Ghost Echo Vintage Voiced Reverb

We kept the tightness and clarity you loved about the Hoof, along with the wide range of fuzz sounds, and threw the rest away. NOS Germanium transistors? Nope! In their place, we installed a set of four specially selected Silicon transistors for cleaner cleans, higher gain, improved temperature stability, and a grittier, grindier, nastier fuzz tone with over 4x the gain of the original Hoof. We also replaced key resistors with NOS Carbon Comp components to sprinkle a little bit of vintage flavor into the Cloven Hoof’s searing fuzz fury. It’s like they always say, “In with the old, out with the new.”

The Tone and Shift controls remain intact, only now they’re re-voiced for a smoother sweep, and more precise control over the Cloven Hoof’s beefy low-end. Speaking of low-end, have you heard this thing on bass? Wow. Try the Cloven Hoof on a bass guitar. Seriously. Trust us. You can still cut or boost the mids, and there’s still a metric ton of output on tap, just do us a favor, and for the love of all that’s Cloven, play this pedal with a bass guitar.

Earthquaker Devices Cloven Hoof (CME Exclusive) | CME Gear Demo | Joel Bauman

Cloven Hoof Fuzz Grinder

Das EarthQuaker Devices Afterneath V3 klingt ein wenig so, wie es aussieht: Wie ein Sound-Zauberer, der eine riesige Höhle betritt und sich in die Ambient-Reverb-Schlacht wirft. Das Pedal bietet ein extrem breites Spektrum an unterschiedlichen, riesigen, ausladenden und magischen Ambient-Reverbs und deckt von wilden, verschlungenen Hall-Effekten über atmosphärische, kurze, digitale Delays bis zu Staccato-artigen, rhythmischen Wiederholungen mit bizarren Sounds alle denkbaren Effekte ab. Die Regelmöglichkeiten für Length (Länge des Nachhalls), Dampen (Tone), Reflect (Depth, Regeneration) und Mix (Wet/Dry-Mix) sind bekannte Parameter bei Reverb-Pedalen und arbeiten sehr intuitiv. Der Diffuse-Regler kontrolliert die Streuung des Nachhalls und ermöglicht je nach Setting aggressivere Sounds, bei denen das Einsetzen der einzelnen Wiederholungen deutlicher hörbar oder weicher und verwaschener wird. Der Drag-Regler trennt die digitalen Delay-Gruppen voneinander. So rücken den Repeats je nach Setting näher aneinander (Hall-ähnlicher Effekt) oder werden auseinander gezogen, sodass statt eines Halls verstreute Ping-Pong-Effekte zu hören sind.

The EarthQuaker Devices Afterneath V3 sounds a lot like it looks: a sound wizard bursting forth from ethereal cave and ready for the ambient reverb battle. The pedal offers an extremely wide range of different, vast, expansive, and magical ambient reverbs and covers all possible effects from wild and cavernous reverb effects to atmospheric reverberations of short digital delays to scattered, rhythmic delays with bizarre characteristics. The controls for Length (decay length of the reverb), Dampen (tone), Reflect (depth, regeneration) and Mix (wet/dry mix) are well-known parameters for reverb pedals and work very intuitively. The Diffuse knob adjusts the spread of the reverb, turned counterclockwise, the reverb is sharper with more attack, resulting in a stuttering sputter of individual early reflections. Clockwise casts a washy, more ambient-sounding effect. Drag separates the individual digital delay lines, clockwise positions will gather the delay lines close together for a more reverb-like effect. Turn the Drag counterclockwise, and the delay lines will begin to pull apart for a scattered ping-pong delay effect.

Official Product Page

EarthQuaker Devices Afterneath V3 - Demo Video - Dennis Kayzer

EarthQuaker Devices Afterneath Eurorack Module - Demo / Review Video - Russo Music

EarthQuaker Devices Afterneath Eurorack Module - Demo Video - Perfect Circuit

Manual

EarthQuaker Devices Afterneath V3 - Official Manual Video

EarthQuaker Devices Afterneath V3 - Official Demo Video, Designer Notes with Jamie Stillman

EarthQuaker Devices Afterneath Eurorack Module - Official Demo Video

EarthQuaker Devices Afterneath V3 - Official Demo Video

EarthQuaker Devices Afterneath Eurorack Module - Official Manual Video

Afterneath Eurorack Module

Das neueste Pedal von EarthQuaker Device ist in Zusammenarbeit mit Death By Audio entstanden. Dieses neue Pedal ist eine gemeinsame Kollaboration, die ihre klanglichen Trips zu deinem geschmolzenen Verstand bringt.
Mit dem Schalter auf der linken Seite sind die Bedienelemente des Time Shadow vollständig das Werk des EarthQuaker Devices-Genies Jamie Stillman. Legt man den Schalter nach rechts, taucht man in den Kopf des Verrückten Oliver Ackermann von Death By Audio ein, der sich gerade noch an die Realität klammert. Legen Sie den Schalter in die Mitte und Sie betreten ein völlig neues Reich der Pitch Warping Delays, die durch eine telepathische Gedankenverschmelzung mit einem fünfdimensionalen Traumwesen zu Ihnen gelangen.
Alle drei Klänge unterscheiden sich stark voneinander und sind doch so perfekt aufeinander abgestimmt, dass sie sich auf ideale Weise ergänzen und für jeden Musikstil und jedes Genre geeignet sind. Die EarthQuaker Devices-Seite verwandelt alles, was Sie spielen, in den Sound einer Jazz-Space-Bazooka! Es ist ein pitch-morphender Fuzz-Delay-Filter mit so viel Attitüde, dass man tatsächlich eingeschüchtert ist. Es nimmt das Eingangssignal, bläst es mit der Kraft digitaler Verzerrung auf, mischt es mit einer polyphonen Suboktave, speist es in ein Delay ein und spuckt es dann in einem hoch resonanten, hüllkurvengesteuerten Tiefpassfilter aus. Die Death By Audio-Seite ist ein Multi-Delay-Filter-Remorphinator, der von eisigem Schimmern bis zu kosmischen Weltraumhöhlen voller bouncender Repeats reicht. Die mittlere Position ist ein Energiestrahl, der deine irdischen Transmissionen wiederholend dem Himmel näher bringt und gleichzeitig tief in die Höllen eintaucht.
Zusätzlich zu all diesem Wahnsinn bieten wir dir auch eine vom Benutzer zuweisbare Expression-Buchse und 6 Preset-Slots zum Speichern und Abrufen deiner Lieblingseinstellungen! 
Mit diesen drei überirdischen Köstlichkeiten sollten Sie alles haben, was Sie brauchen, um Gehirne zu zerbrechen und Monotonie zu vernichten!
Jedes Time Shadows wurde liebevoll von Druiden mit sehr zarten Händen in dem winzigen Hobbit-Loch in Akron, Ohio, gebaut.

The latest pedal from EarthQuaker Device was created in collaboration with Death By Audio. This new pedal is a joint collaboration that brings their sonic soundscape trips to your melted mind.
With the switch to the left Time Shadow's controls are completely the brainchild of EarthQuaker Devices resident genius Jamie Stillman. Flip the switch to the right, and you enter the head of the madman Oliver Ackermann from Death By Audio barely clutching to reality. Place the switch in the middle and enter a whole new realm of pitch warping delays brought to you by a telepathic mind-meld with a 5th dimensional dream being.
All three sounds are wildly different from each other and yet share a perfectly designed harmony to be completely complementary and suitable for every style and genre of music. The EarthQuaker Devices side transforms whatever you play into the sound of a jazz space bazooka! It's a pitch morphed fuzz delay filter with so much attitude that you are actually intimidated. It takes the input signal, blows it out with power of digital distortion, blends it with a polyphonic sub octave, feeds it into a delay, then spits it out into a highly resonant envelope controlled lowpass filter. The Death By Audio side is a multi-delay filter remorphinator that goes from icy shimmers to cosmic space caves of bouncing repeats. The middle position is an energy beam that brings your earthly transmissions repetitively closer to the heavens while simultaneously diving deep into the hells.
In addition to all this madness we also bring you a user assignable expression jack and 6 preset slots to save and recall your favorite settings! 
With these three unearthly delights, you should have everything you need to break brains and destroy monotony!
Each Time Shadows was lovingly built by druids with very soft hands in the tiny hobbit hole of Akron, Ohio.

EarthQuaker Devices Time Shadows II Subharmonic Multi-delay Resonator Pedal Demo | First Look - Premier Guitar

EarthQuaker Devices + Death By Audio Time Shadows II - Subharmonic Multi-Delay Resonator - The Pedal Zone

Time Shadows Subharmonic Multi-Delay Resonator Demo - EarthQuakerDevices

Time Shadows II

Octave Fuzz Blaster
The Fuzz Master General is our take on the vintage Ace Tone Fuzz Master FM-2 Professional fuzz machine, an octave fuzz that was very similar to the wildly popular Super Fuzz. We have taken the basic circuit and re-imagineered it to be more useful for the modern player. The Fuzz Master General features a more accurate Fuzz control that delivers a much broader spectrum of dirt tones ranging from nearly clean through full buzz saw assault. We added a “Voice” toggle to further enhance your dirt desires and wrangle a more variable tone out of the classic circuit. This toggle selects between germanium, silicon and no diode clipping. This has a huge impact on the characteristics of fuzz tone, upper octave clarity and output level. Germanium diodes offer more output and an open, looser fuzz tone while the silicon diodes compress the signal and yield a tighter fuzz tone. When the voice is set to no diode clipping (center position) you can attain a nearly clean upper octave that boarders on ring modulation! While the original Fuzz Master had a foot switch to select between two different tone settings, The Fuzz Master General has a variable tone control that allows you to dial in anything from a wide open treble assault to a super-scooped, bass heavy blast. It also has significantly more output volume and a much lower noise floor than the original, vintage unit. With all these added features, the Fuzz Master General delivers a more versatile version of the original while still retaining the same swelling octave grind we all know and love. Each Fuzz Master General is made by human hands in mostly tropical Akron, Ohio.

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