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Simplifier MK-II

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Polytune 3 Mini

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BELLE EPOCH DELUXE (BLACK AND SILVER)

Protein Dual Overdrive V3 (Black)

The Cloak began after unearthing some ancient texts containing some forbidden incantations on how to introduce spectral elements within a decaying echo. Ok, we’re embellishing a bit; but the inspiration came from the land of academia and the acoustics department at Stanford, where a treatise on the optimal shimmer effect was penned a handful of years back. In a similar pursuit of perfection, we’ve drawn inspiration from a combination of research and our own endeavors to craft a truly superb take on shimmer reverb. At its core, the Cloak is a “room” style reverb that sounds amazing on its own, but with a twist of the Shimmer knob, rich, harmonically-laden overtones creep in, emphasizing three different orders of harmonics within the trails. A specially-designed low-pass filter steps in and smooths the harmonics out before they get too out of hand and wreck up the signal path.

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Review by Premier Guitar

Review by bonedo

Demo by R.J. Ronquillo

Demo by JayLeonardJ

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Cloak

The CB Tap is an external tap tempo mechanism that was built to connect to the Belle Epoch Deluxe. The CB Tap not only adds tap functionality to the Belle Epoch Deluxe, but also connects to anything with a tap-tempo out (excluding Boss pedals and other non normally-open taps).

Demo by Brett Kingman

CB TAP

“Antichthon” refers to the ancient Greek idea that there was a “Counter-Earth”, 180 degrees opposite of Earth, but unseeable since it was always on the opposite side of the “Central Fire” from Earth. Today, that notion sounds quaint and ridiculous. But if such a planet did indeed exist, what was it like? Was it a mirror-image world where everything was the opposite of our world? These days we have new notions of the unseeable. There’s the concept of the multiverse, that there is more than one universe, and that “big bangs” are happening all the time, the quantum foam bubbling away, giving birth to new universes. And in these universes from a higher dimension, the laws of physics that we know to be true in our home universe may not be the same.  

Demo by Distortion LTD

Demo by shnobel

Review by Talk Bass.com

Review by guitar moderne

Antichthon

It’s uncertain what exactly the origin of flanging was. It could have been the result of trying to push the boundaries of multitrack recording, probably due to running a couple tape machines in parallel but not quite in sync… Maybe a guy messing around in the studio brushed up against a take-up reel flange accidentally?  Maybe that guy was Les Paul, maybe it was John Lennon and George Martin? It is unclear. But, what is clear is that the mechanical studio method of achieving the effect became, within a decade, commonplace enough for companies to simulate the effect electronically. The electronic approaches were pretty cool and groundbreaking, but by the 80s became tired and worn out. At Catalinbread we attribute this to the fact that these units controlled the flange effect using an LFO that went up and down at a predictable rate taking the life and freshness out of the effect. When we decided to design a flanger, we knew we would approach it the way they originally did it…

Official Product Video

Demo by ProGuitarShopDemos

Review by reddit /guitarpedals

Review by AMAZONA

Review by The Gear Page

Zero Point

Exact EP-3 circuitry, from the 22 volt power rail, to the JFET preamp (later spec), to the mixer stage, to the high gain silicon transistor based record and playback amplifiers, to the feedback loop. All circuitry is faithfully reproduced and fine-tuned from the original EP-3 specifications. The only thing missing are the record and playback heads, with a 24-bit high-fidelity digital delay line taking the place of the tape.

All-discrete, through-hole construction with orange drop 225P capacitors, carbon composition resistors, germanium diodes, and other premium parts.

BELLE-EPOCH-DELUXE-BLACK-AND-SILVER by Catalinbread

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