The long story short is that this thing is an unrepentant, unapologetic distortion pedal that is totally nasty and fun. This Cannon comes pre-loaded with balls (pun alert!) and is capable of going from cranked, lightly dirty amp tones to the sound of a furry Godzilla devouring a junkyard full of broken a/c window units.

It’s different than the original, which was based on the classic ’70s fuzzstortions we grew up playing. It’s different from our Haymaker™, which is a wide range drive pedal based around the rotation of a clipping network into different locations in the circuit, and which is intended to respond and feel like an extension of your amp. This pedal is really about rocking your socks off.

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Review by Pedal of the Day

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Demo by Old Blood Noise Endeavors

Demo by Pete Thorn

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Wave Cannon MKII

Meet Caroline Guitar Company's "The Blues." It delivers vintage boutique mojo without the hefty price tag. With two modes, it spans from pristine to pawnshop gritty. No matter how good life's been, everyone has off days - let "The Blues" speak for you. Its straightforward design includes two knobs and a switch, adjusting grit and vintage vibes. Plus, an internal tweak lets you fine-tune your sound to perfection.

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Review by delicious audio

Demo by Edge of Breakup

Demo by Tone Factory

The Blues

Alpha Gain is an expansion and revisitation of our Icarus 2.x drives, but greatly expanding the range and control of the pedal via the mode switch. 

The pedal clips the signal via an op-amp drive section and an array of silicon and Russian germanium diodes, while a second gain stage provides a lot of output and clean boost to push an amplifier. The UK mode amps up the drive side (roughly 2.5x the previous version's maximum gain), lightens and tightens the bass a touch, and makes the output easier to dial closer to unity or for a more of a controlled volume jumps. The USA side takes the power and applies it to the second gain stage. The gain is tailored to be closer to our Parabola’s preamp section, but optimized for the silicon and germanium clipping array, and with the tone control for fine tuning. The thing gets plenty loud, but is fuller frequency and stays clean until you mean it. 

Alpha Gain

From seasick wobbles to glitchy bleep-bloops and “I think I can” huffs and puffs, the crazy sounding stuff was actually the easy part for us. So once you’re done maxing out different settings to hear what kinds of bizarre wowie-zowie sounds you can make with this thing, we encourage you to explore the subtleties of how each control interacts with the others, and the remarkable range of sounds that you can quickly and intuitively dial in. Gentle, lagging vibrato, 1980s style choruses, and even some doubling effects are possible…and then, turn up & go wild again.

SOMERSAULT™ applies a similar framework as our popular KILOBYTE™ and MÉTÉORE™ pedals. While the digital chip sets the delayed wet signal, the initial gain stage, dry signal, LFO, control set and output mixing stage are entirely analog. The end result sounds rich and fat, with the same robust feel and power our customers have come to expect from our work.

Demo by Megan L

Demo by The Pedal Zone

Somersault Lo-Fi Modulator

Tired of your fuzz getting lost in the mix? Wish you could just pour molten sonic gravy from your speakers? Imagine classic Muff-style fuzziness with the punch of a classic overdrive, and you have Shigeharu™.

Using a cascading hybrid of op-amp and BC184 transistor gain stages, Shigeharu provides all the sweet singing sustain and massive flamethrower gain you crave, but with unprecedented clarity, improved punch and definition, and consistent performance wherever it sits in your signal chain – even after buffers or wireless units. Combine that with the parallel octave-up voiced fuzz available on demand with the Havoc* stomp and you have a whole lot of nasty right here.

Two extra controls reside inside the pedal – a bias/gate control for dialing up broken, spitty sounds, and a slide switch that locks the octave-up “on” and converts the momentary to a kill/mute switch. Shigeharu™ was designed in collaboration with our friend John Snyder at Electronic Audio Experiments, because this thing was fearsome enough to compel us to seek a second opinion.

Review by reddit /guitarpedals

Demo by CarolineGuitarCo

Shigeharu

Shigeharu by Caroline-Guitar-Company

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Wave Cannon MKII

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The Blues

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