Sending is an analog delay that melds the archaic voice of bucket brigade devices with a fully modern toolbox of digital control. It embraces the character and idiosyncrasies of the medium while delivering high quality sound and performance-friendly features worthy of the modern musician.

Using two MN3005 BBDs and comprehensive analog processing techniques, Sending can delay a sound up to a full second without clock noise, and it can be pushed to even longer times for compelling sonic degradation. At the input is a discrete preamplifier capable of subtle enhancement or warm saturation that melds perfectly with the delay line. A dual-mode feedback filter shapes the repeats into deep pulses or dub-style bright echoes. Its flexible LFO engine can modulate the delay time to create gentle movement or musical chaos. Conducting this analog ensemble is a 32-bit, 100MHz processor granting deep user control, preset functionality, and MIDI access to every parameter.

Sending is our love letter to the antiquated yet enduring technology of analog delay. As you explore its many shades of interplay between past and future, we hope you find it as immersive as we do.

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Review by musicradar

Review by The Gear Page

Manual

Demo by Emily Hopkins

Demo by JHS Pedals

Sending v2

In a nutshell the Beholder consists of the following: 1) an emulated spring/hall reverb using a
series of digital delay chips (themselves ensconced in a “brick” module) that feeds back onto
itself, and 2) a high-gain fuzz. When you first turn on the Beholder you will find yourself in an
utterly destroyed soundscape, but one with endless possibilities. Enjoy the chaos!

Review by reddit /guitarpedals

Demo by Reverb

Demo by aBunchOfPedals

Beholder

The Electronic Audio Experiments Longsword is yet another contender in the endless void of op-amp based drive pedals—familiar but with some novel twists. Cascaded gain stages allow for the full range from clean boost to massive distortion, all without sacrificing tonal flexibility. The equalizer combines bass and treble shelving filters with an active, frequency-selectable midrange boost/cut control. This lets the user sculpt a diverse array of tones and carve out a niche in even the most dense of mixes. The Longsword has a broad frequency response which makes it work equally well with guitar, baritone, and bass.

Review by delicious audio

Demo by Mark Johnston

Demo by ambienttrash

Longsword

The Electronic Audio Experiments Hypersleep is a solid-state analog reverberator. It evokes the immediate acoustic reflections of metal and tile, with a gritty timbre and a ringing, fluttering decay—forgoing epic atmospherics in favor of liminality. 

At the heart of the Hypersleep is the unusual and obsolete MN3011 bucket brigade device. Unlike other BBDs with one input and one output, the MN3011 uses an array of staggered delay outputs to produce a smeared-out echo. Feeding this echo back upon itself produces a reverberant texture. The reverb length can be modulated via the onboard LFO for atypical chorus and vibrato effects, or the haunting sound of a room changing size in real time. As always, careful signal conditioning ensures that Hypersleep is friendly to any instrument or line level signal source.  

Review by Talk Bass.com

Demo by PSQRCL

Demo by collector//emitter

Hypersleep v2

The 0xEAE collaboration began as an indestructible enclosure created in the distinct, utilitarian-yet-elevated visual language of Obstructures, culminating in a neo-brutalist homage to the iconic sloped fuzz enclosures of the 60s and 70s.

The exterior physical design (and our shared affinity for noise rock) informed the intent of the circuitry within: a versatile signal boost/overdrive with the potential for a razor-sharp treble response and excessively high output levels. The circuit itself is comprised of a discrete op amp gain stage with a treble boost in front, forming a densely textured upper midrange character laden with higher order intermodulation products. A mix of active and passive tone controls allows for dramatic alterations in sonic character. We also took extreme measures to engineer a high-quality power supply that is fully protected from excessive voltage, improper setup, and external interference.

Review by guitar pedal X

Demo by Noise Generator

0xEAE Fuzz

0xEAE-Fuzz by Electronic-Audio-Experiments

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