The Electronic Audio Experiments Surveyor is a compact interpretation of the Intersound IVP (Instrument Voicing Preamp), a cult classic rackmount preamplifier used for famous noise rock tones. This 4-knob drive was previously found in the left half of our Dude Incredible pedal, and it is now available on its own in a more compact and affordable format. 

The original IVP is best known for its distinctively clangy tone with the treble cranked, especially in conjunction with aluminum guitars and full range speakers. But it is far from a one-trick pony. Thanks to its 2-band active EQ and unique "Tube Voice" clipping circuitry, the IVP can sculpt all kinds of uniquely saturated textures that transcend genre labels. 

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Review by reddit /guitarpedals

Demo by Noise Generator

Demo by Harsh Tones, Inc

Manual

Surveyor

The Electronic Audio Experiments Halberd is a discrete transistor overdrive circuit designed for the greatest possible dynamic range and note clarity. It fills a special niche our family of drive pedals—a medium-gain device with the harmonic fullness and grind of a much higher-gain pedal, one that stands apart from both the brazen buzz of op amp distortion and the smooth breakup of JFET amp emulations alike.

The Halberd’s character comes from over a dozen transistors working in harmony. It is familiar but unique, sitting somewhere between blown-up tweed and an overloaded console. Rather than resigning itself to transparency, it imparts its character in a collaborative fashion, responding in unique ways to different instruments and amplifiers but not without leaving its distinct fingerprints. And of course, it is equally at home on guitar, bass, and synthesizer.

Review by Talk Bass.com

Review by guitar pedal X

Demo by collector//emitter

Halberd v2

The Electronic Audio Experiments Citadel is a preamp-style overdrive inspired by the everlasting sounds of British amplifiers from the '60s and '70s. Rather than emulating a specific model, it encompasses our favorite parts of a whole generation of amplifiers including warm piano-like cleans, bright clear overdrive, and sizzling lead tones.

The Citadel began as a series of experiments on our Model feT pedal. Like any tube amp, there are ample opportunities for modifications. After all, the original Model T was itself a modified take on the Super Bass sound, delivering a distinct variety of the plexi flavor with fuzzy breakup and a huge low frequency punch. So, what if we flavored it our own way? Once Brad completed his "Marsha" prototype, it was on. In a way, you can almost think of the Citadel as a re-plexi-fied Model T sound, trading low end sludge for a sparkly midrange focus. In another way, you can think of it as what we’d do if the original Model T wasn’t too sacrosanct to modify.

Finally, like our Model feT, the Citadel emulates both the preamp and power amp sections of a tube amp to provide a full-bodied overdrive that feels powerful and responds wonderfully to boosts, drives, and fuzzes in front. It can be used either a conventional drive pedal or as the workhorse of an ampless signal chain.

Review by delicious audio

Demo by Mark Johnston

Demo by ambienttrash

Citadel

The 0xEAE collaboration began as an indestructible enclosure created in the distinct, utilitarian-yet-elevated visual language of Obstructures, culminating in a neo-brutalist homage to the iconic sloped fuzz enclosures of the 60s and 70s.

The exterior physical design (and our shared affinity for noise rock) informed the intent of the circuitry within: a versatile signal boost/overdrive with the potential for a razor-sharp treble response and excessively high output levels. The circuit itself is comprised of a discrete op amp gain stage with a treble boost in front, forming a densely textured upper midrange character laden with higher order intermodulation products. A mix of active and passive tone controls allows for dramatic alterations in sonic character. We also took extreme measures to engineer a high-quality power supply that is fully protected from excessive voltage, improper setup, and external interference.

0xEAE Fuzz

Prismatic Wall is a sympathetic resonator designed to transmute incoming sounds into the vibrations of an illusory bank of tuned strings. Part reverb and part synthesizer, its metallic yet warm timbres span from the subtle harmonic aura of a third bridge to the rich chromatic suspensions of a grand piano. The simulated vibrations form a sustaining spectral extension of your instrument that retains a tangible physicality despite its surrealist underpinnings. The resonances are reactive in nature: playing in tune excites specific pitches, while percussive attacks excite all the strings in tandem.

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Surveyor

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