The Topanga Burnside has all the springy, surfy mojo of the original Topanga but now features a Trem knob that controls the rate of a lush tremolo effect. We revisited the original Topanga and found that placing the tremolo between cascading reverb stages yielded the best results––the effect is not too choppy; not too washed out. Many surf rock and skate punk bands use spring reverb, tremolo or both simultaneously in order to get their sounds, and the Topanga Burnside is a nod to them.

Burnside is a reference to the famous Burnside Skatepark in Our hometown of Portland, OR. (shoutout to Tony Hawk's Pro Skater).

Demo by 60 Cycle Hum

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Review by The Gear Page

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Topanga Burnside

The heart and soul of the Dreamcoat is a near-exact recreation of the preamp circuit from the Aiwa TP-1011 reel-to-reel deck that can be found in '60s and '70s classic rock recordings. All of the functionality of that unit is present, from sparkling cleans to powerful crunch and glassy leads, but the “Sat” control gives you an extra layer of grunt, allowing the Dreamcoat to range between near-dry tonal indifference to complete “melting-amp” Neil Young-esque tweed sounds. A certain classic rock sound wasn’t just a tape deck, though. The famous user of this tape deck also installed a passive inductor-based frequency “booster” into his guitar that cut both sides of the spectrum around the resonant frequency of their guitar pickups, giving the appearance of a frequency boostinstalled a passive inductor-based frequency “booster” into their guitars that cut both sides of the spectrum around the resonant frequency of their guitar, giving the appearance of frequency boost. To that end, we’ve added a frequency booster circuit that doesn’t cut anything, giving you a richer tone with a little oomph where it counts.

Review by Guitar World

Review by bonedo

Demo by MUNSTER

Demo by JayLeonardJ

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Dreamcoat

The Catalinbread Coriolis Effect is a unique guitar pedal that combines multiple effects into one unit, including a sustainer, wah, filter, pitch shifter, and harmonizer. It’s a highly versatile pedal that can produce a wide range of sounds, from subtle tone shifts to dramatic pitch dives and harmonized effects.

Demo by Distortion LTD

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Coriolis

The Bicycle Delay was something like an “Albert Hoffman -the inventor of LSD, which we all love- moment” (to quote a good friend and guitarist Neal Casal). I sat down with no plan of where I was going but to allow myself the freedom to be open to wherever the journey took me and just document the experience. Really a strange path to travel when it involves something as cerebral as programming software. Or maybe it’s not. Maybe that’s a pure form of creativity, to use the boundaries something so matter of fact as programming as a medium for art? The result was a pedal as autobiographical as any I have been involved in. The Bicycle Delay is a physical manifestation of the experience of consciousness, letting go of the desire to control everything, and maintaining a positive attitude to leave room for a positive experience.

Demo by Guitar Chimp

Review by Pedal of the Day

Bicycle Delay

The Dirty Little Secret Deluxe represents the next logical step in Marshall Plexi emulation, reaching beyond the preamp circuit and adding the rest of the amp for an extremely authentic take on everything inside that chassis. Our original DLS circuit has been tweaked and upgraded throughout, now featuring a phase inverter, power amp sim and output transformer as well as some new features and the most requested modifications for the original. One such addition is a toggle switch on the outside to select between Super Lead and Super Bass modes, and we’ve also externalized the Presence knob to easily dial in your preferred Marshall flavor.
 Also added is a piece of the Dirty Little Secret—a single preamp tube simulator—as a built-in boost circuit that can be used independently of the main circuit. You can run the boost and DLS in any order you like; put the boost before the DLS for a high-powered saturated tone or after to pummel the front end of your amp. A new tightness knob lets you shave off the sub-bass for a little extra clarity or completely attenuate the low end for some cool thrash metal tones. A Line Out jack gives you a dedicated +10dB output that you can use with a mixer or DAW, and you can use both outputs simultaneously. Between the Boost, order selector and the external Super Lead/Super Bass modes, the Dirty Little Secret Deluxe is engineered to be a total performance tool that does the line justice.

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