The Sub Fuzz is an analog sub-octave generator and fuzz, like the old Blue Boxes, but with super-fast tracking and three octave settings. That’s up to three octaves below the note you’re playing... Seriously!  Equally useable on guitar, bass or keys, the Sub Fuzz is a fun and useful tool to have in your arsenal!

Demo by Dennis Kayzer

Demo by Reason Guitar

Review by Talk Bass.com

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Sub Fuzz

The Pedal Cracker was created to allow anyone with an XLR microphone output to use standard stompbox pedals.  Inspired by vocalists, keyboardists, horn players and percussionists alike who wish for the ability to have the control and versatility that guitar and bass players have long possessed, the Pedal Cracker enables anyone with an XLR microphone input to use effects of their own, allowing complete control over their sound. Simply plug into the Pedal Cracker via the XLR input, connect the effects pedal(s) or pedalboard through the 1/4" send and return loop, and connect the XLR output to your powered speaker or PA board input. Whether it be used as a tool on the gig or in the studio, the Pedal Cracker is a worthwhile investment in your music! 

Demo by Premier Guitar

Official Product Video

Review by r /guitarpedals

Review by Horn FX

Pedal Cracker

We'd like to introduce you to Project 34. 34 just happens to be the atomic number of selenium, and at the heart of this pedal is a selenium rectifier. Selenium rectifiers are an old technology that goes back to pre-germanium times, and were first introduced in the early 1930's. They were last used in the guitar world as rectifiers in older amps such as the 1950's tweeds. Later on in the 1960's they were phased out as the industry turned to modern solid state silicon instead of selenium and tube rectifiers.

Enter Cusack Music founder Jon Cusack. Jon had some 60 year old selenium rectifiers left from his days as an amp repairman, and he always wondered about using them in a pedal. We did just that in 2021 when Cusack music made a very small run of 20  Screamer Fuzz Selenium pedals, which sold out immediately. Jon thought he would never find the suitable rectifiers again because today they are usually relegated to just a few larger industrial and military applications, but after over a year of searching he finally located the supply we needed to make another pedal. While they are a very expensive component, we think you'll come to agree that they certainly do have a sound of their own. 

Demo by Jemmuel Magtibay

Review by The Gear Page

Review by delicious audio

Project 34 - Pre/Drive

The Tap-A-Delay is a 750mS digital delay that mixes the original analog signal with the delayed signal. It is a bit gritty, and very analog flavored. This isn’t a clean studio quality digital delay with perfect repeats, it's much more tape-like than it is digital sounding.  

The Tap-A-Delay Deluxe version features a "Float" switch that controls a momentary feedback loop. At lower feedback settings this enables "floating" ambient sounds, at highter feedback settings it causes quicker feedback "runaway" oscillation. There is also a mini switch provided which to the left enables notes played after the float switch is engaged to add to the loop, while to the right the added notes are un-effected ("dry") .

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Weitere Pedals von Cusack Music

Cusack Music

Sub Fuzz

Cusack Music

Pedal Cracker

Cusack Music

Project 34 - Pre/Drive

Cusack Music

Tap-a-Delay Deluxe

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