After spending some time on the operating table, we are proud to release the Callisto MKII, back and better than ever. We’ve painstakingly recreated the robust engine of our original and added in some extra features, too. For starters, the Callisto MKII is still 100 percent analog just like the original for some classic trembling warmth you can really feel. Just how much wobble you want can be dialed in with the Mix control, which achieves 100 percent wet or dry in either direction. Turning it all the way up delivers a wonderfully-tuned pitch vibrato that can add some spice to your solos or some disorienting tape-like warble for your next bedroom pop record. Classic Rate and Depth controls go beyond the basic two-knob chorus and into hi-fi territory that makes your guitar shine and sound equally great for both lead and rhythm applications, or any other instrument you find may be lacking in thickness. 

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Review by musicradar

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Demo by Pedal To The Metal

Demo by JayLeonardJ

Callisto MK II

The heart and soul of the Dreamcoat is a near-exact recreation of the preamp circuit from the Aiwa TP-1011 reel-to-reel deck that can be found in '60s and '70s classic rock recordings. All of the functionality of that unit is present, from sparkling cleans to powerful crunch and glassy leads, but the “Sat” control gives you an extra layer of grunt, allowing the Dreamcoat to range between near-dry tonal indifference to complete “melting-amp” Neil Young-esque tweed sounds. A certain classic rock sound wasn’t just a tape deck, though. The famous user of this tape deck also installed a passive inductor-based frequency “booster” into his guitar that cut both sides of the spectrum around the resonant frequency of their guitar pickups, giving the appearance of a frequency boostinstalled a passive inductor-based frequency “booster” into their guitars that cut both sides of the spectrum around the resonant frequency of their guitar, giving the appearance of frequency boost. To that end, we’ve added a frequency booster circuit that doesn’t cut anything, giving you a richer tone with a little oomph where it counts.

Review by bonedo

Demo by MUNSTER

Product Page B

Dreamcoat

The Many Worlds is an eight-stage phaser with eight selectable phase control parameters, six LFOs and two envelope-dependent phase shift modes. Yes, you can get classic, swirly and rich, vibe-esque phaser sounds from the Many Worlds. The fun doesn’t stop there, however; we take you on a multi-versed quest of Many Worlds to uncover some unique otherworldly sounds as well. The Many Worlds features a robust LFO engine with classics like sine and square sharing the same control with reverse sawtooth and two independently controlled and intermodulating sine waves. Lastly, we've added envelope-dependent phase shift–both up and down–letting you control the phase shift with your pick attack, rather than driving it with an LFO. This gives you an autowah-esque manually controlled phase shifting experience.

Demo by Pedalboard of the Day

Demo by HarryAndAGuitar

Demo by Get Offset

Demo by 60 Cycle Hum

Demo by Let's Play All

Demo by Demos In The Dark

Demo by Mike Hermans

Demo by R.J.Ronquillo 

Demo by Brett Kingmann

Many Worlds Phaser

 We’ve always been smitten by AMPEG®. Early on the company was a Jazz purist company, completely overlooking (possibly looking down on) more popular genres like Country & Western and Rock that FENDER® and MARSHALL® openly embraced. From a design standpoint they took more queues from the hifi world than they did from guitarists as evidenced by their tube complements, gain stages without cathode capacitors, and implementation of the Baxandall tone controls. And they we’re no slouches to innovation either, “Flip-top” combos is a great example. Not to mention there is at least one model of amplifier that had a torsion bar to adjust the tightness of the speaker baffle!

Demo by ProGuitarShopDemos

Demo by Living Room GD 

Demo by Catalinbread Effects 

It loves humbuckers and single coils. It loves your cranked amp and your super-clean amp. The front half of the circuit is based on the Tone Bender MKII, widely considered the most desirable of the Tone Benders. In the original, a germanium transistor makes the signal loud. A second transistor makes it very loud. A third one makes it ridiculously loud.

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