A state-variable filter with wide range and application. Versatile. Combining tilt and notch/boost equalization around a 2nd-order (-12dB/octave) state-variable core.

Very much a one-band parametric equalizer with gritty extras:

Shelving filter, from low-pass to high-pass
CV inputs for resonance (Q) and frequency (F)
V/octave scaling synthesizer interface
Fully variable Q goes well into tasty sweet self-oscillations
Soft clip zener zesty mordant
Expression pedal input controls center frequency

Official Product Video

Demo by Cyberattack

Review by Pedal of the Day

Review by The Gear Page

Review by reddit /guitarpedals

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Long Life

Every operation needs an accountant, and your 
signal chain is no exception. This little guy will fit 
right in, no questions asked. Call upon his services 
to crunch numbers, cook your books and calculate 
ratios in all confidence that your shit will remain 
tight. 

We’re talking about a mostly utilitarian relationship 
here, but one of trust as well. Whether you enjoy 
slight, nuanced dynamics control or you just want to 
squeeze your signal into one dimension, you’ll find a 
use for The Accountant.

Featuring all analogue, JFET feedback compression, 
The Accountant works well with all signal sources; 
guitars, bass, vocals, synths, even whole mixes. A 
simple control interface allows you to change the 
threshold, compression ratio and makeup gain. 

The Accountant

Meet Maude
Analogue Delay

Imparting a dark and tape-like quality to your sound, this analogue delay offers a rich and distinct character for you to wallow in luxury, self-righteousness and filth.  

Using the tone and feedback controls, you can shape your repeats to be much more than simple reproductions of the input. Play right on the threshold of feedback, which you can mold as a low thundering growl or screeching wail, or let your echo slowly die out as the dynamic output filter gets darker every repeat.

A random delay time modulation adds a true tape feel to the delay, like a reel-to-reel motor spinning not quite perfectly. Full CV capabilities allow you to control delay time and/or feedback with any external source, like an expression pedal.

Review by Waveform Magazine

Demo by collector//emitter

Meet Maude

The Fairfield Circuitry Four Eyes is a unique and versatile fuzz pedal that features three parallel JFET fuzz circuits driven by a voltage controlled state variable filter with resonance control and mu-amp input stage. This pedal is designed to offer a wide range of tonal possibilities, from extreme to relatively subtle, and from super thin to ridiculously fat.

Demo by Iga Massardi

Review by delicious audio

Review by guitar moderne

Official Website

Four Eyes

Have you ever sat in a barber’s chair wishing your tone was as slick 
as your freshly shaved upper lip? With the Barbershop Overdrive on 
your pedalboard, you could keep your moustache and sound good doing 
it.
Less is more with this simple, original design. Handmade from JFETs 
matched to specs, this versatile pedal will treat your pickups with the 
respect they deserve. In return, they’ll thank you with some of them 
sweet tones

Demo by Fairfield Circuitery

The Barbershop 

The-Barbershop by Fairfield-Circuitry

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