The Many Worlds is an eight-stage phaser with eight selectable phase control parameters, six LFOs and two envelope-dependent phase shift modes. Yes, you can get classic, swirly and rich, vibe-esque phaser sounds from the Many Worlds. The fun doesn’t stop there, however; we take you on a multi-versed quest of Many Worlds to uncover some unique otherworldly sounds as well. The Many Worlds features a robust LFO engine with classics like sine and square sharing the same control with reverse sawtooth and two independently controlled and intermodulating sine waves. Lastly, we've added envelope-dependent phase shift–both up and down–letting you control the phase shift with your pick attack, rather than driving it with an LFO. This gives you an autowah-esque manually controlled phase shifting experience.

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Demo by Pedalboard of the Day

Demo by HarryAndAGuitar

Demo by Get Offset

Demo by 60 Cycle Hum

Demo by Let's Play All

Demo by Demos In The Dark

Demo by Mike Hermans

Demo by JayLeonardJ

Demo by R.J.Ronquillo 

Demo by Brett Kingmann

Manual

Many Worlds Phaser

The Bicycle Delay was something like an “Albert Hoffman -the inventor of LSD, which we all love- moment” (to quote a good friend and guitarist Neal Casal). I sat down with no plan of where I was going but to allow myself the freedom to be open to wherever the journey took me and just document the experience. Really a strange path to travel when it involves something as cerebral as programming software. Or maybe it’s not. Maybe that’s a pure form of creativity, to use the boundaries something so matter of fact as programming as a medium for art? The result was a pedal as autobiographical as any I have been involved in. The Bicycle Delay is a physical manifestation of the experience of consciousness, letting go of the desire to control everything, and maintaining a positive attitude to leave room for a positive experience.

Demo by Guitar Chimp

Official Product Video

Review by Pedal of the Day

Review by reddit /guitarpedals

Bicycle Delay

The Valco company of Chicago made amplifiers under their own name in addition to building amps for other companies such as Supro®, National, and Gretsch, to name a few. Most of these were lower powered amps with a great sounding natural tube breakup and many models also featured a unique sounding tube driven tremolo. It had a hypnotic throb and was also capable of hard, choppy tremolo. Combined with the breakup overdriven characteristics of the amplifier, it created a percussive, rhythmic pulse that is very inspiring to play. The Catalinbread Valcoder was designed to recreate the tube tremolo as well as the amplifier breakup of these vintage amplifiers. Separate input and output controls allow you to get anything from a clean tremolo sound all the way up to a gritty tube like breakup driving the tremolo circuit.

Review by Talk Bass.com

Review by The Gear Page

Valcoder

The Cloak began after unearthing some ancient texts containing some forbidden incantations on how to introduce spectral elements within a decaying echo. Ok, we’re embellishing a bit; but the inspiration came from the land of academia and the acoustics department at Stanford, where a treatise on the optimal shimmer effect was penned a handful of years back. In a similar pursuit of perfection, we’ve drawn inspiration from a combination of research and our own endeavors to craft a truly superb take on shimmer reverb. At its core, the Cloak is a “room” style reverb that sounds amazing on its own, but with a twist of the Shimmer knob, rich, harmonically-laden overtones creep in, emphasizing three different orders of harmonics within the trails. A specially-designed low-pass filter steps in and smooths the harmonics out before they get too out of hand and wreck up the signal path.

Review by Premier Guitar

Review by bonedo

Demo by R.J. Ronquillo

Cloak

 Tony Iommi arguably had the most influential tone in the history of electric guitar. Really, when you think Black Sabbath you immediately think “Electric Guitar”. His early signature sound was the result of an always on treble-booster plugged into cranked Laney Supergroup amps. This approach to guitar is extremely rewarding and fun, but lost in this day and age because honestly who can really get away with the stage volume anymore? Far and few between! We designed the Sabbra Cadabra to give players that sonic experience, re-contextualized for today’s approach where players tend to use amps solely within their clean range at more mortal volume levels.

Demo by The Distortion Principle

Demo by The Tone King

Sabbra Cadabra

Sabbra-Cadabra by Catalinbread

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Catalinbread

Many Worlds Phaser

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Bicycle Delay

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