The Fjord Fuzz SOL effect pedal, designed in collaboration with PALF, is a sonic alchemy that captures the spirit of Gilmour and Hendrix, offering a unique experience with its dynamic fuzz and overpowering uni-vibe, everything is emotionally powerful.

Demo by Palf

Demo by Tone Factory

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The Fjord Fuzz Bifrost is a unique pedal that combines a fuzz circuit with a delay effect, allowing you to create a wide range of sounds from clean and crisp to heavily distorted and bold. Here’s a breakdown of its features:

Fuzz Circuit: The fuzz section of the pedal produces a range of tones from clean preamp to very heavy and bold fuzz, making it suitable for a variety of musical styles.
Delay Effect: The delay section of the pedal allows you to create unique, saturated soundscapes or pulsating, heavily-textured riffs.


Review by delicious audio

Review by Pedal of the Day

Demo by Ambient Endeavors

Demo by Ponderer Sounds

Bifrost

Fjord Fuzz MIME is a reverb pedal that combines the warmth of analog reverb with the versatility of digital processing. The pedal is built using an AI chatbot service, which allows for a unique approach to reverb creation.

Demo by JHS Pedals

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Review by reddit /guitarpedals

Mime

BERSERK III expands on the circuit family tree that started with the octave section of ODIN. That same circuit can be configured in four different, equally useful and exciting ways. There’s a loud and strong octave fuzz, a precise and pointy octave fuzz, a wide and kind regular fuzz and a bright and loud regular fuzz. For ODIN II and now III, I used the loud octave fuzz and the kind regular fuzz, for a very fun 1-2-punch kind of live package. The regular fuzz lets you fall back into the mix and the octave fuzz allows you to punch through anything when needed. 

Berserk V3

LOKE gives you two almost identical signals.
Each one has enough output to drive your preamp into overdrive.
One of the signals has a slight tape tint to it and can be shifted in time by either 0-100mS or 0-400mS.
You can quickly switch between delay modes via the secondary foot switch and the expression
control gives you the option of warping the time parameter with hands-free operation.
We also added a very exciting random LFO using the least-significant-bits method of calculation,
as well as a sort of servo control for the delay time operation.

All of this together offers you the full suite of exciting effects found on old school reel-to-reel tape gear,
but perhaps even more intriguing, it lets you dwell within the spaces left between the classic staples
of recording tricks and discover new and wonderful textures, never heard before.

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