Sending is an analog delay that melds the archaic voice of bucket brigade devices with a fully modern toolbox of digital control. It embraces the character and idiosyncrasies of the medium while delivering high quality sound and performance-friendly features worthy of the modern musician.

Using two MN3005 BBDs and comprehensive analog processing techniques, Sending can delay a sound up to a full second without clock noise, and it can be pushed to even longer times for compelling sonic degradation. At the input is a discrete preamplifier capable of subtle enhancement or warm saturation that melds perfectly with the delay line. A dual-mode feedback filter shapes the repeats into deep pulses or dub-style bright echoes. Its flexible LFO engine can modulate the delay time to create gentle movement or musical chaos. Conducting this analog ensemble is a 32-bit, 100MHz processor granting deep user control, preset functionality, and MIDI access to every parameter.

Sending is our love letter to the antiquated yet enduring technology of analog delay. As you explore its many shades of interplay between past and future, we hope you find it as immersive as we do.

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Review by musicradar

Review by The Gear Page

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Demo by Emily Hopkins

Demo by JHS Pedals

Sending v2

The Electronic Audio Experiments Citadel is a preamp-style overdrive inspired by the everlasting sounds of British amplifiers from the '60s and '70s. Rather than emulating a specific model, it encompasses our favorite parts of a whole generation of amplifiers including warm piano-like cleans, bright clear overdrive, and sizzling lead tones.

The Citadel began as a series of experiments on our Model feT pedal. Like any tube amp, there are ample opportunities for modifications. After all, the original Model T was itself a modified take on the Super Bass sound, delivering a distinct variety of the plexi flavor with fuzzy breakup and a huge low frequency punch. So, what if we flavored it our own way? Once Brad completed his "Marsha" prototype, it was on. In a way, you can almost think of the Citadel as a re-plexi-fied Model T sound, trading low end sludge for a sparkly midrange focus. In another way, you can think of it as what we’d do if the original Model T wasn’t too sacrosanct to modify.

Finally, like our Model feT, the Citadel emulates both the preamp and power amp sections of a tube amp to provide a full-bodied overdrive that feels powerful and responds wonderfully to boosts, drives, and fuzzes in front. It can be used either a conventional drive pedal or as the workhorse of an ampless signal chain.

Review by reddit /guitarpedals

Review by delicious audio

Demo by Mark Johnston

Demo by ambienttrash

Citadel

The Electronic Audio Experiments Hypersleep is a solid-state analog reverberator. It evokes the immediate acoustic reflections of metal and tile, with a gritty timbre and a ringing, fluttering decay—forgoing epic atmospherics in favor of liminality. 

At the heart of the Hypersleep is the unusual and obsolete MN3011 bucket brigade device. Unlike other BBDs with one input and one output, the MN3011 uses an array of staggered delay outputs to produce a smeared-out echo. Feeding this echo back upon itself produces a reverberant texture. The reverb length can be modulated via the onboard LFO for atypical chorus and vibrato effects, or the haunting sound of a room changing size in real time. As always, careful signal conditioning ensures that Hypersleep is friendly to any instrument or line level signal source.  

Review by Talk Bass.com

Demo by PSQRCL

Demo by collector//emitter

Hypersleep v2

Limelight is a dual channel overdrive developed in collaboration with LA-based punk band Touche Amore. The distinctive bright, clear tones of guitarists Nick Steinhardt and Clayton Stevens form the foundation of TA’s impassioned brand of post-hardcore, letting their riffs morph effortlessly between serene clean passages and cacophonous blast beats. This pedal was originally developed to commemorate the release of their 2020 LP, Lament, but since earned its place in a wide variety of guitar rigs spanning genres.

Limelight

The Electronic Audio Experiments Halberd is a discrete transistor overdrive circuit designed for the greatest possible dynamic range and note clarity. It fills a special niche our family of drive pedals—a medium-gain device with the harmonic fullness and grind of a much higher-gain pedal, one that stands apart from both the brazen buzz of op amp distortion and the smooth breakup of JFET amp emulations alike.

The Halberd’s character comes from over a dozen transistors working in harmony. It is familiar but unique, sitting somewhere between blown-up tweed and an overloaded console. Rather than resigning itself to transparency, it imparts its character in a collaborative fashion, responding in unique ways to different instruments and amplifiers but not without leaving its distinct fingerprints. And of course, it is equally at home on guitar, bass, and synthesizer.

Review by guitar pedal X

Demo by Noise Generator

Halberd v2

Halberd-v2 by Electronic-Audio-Experiments

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