 We’ve always been smitten by AMPEG®. Early on the company was a Jazz purist company, completely overlooking (possibly looking down on) more popular genres like Country & Western and Rock that FENDER® and MARSHALL® openly embraced. From a design standpoint they took more queues from the hifi world than they did from guitarists as evidenced by their tube complements, gain stages without cathode capacitors, and implementation of the Baxandall tone controls. And they we’re no slouches to innovation either, “Flip-top” combos is a great example. Not to mention there is at least one model of amplifier that had a torsion bar to adjust the tightness of the speaker baffle!

Product Page

Demo by ProGuitarShopDemos

Demo by Living Room GD 

Demo by Catalinbread Effects 

Manual

Like the classic Dirty Little Secret, the Red Edition has two distinct tonal profiles that you can experiment with. Inside the housing of the pedal, you’ll find its first secret — the SL (Super Lead) /SB (Super Bass) mode switch. The pedal ships from Catalinbread in Super Lead mode, and we recommend that you experiment with it before you put it onto your pedalboard. Once you’ve got a handle on the blistering high-gain tones of SL mode, unplug the pedal and open up the back to slide over to SB mode. Super Bass mode reconfigures the EQ and provides in-between gain levels. The SL/SB switch is like having two gain pedals in one!

Demo by AndyDemos

Demo by Audiorial

Review by guitarguitar 

Review by Guitar.com 

Demo by Andy Demos

Dirty Little Secret Red

In 1970 Led Zeppelin hit the stage of London's historic concert hall, Royal Albert Hall. We love the RAH performance and were inspired by a friend to capture it in a pedal.
At this performance Jimmy Page expressed himself masterfully with a broad pallet of tones and GIANT dynamic range. Of course this has a lot to do with Page’s playing technique and Gibson Les Paul. His backline amps, custom Hiwatt heads into Marshall cabinets filled the entire hall with a cornucopia of colors at levels ranging from a mouse whisper to rave ups louder than a jumbo jet taking off only inches over your head.

Review by reddit /guitarpedals

Review by mylespaul

Demo by N Stuff Music

Demo by Reverb

The Catalinbread Coriolis Effect is a unique guitar pedal that combines multiple effects into one unit, including a sustainer, wah, filter, pitch shifter, and harmonizer. It’s a highly versatile pedal that can produce a wide range of sounds, from subtle tone shifts to dramatic pitch dives and harmonized effects.

Official Product Video

Demo by Distortion LTD

Review by The Gear Page

Official Website

Review by bonedo

Coriolis

Oil can delay units were manufactured by a company named Tel-Ray who later became better known as Morley. Tel-Ray mostly focused on being the OEM utilizing their oil can technology (Patent US3530227 A), branding units for Gibson (GA-RE4), Fender (Dimension IV), Acoustic, etc. They employed an electro-static storage method where the signal is “recorded” to a spinning disk, a layer of oil (for years rumored to be a mysterious carcinogenic oil) prevented this signal from leaking into the air before a “pickup” moments later played back the signal recorded to the disk. Compared to the counterparts of the day (tape, drum, wire delay machines), their sound was more low fidelity, murky, often with a more consistent musical vibrato that correlated to the spinning disk speed. We like to describe the sound as mysterious. The Catalinbread ADINEKO pedal is an echo, reverb, vibrato pedal that faithfully models the sonic experience of these oil can units.

Review by TDPRI

Demo by The Pedal Zone

Adineko

Adineko by Catalinbread

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