This unit is the Maestro Echoplex EP-3. While some guitarists made great use of its echo effect, others dragged one to every gig just for its magical preamp. This preamp circuit was wired always-on, and so even those using it as an echo effect received significant tonal enhancements from the preamp circuit as well. Everyone from Eddie Van Halen to East Bay Ray of the Dead Kennedys relied on the EP-3 preamp to take their sound to previously unreachable heights. And now you can also, with our Epoch Boost.

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Review by bonedo

Manual

Demo by Riffs, Beards & Gear

Demo by JayLeonardJ

Epoch Boost

The Many Worlds is an eight-stage phaser with eight selectable phase control parameters, six LFOs and two envelope-dependent phase shift modes. Yes, you can get classic, swirly and rich, vibe-esque phaser sounds from the Many Worlds. The fun doesn’t stop there, however; we take you on a multi-versed quest of Many Worlds to uncover some unique otherworldly sounds as well. The Many Worlds features a robust LFO engine with classics like sine and square sharing the same control with reverse sawtooth and two independently controlled and intermodulating sine waves. Lastly, we've added envelope-dependent phase shift–both up and down–letting you control the phase shift with your pick attack, rather than driving it with an LFO. This gives you an autowah-esque manually controlled phase shifting experience.

Demo by Pedalboard of the Day

Demo by HarryAndAGuitar

Demo by Get Offset

Demo by 60 Cycle Hum

Demo by Let's Play All

Demo by Demos In The Dark

Demo by Mike Hermans

Demo by R.J.Ronquillo 

Demo by Brett Kingmann

Many Worlds Phaser

It loves humbuckers and single coils. It loves your cranked amp and your super-clean amp. The front half of the circuit is based on the Tone Bender MKII, widely considered the most desirable of the Tone Benders. In the original, a germanium transistor makes the signal loud. A second transistor makes it very loud. A third one makes it ridiculously loud.

Demo by Premier Guitar

Demo by Johan Segeborn

Demo by Tone Report

KATZENKÖNIG

The Bicycle Delay was something like an “Albert Hoffman -the inventor of LSD, which we all love- moment” (to quote a good friend and guitarist Neal Casal). I sat down with no plan of where I was going but to allow myself the freedom to be open to wherever the journey took me and just document the experience. Really a strange path to travel when it involves something as cerebral as programming software. Or maybe it’s not. Maybe that’s a pure form of creativity, to use the boundaries something so matter of fact as programming as a medium for art? The result was a pedal as autobiographical as any I have been involved in. The Bicycle Delay is a physical manifestation of the experience of consciousness, letting go of the desire to control everything, and maintaining a positive attitude to leave room for a positive experience.

Demo by Guitar Chimp

Official Product Video

Review by Pedal of the Day

Review by reddit /guitarpedals

Bicycle Delay

The Sinkhole is perhaps our most ethereal reverb unit to date. We’ve combined a harmonically-rich “hole” reverb with an impossibly deep four-voice chorus that’s been outfitted with a feedback control and a gentle high-cut filter. Within this arrangement, the feedback control allows the Sinkhole to reach deep within the reverb to extract some truly otherworldly tunable modulation, featuring everything from comb filtering to pseudo-phaser to haunting auto-filtering. That aspect never gets out of control; it’s all wrapped up within the confines of the reverb. We’ve stretched the reverb trails out to their absolute limit, with the maximum decay time almost freezing your signal in space. Extreme settings evoke warm synthesizer pads, reminiscent of vintage analog-digital hybrids, holding your modulated note indefinitely. Combine all that with a full wet-dry blend and a warm preamp circuit, and you’re beginning to feel the gravity of the Sinkhole. Let’s get pulled in, shall we?

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Epoch Boost

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