Mit zwei unabhängigen analogen JFET/IC Schaltungen bietet das Chase Bliss Audio Brothers den Komplettüberblick über das Beste aus Boost, Fuzz und Drive. Die linke Hälfte des Brothers bedient den analogen JFET-Schaltkreis mit transparentem Sound, während die rechte Seite den mittig basierten IC-Kanal regelt. Über die Mix-Funktion beider Schaltkreise lassen sich beide Kanäle entweder kaskadiert oder parallel kombinieren, wodurch unfassbar viele Sound-Kombinationen wie gestackte Fuzz-Sounds, angeboostete Drives oder parallele Fuzz Sounds kein Problem für das Brothers darstellen.

Natürlich bietet das Brothers in klassischer Chase Bliss Manier die volle Kontrolle über alle Regler per Anschluss für Expression Pedale. Über die stirnseitigen DIP Schalter können die zu steuernden Parameter individuell angewählt werden, um z.B. in Echtzeit zwischen den Schaltkreisen zu blenden oder organische Boost Swells über die Gain-Regler zu erzeugen.

The Chase Bliss Audio Brothers Analog Gainstage pedal is designed in collaboration with Resonant Electronic. It's built upon two independent JFET/IC analog channels utilizing a total of six boost, drive or fuzz circuits. With thirty-three possible routing options, the Brothers pedal by Chase Bliss Audio can be used to create an astounding array of tones.

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Brothers

Good old reverb, tucked in the folds of every song you’ve ever heard, bouncing around every room you’ve ever entered. With Dark World, we wanted to see if we could bring a bit of mystery back to it. Let you enter a new kind of space – slightly wrong, or a bit too perfect.

Dark World is a reverb blender. It combines one channel of natural algorithms with another made up of surreal atmospheres. You can billow, drip, and bloom, just like reverb should, or hang, sizzle and oscillate, just like it can’t. Or both. 33 distinct ways to mix, match, and make space. 

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The Chase Bliss Tonal Recall RKM is the ultimate delay pedal for sound tinkerers and fans of spherical reverb sounds. The'Red Knob Mod' version of the Tonal Recall features 4 classic MN3005 Bucket-Brigade Delay Chips. Delay times from 20 to 275ms or 80 to 1100ms can be controlled by S/L/B controls either individually or even together, while Note Division Toggle allows binary and ternary subdivisions of the tapped tempo.

The three controls Mix, Delay-Time and Rain control the classic parameters of the delay effect in the form of mix portion, reverb time and number of repetitions. It gets really exciting when the modulation talents of Tonall Recall are used. Three different waveforms for the LFO and controls for effect depth and rate are available.

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Tonal Recall

eneration Loss MKII is a study of tape in all its forms.

We decided to start from scratch this time and really explore what tape is all about. Get into those crinkles that make it so magical. We took apart VCRs, we analyzed anything we could find with a tape in it, from camcorders to cassette decks. 

All available for you to saturate, fail and flutter, until everything sits just right. And if you prefer the way it was before, you can do that too. In stereo. 

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