Octave Fuzz Blaster
The Fuzz Master General is our take on the vintage Ace Tone Fuzz Master FM-2 Professional fuzz machine, an octave fuzz that was very similar to the wildly popular Super Fuzz. We have taken the basic circuit and re-imagineered it to be more useful for the modern player. The Fuzz Master General features a more accurate Fuzz control that delivers a much broader spectrum of dirt tones ranging from nearly clean through full buzz saw assault. We added a “Voice” toggle to further enhance your dirt desires and wrangle a more variable tone out of the classic circuit. This toggle selects between germanium, silicon and no diode clipping. This has a huge impact on the characteristics of fuzz tone, upper octave clarity and output level. Germanium diodes offer more output and an open, looser fuzz tone while the silicon diodes compress the signal and yield a tighter fuzz tone. When the voice is set to no diode clipping (center position) you can attain a nearly clean upper octave that boarders on ring modulation! While the original Fuzz Master had a foot switch to select between two different tone settings, The Fuzz Master General has a variable tone control that allows you to dial in anything from a wide open treble assault to a super-scooped, bass heavy blast. It also has significantly more output volume and a much lower noise floor than the original, vintage unit. With all these added features, the Fuzz Master General delivers a more versatile version of the original while still retaining the same swelling octave grind we all know and love. Each Fuzz Master General is made by human hands in mostly tropical Akron, Ohio.

Fuzz Master General Operational Manual 

Earthquaker Devices Fuzz Master General™ Octave Fuzz Blaster

EarthQuaker Devices Fuzz Master General Octave Fuzz Blaster

Fuzz Master General

Limited to 1500 units worldwide, Black Ash is a fuzz/overdrive that takes some cues from the vintage “three-knob Bender.” It uses a highly curated cache of rare and irreplaceable components including paper-in-oil capacitors and NOS half-watt carbon composition resistors from EQD President Jamie Stillman’s personal stash to light a fire under this classic fuzz/drive with an explosive-yet-detailed treble response, a sturdy midrange, and subterranean bass extension.

EarthQuaker Devices Black Ash Endangered Fuzz

EarthQuaker Devices Black Ash Users Manual 

EarthQuaker Devices Endangered Fuzz 

Black Ash Endangered Fuzz

Der EQD Tone Job ist ein üppig ausgestattetes Tonverbesserungs-Tool mit EQ und Booster, geeignet für Gitarre, Bass, Synthesizer und mehr. Das Tone Job Pedal ist mit Reglern für Level, Treble, Mid und Bass ausgestattet, wobei Treble, Mid, Bass aktiv arbeiten, mit je +-20dB Regelbereich. Der Level-Regler liegt hinter dem EQ und kann den Pegel um bis zu dem fünffachen anheben. Das EQD Tone Job eignet sich beispielsweise vorzüglich für ein Feintuning des Sounds am Ende einer Effektpedalkette. Der Tone Job V2 verfügt über einen geräuschlosen, relais-basierten Soft-Touch Fußschalter. Audiosignale haben keinen Durchgang, wenn das Gerät nicht mit Strom versorgt wird.

The Tone Job is a complete tone enhancement tool with EQ and Booster suitable for guitar, bass, synthesizer and more. The Tone Job is equipped with controls for Level, Treble, Mid and Bass, where the last three will cut or boost up to 20db. The level control will boost the signal (post EQ) up to 5 times the input depending on where the dial is set. The EQD Tone Job can be used for example at the end of the effect chain for tone fine tuning. The Tone Job V2 uses silent relay-based soft touch switching. Audio will not pass without power.

Official Product Page

EarthQuaker Devices Tone Job V2 - Official Demo

Manual

Tone Job

Der Blumes ist ein Overdrive, der auf dem Plumes-Schaltkreis basiert und ideal für Bassisten und alle, die gerne tiefe Töne spielen, geeignet ist. Es wurden die wichtigsten Merkmale und Eigenschaften des Plumes übernommen, aber die Schaltung mit dem doppelten Gain und einer tieferen Basswiedergabe modifiziert, um das gesamte Low End beizubehalten. Bei niedrigeren Gain-Einstellungen erhältst du den knackigen Ton, den du vom Original so liebst, aber sobald du den Gain-Regler über 12 Uhr stellst, hören die Ähnlichkeiten auf. 
Dieser rein analoge Tri-Mode-Overdrive mit Soft Clipping ist der Nachfolger des klassischen Screamer-Schaltkreises, hat aber eine ganz eigene Stimme. Und dank seiner +/- Stromversorgung nutzt er bipolaren Strom, was mehr Dynamik, Klarheit und den ganzen Headroom bietet, den man sich nur wünschen kann. Das Endergebnis ist ein dreidimensionaleres Klangbild mit zusätzlicher Klarheit, der einen guten Röhrenverstärker wirklich auf Touren bringt. 
Und ähnlich wie das Plumes bietet dieses Pedal drei verschiedene Clipping-Optionen für die gewünschten Low-End-Face-Melting-Bedürfnisse.

The Blumes is an overdrive based on the Plumes circuit that is ideal for bass players and all purveyors of low-end. While embodying the key characteristics and features of the Plumes, they went ahead and modified this circuit with double the gain and a deeper bass response to retain all the low end. At lower gain settings, you’ll get all of the crunchy tone you love about the original, but once you get above noon on the Gain control, that’s where the similarities stop. 
This all-analog tri-mode overdrive with soft clipping carries the torch of the classic screamer circuit but has a voice all its own. And thanks to its +/- power supply it utilizes bipolar power, which gives you more dynamics, clarity, and all the headroom you could ever desire. The end result is a more three-dimensional tone with added clarity that really pushes a nice tube amp over the edge. 
And much like the Plumes, this pedal offers three different clipping options for your desired low end face melting needs.

Earthquaker Devices Blumes Low Signal Shredder - Review by Bonedo [DE], [01-2024]

New Earthquaker Devices Bass Overdrive | Insane Value for Money - Janek Gwizdala

Blumes Low Signal Shredder Bass Demo | EarthQuaker Devices

Blumes

Hey Shredders! Patch a Pitch Bay in your effects chain and blast your three-part guitar harmonies into the stratosphere! This Device packs a three-part polyphonic harmonizer and overdrive circuit into a compact unit that saves precious pedalboard real estate while still being completely intuitive.

Each of the Pitch Bay’s polyphonic harmonizers (“Pitch Up” and “Pitch Down”) are tunable in semitones from one octave below the root to one octave above, and every interval in between. You’ll find everything from rumbling sub-octaves, dissonant tone clusters, soaring octave-up lead sounds, to ripping NWOBHM lead guitar harmonies.  Rounding out the top row of controls is the “Gain” knob, which can go from totally clean to heavily distorted, unleashing the dirty hesher within.

The bottom row of controls is the Pitch Bay’s mixer section where you can adjust the volume of your upper voice, lower voice, and the all-analog “Root” signal to create the perfect polyphonic blend of sounds. The digital pitch-shifting engine tracks across the harmonic spectrum, making the Pitch Bay perfect for dense chords, synthesizers, vocals, bass guitar, drum machines, and just about anything with a ¼” output. Sky’s the limit, reap the whirlwind, reach for the stars, break a leg, ride the lightning, YOLO, etc.…

Each Pitch Bay is true bypass and imagineered one at a time by a team of rocket scientists in the space station orbiting the alien landing site of Akron, Ohio, USA.

Produkte

Bau dein Board

Community

Featured Artists

Services

Pitch Bay Polyphonic Harmonizer

Media

Videos

Handbücher

Links

Technische Daten

Weitere Pedals von EarthQuaker Devices

EarthQuaker Devices

Fuzz Master General

EarthQuaker Devices

Black Ash Endangered Fuzz

EarthQuaker Devices

Tone Job

EarthQuaker Devices

Blumes

Produkte

Bau dein Board

Services

Community