The CB Tap is an external tap tempo mechanism that was built to connect to the Belle Epoch Deluxe. The CB Tap not only adds tap functionality to the Belle Epoch Deluxe, but also connects to anything with a tap-tempo out (excluding Boss pedals and other non normally-open taps).

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CB TAP

The Dirty Little Secret Deluxe represents the next logical step in Marshall Plexi emulation, reaching beyond the preamp circuit and adding the rest of the amp for an extremely authentic take on everything inside that chassis. Our original DLS circuit has been tweaked and upgraded throughout, now featuring a phase inverter, power amp sim and output transformer as well as some new features and the most requested modifications for the original. One such addition is a toggle switch on the outside to select between Super Lead and Super Bass modes, and we’ve also externalized the Presence knob to easily dial in your preferred Marshall flavor.
 Also added is a piece of the Dirty Little Secret—a single preamp tube simulator—as a built-in boost circuit that can be used independently of the main circuit. You can run the boost and DLS in any order you like; put the boost before the DLS for a high-powered saturated tone or after to pummel the front end of your amp. A new tightness knob lets you shave off the sub-bass for a little extra clarity or completely attenuate the low end for some cool thrash metal tones. A Line Out jack gives you a dedicated +10dB output that you can use with a mixer or DAW, and you can use both outputs simultaneously. Between the Boost, order selector and the external Super Lead/Super Bass modes, the Dirty Little Secret Deluxe is engineered to be a total performance tool that does the line justice.

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Dirty Little Secret Deluxe

 We’ve always been smitten by AMPEG®. Early on the company was a Jazz purist company, completely overlooking (possibly looking down on) more popular genres like Country & Western and Rock that FENDER® and MARSHALL® openly embraced. From a design standpoint they took more queues from the hifi world than they did from guitarists as evidenced by their tube complements, gain stages without cathode capacitors, and implementation of the Baxandall tone controls. And they we’re no slouches to innovation either, “Flip-top” combos is a great example. Not to mention there is at least one model of amplifier that had a torsion bar to adjust the tightness of the speaker baffle!

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The Super Chili Picoso Boost pedal from Catalinbread is back for a limited time, and it’s available only at Sweetwater in the USA! The latest reissue revisits Catalinbread’s first-ever pedal build: a one-knob MOSFET boost that helped kick-start the intense demand for clean, minimalist enhancement. The Super Chili Picoso Boost pedal adds instant girth and touches of harmonic heat with up to +35dB of MOSFET power at your disposal. This latest update enhances the circuit with two new parameters: a tilt-style EQ for bass and treble sculpting and a Spicy/Mild switch that stacks a second MOSFET boost in series with the first for extra heat. Lower gain settings can spice up low-volume practice — imagine if your thin-sounding practice combo actually packed a punch!

Super Chili Picoso reissue

This unit is the Maestro Echoplex EP-3. While some guitarists made great use of its echo effect, others dragged one to every gig just for its magical preamp. This preamp circuit was wired always-on, and so even those using it as an echo effect received significant tonal enhancements from the preamp circuit as well. Everyone from Eddie Van Halen to East Bay Ray of the Dead Kennedys relied on the EP-3 preamp to take their sound to previously unreachable heights. And now you can also, with our Epoch Boost.

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