 Brian May’s sonic signature not only comes from his home built “Red Special” guitar, but also from a treble-booster pummeling banks of AC30s. He never turns the treble booster off, accessing a wide range of tones simply by manipulating his volume knobs and pickup settings. From his guitar, to the treble booster, to the amps, his entire rig is essentially a singular musical instrument. One that inspires the sort of playing May is known for. We designed the Galileo with this playing approach in mind, that with it you can roll your guitar volume back for jangly AC30 cleans, and crank it up for searing leads and aggressive yet focused rhythm tones.

Review by Premier Guitar

Review by AMAZONA

Demo by ProGuitarShopDemos

Demo by Rich Bischoff

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Galileo

The heart and soul of the Dreamcoat is a near-exact recreation of the preamp circuit from the Aiwa TP-1011 reel-to-reel deck that can be found in '60s and '70s classic rock recordings. All of the functionality of that unit is present, from sparkling cleans to powerful crunch and glassy leads, but the “Sat” control gives you an extra layer of grunt, allowing the Dreamcoat to range between near-dry tonal indifference to complete “melting-amp” Neil Young-esque tweed sounds. A certain classic rock sound wasn’t just a tape deck, though. The famous user of this tape deck also installed a passive inductor-based frequency “booster” into his guitar that cut both sides of the spectrum around the resonant frequency of their guitar pickups, giving the appearance of a frequency boostinstalled a passive inductor-based frequency “booster” into their guitars that cut both sides of the spectrum around the resonant frequency of their guitar, giving the appearance of frequency boost. To that end, we’ve added a frequency booster circuit that doesn’t cut anything, giving you a richer tone with a little oomph where it counts.

Review by Guitar World

Review by bonedo

Demo by MUNSTER

Demo by JayLeonardJ

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Dreamcoat

It’s uncertain what exactly the origin of flanging was. It could have been the result of trying to push the boundaries of multitrack recording, probably due to running a couple tape machines in parallel but not quite in sync… Maybe a guy messing around in the studio brushed up against a take-up reel flange accidentally?  Maybe that guy was Les Paul, maybe it was John Lennon and George Martin? It is unclear. But, what is clear is that the mechanical studio method of achieving the effect became, within a decade, commonplace enough for companies to simulate the effect electronically. The electronic approaches were pretty cool and groundbreaking, but by the 80s became tired and worn out. At Catalinbread we attribute this to the fact that these units controlled the flange effect using an LFO that went up and down at a predictable rate taking the life and freshness out of the effect. When we decided to design a flanger, we knew we would approach it the way they originally did it…

Official Product Video

Review by reddit /guitarpedals

Review by The Gear Page

Zero Point

The CBX gives you full control over a classic studio trick popularized in the ‘80s by Phil Collins and Bruce Springsteen known as gated reverb. Originally, this involved an SSL console’s talkback mic channel fed back through the console preamp and into a noise gate

Demo by  Philip Czarnecki

Demo by Megan L

CBX Gated Reverb

The Valco company of Chicago made amplifiers under their own name in addition to building amps for other companies such as Supro®, National, and Gretsch, to name a few. Most of these were lower powered amps with a great sounding natural tube breakup and many models also featured a unique sounding tube driven tremolo. It had a hypnotic throb and was also capable of hard, choppy tremolo. Combined with the breakup overdriven characteristics of the amplifier, it created a percussive, rhythmic pulse that is very inspiring to play. The Catalinbread Valcoder was designed to recreate the tube tremolo as well as the amplifier breakup of these vintage amplifiers. Separate input and output controls allow you to get anything from a clean tremolo sound all the way up to a gritty tube like breakup driving the tremolo circuit.

Demo by Guitar Chimp

Review by Talk Bass.com

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