Nebengeräuscharme Performance und professionelle Klangqualität auf Studio-Level sind das Metier des Crazy Tube Circuits Magnifier. Das mit doppeltem Butler Amplifier Front End ausgestatte Magnifier verbindet die nebengeräuscharme Performance des Bipolartransistors mit der direkten Ansprache klassischer JFET-Vorverstärker lässt sich wahlweise als Input Buffer mit bis zu 20db Boost oder auch als Preamp verwenden. Dementsprechend stellen auch längere Kabelwege kein Problem für das Crazy Tube Circuits Magnifier dar. Nicht zuletzt bietet der kompakte Buffer die Wahl zwischen True und Buffered Bypass über einen internen Schalter unter der Bottom Plate.

Low-noise performance and professional sound quality at studio level are the métier of the Crazy Tube Circuits Magnifier. Equipped with a double butler amplifier front end, the Magnifier combines the low-noise performance of the bipolar transistor with the direct response of classic JFET preamplifiers and can be used either as an input buffer with up to 20db boost or as a preamp. Accordingly, even longer cable runs are no problem for the Crazy Tube Circuits Magnifier. Last but not least, the compact buffer offers the choice between true and buffered bypass via an internal switch under the bottom plate.

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Review by The Gear Page

Review by Premier Guitar

Demo by R.J. Ronquillo

Demo by Alberto Barrero

Magnifier

 For this new incarnation of Splash reverb we took all the algorithms of the multi-awarded mk3 version, the plate and shimmer algorithm from Sidekick and added 3 more exciting reverb algorithms, two modulated and one flanged freeze reverb algorithm. 

On top of that we added the extra flexibility of controlling decay and excite controls on all algorithms via an external expression pedal and / or the on-board footswitch thus creating the ultimate ambient tones.

Review by bonedo

Demo by Leon Todd

Demo by Do Noise

Manual

Splash MkIII

Voiced after a 70s high wattage guitar tube amp that was also used on bass guitar in rock, doom, sludge and stoner bands. 

Gain control provides a wide range of sounds, from big bold clean to heavy overdrive that retains clarity even at maximum settings. Use the blend control to mix the clean signal and preserve all of your precious low frequencies. The tone control only affects the overdrive signal and volume control sets the master volume of your pedal (post blend).

A voicing toggle switch boosts mid frequencies (in supersonic mode) to make sure you’ll be heard light years away.

Demo by Patrick Hunter

Demo by Chris Kollias

Review by musicradar

Review by No Treble

Official Website

Planet B

φ (Phi) has been updated to include 3 separate compressor circuits at a flip of a toggle switch.

An internal smart switching circuit lets you decide which type of compression works best for you featuring a wide range of compression ratio from 1:1 to 20:1

Each all-analog circuit is totally independent and has its own voice with different compression characteristics, range and response of controls to suit every style.

Review by Compressor Pedal Reviews

Demo by JayLeonardJ

Golden Ratio Phi v2

Inspired by the first digital delay rack units introduced at the beginning of the “digital audio revolution” in the mid-late 70's. These units had lower bit resolution and bandwidth compared to today's digital delay standards. 
TI:ME is not your typical sterile and ultra clean digital delay. With separate analog and digital paths to get best of both worlds, this retro inspired echo effect will warm up your tone. An all analog signal path featuring a high quality opamp is used for the best reproduction of your dry signal. Two digital recording devices, along with carefully tuned filtering, placed in parallel with the dry path give you the most ambient delay unit you have ever heard. Think of a Model 113™ rack unit; the repeats are really musical, reminiscent of worn tape echoes.
Each TI:ME unit is hand lacquered and one of a kind with unique copper elements!

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