On more subtle settings the Phaseomatic tube phaser pedal creates a beautiful, natural sounding vibrato (frequency modulation) and shimmering phasing effects, utilising exactly the same one- and two-stage “Cathodyne” tube circuitry used to in those incredible vintage Magnatone® amps. However, the Phaseomatic’s all-tube circuitry has two additional Cathodyne phase inverters, which allow it to generate a much richer, deeper vibrato and even intense, deep “tunnel” phasing as well as a host of cosmic and spacious sound effects heard on many 1950′s “B” science fiction movie soundtracks.

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Review by musicradar

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Demo by Mike Hermans

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Phaseomatic Vacuum Tube Phaser

The Blue Bottle™ Inductorized Booster pedal has been custom designed for blues/rock guitarist John Verity to enable him to achieve a fatter, more bluesy B.B. King ‘335’ tones from his Strat-type guitars. It’s the perfect vintage mid-boost—never too aggressive or over-the-top—for low output single coil pickups.

Review by Guitar World

Demo by John Verity

Blue Bottle

The Delta-Trem™ authentically recreates the alluring, hypnotic tone and feel of vintage guitar amp tremolo in S-T-E-R-E-O! This is accomplished using vacuum tubes and an archaic, long forgotten electronic component known as a ‘Raysistor’, essentially a tiny filament lamp and photocell housed together in a small metal can. The combination of Raysistor and all-tube circuitry tube creates an exceptionally smooth, rich and musical tremolo effect that blends well with clean and overdriven guitar sounds. The true stereo signal path allows the Delta-Trem to operate as a mono tremolo with a single guitar amp or into two amps, where the sound ping-pongs between them creating a huge, 3-D, spacious tone.

Review by Anatomy of Guitar Tone

Demo by DMTR Pedal Shop

Delta-Trem

The PC-2A is a true vintage studio compressor in a stompbox—there are no cheap VCA chips, opamps or budget components in the signal path which is 100% analogue and built on a hand selected photocell, polyester coupling capacitors, precision resistors (with silver/palladium contacts) and Sylvania N.O.S. (new old stock) 6111 sub-miniature tube operating at real amp plate voltages all on a special silver-plated printed circuit board.
The tube circuitry delivers stacks of head-room and very, very low noise floor for outstanding dynamics, preserving the attack characteristics while creating musical and natural compression—the PC-2A wraps your signal in velvet, enhancing your guitar tone without stamping a solid-state signature on it. Useful in live situations for adding ‘punch’ or fattening up thin single coil pickups and indispensable when recording direct to digital audio workstations (computer) to prevent nasty transient distortion artefacts that modern digital recording devices produce if overloaded. 

Review by Compressor Pedal Reviews

Demo by gilmourish

PC-2A Tube Compressor

The Effectrode® ‘LA-1A’ Leveling Amplifier was designed with one purpose in mind: to enable artists and engineers extract every last nuance from a musical performance… without compromise. Tubes are unmatched tone enhancers, adding warmth, depth and clarity to recorded and live instruments and Effectrode wanted to push their sonic performance even further and beyond expectation. To that end we based our Leveling Amplifier on a parallel tube plate design—the type of tube circuitry only found in audiophile tube phono-stage preamps for high-end turntables. Parallel tube design reduces the LA-1A’s noise floor to vanishing point. In practical terms this means best possible signal to noise ratio for your guitar. It’s an expensive way of doing things—as four identical tube input stages are used in its circuitry—but it does yield stellar sound quality, without the compromise of noise gates or ‘cutting’ certain frequencies using equalisation. The parallel tube design has never been built into a stompbox or even a professional studio leveling amplifier/compressor before, making the LA-1A a truly special compressor.

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Phaseomatic Vacuum Tube Phaser

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PC-2A Tube Compressor

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