ve kept your original, dry signal path analog and pure, then given you a +21db boost/overdrive preamp to smash a low fidelity digital delay chip designed for karaoke machines and kids’ toys into smeared, repeated glory. Yeah, we’re going back in time – back to when they measured data in KILOBYTES!

This pedal is VERY capable of fun runaway oscillations, both by turning up the summation knob, or a controlled, high-pass filtered oscillation from the Havoc momentary foot switch. If you’ve ever struggled to make your delays come through prominently in the mix, or lost definition from your original signal, the attack and level controls can allow you to dial up everything from crisp, clean slapbacks to dirty, muted echoes and loud, powerful repeats. A beautiful, subtle modulation circuit courtesy of our friend Jack DeVille also sweetens the repeats with just the right amount of movement.

Review by effectsdatabase

Demo by Pedal of the Day

Demo by The Pedal Zone

Kilobyte Lo-Fi Delay

Tired of your fuzz getting lost in the mix? Wish you could just pour molten sonic gravy from your speakers? Imagine classic Muff-style fuzziness with the punch of a classic overdrive, and you have Shigeharu™.

Using a cascading hybrid of op-amp and BC184 transistor gain stages, Shigeharu provides all the sweet singing sustain and massive flamethrower gain you crave, but with unprecedented clarity, improved punch and definition, and consistent performance wherever it sits in your signal chain – even after buffers or wireless units. Combine that with the parallel octave-up voiced fuzz available on demand with the Havoc* stomp and you have a whole lot of nasty right here.

Two extra controls reside inside the pedal – a bias/gate control for dialing up broken, spitty sounds, and a slide switch that locks the octave-up “on” and converts the momentary to a kill/mute switch. Shigeharu™ was designed in collaboration with our friend John Snyder at Electronic Audio Experiments, because this thing was fearsome enough to compel us to seek a second opinion.

Review by reddit /guitarpedals

Demo by CarolineGuitarCo

Shigeharu

Imagine taking the ice bucket challenge, but you’re dunking yourself in dreams! 

Inspired by the ultra-modern line 14 of the Paris Métro and its sleek platforms of glass, steel and tile that add all kinds of cool sonic artifacts to the space, the MÉTÉORE™ (pronounced may-tay-or) is our take on reverb.

We’ve kept your original signal path analog and pure, while giving you overdrive and regeneration controls to take you from spring reverb sounds to something much bigger. The controls are very interactive with each other, and as per Caroline tradition, this pedal can get VERY loud. You know, something something power, responsibility, blah blah blah…

Produkte

Bau dein Board

Community

Featured Artists

Services

Meteore Lo-Fi Reverb

Media

Videos

Handbücher

Reviews

Links

Technische Daten

Weitere Pedals von Caroline Guitar Company

Caroline Guitar Company

Crom

Caroline Guitar Company

Arigato Phaser/Vibrato

Caroline Guitar Company

Kilobyte Lo-Fi Delay

Caroline Guitar Company

Shigeharu

Produkte

Bau dein Board

Services

Community