Glou-Glou's Moutarde is another exceptional multi-effect module, this time offering a bank of lowpass filters, a gated fuzz, and a four-voice PLL circuit for creating synth sounds, fuzzy harmonies, thick pitch shift effects, and more. As always, Glou-Glou delivers a pedal with a sound and workflow all its own.

Moutarde's four resonant filters can be modulated via the internal LFO or envelope follower, making for a dynamic means of timbral modulation. Additionally, the LFO's rate can also be modulated via the envelope follower for modulations that speed up and slow down with the player's dynamics (or an external expression pedal).

Moutarde offers tons of options for signal routing and combination, making it possible to do gentle layering with the dry sound, all-out fuzz, and much more. As always with Glou-Glou, the Moutarde does everything from subtle to extreme, making for a synth effect of exceptional class and quality.

Review by reddit /guitarpedals

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Demo by Devon Blue Whitaker

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Moutarde Extra Forte

Combining two (almost) identical distortion channels that run in parallel with extensive filtering options, Steak from Glou-Glou is a distortion powerhouse. It can be a source of everything from slight fuzz with a bit of filtering to growling and aggressive octave distortion and everything in between.

The parallel channels first are routed to a fuzz circuit that can add everything from soft textures to harsh squared-up fuzz. Then the audio is split and passed into the two parallel distortions. These have their own predistortion band pass filter, distortion circuit, and post-distortion low pass filter. Each filter has its own cutoff frequency, resonance, and modulation depth control. Both distortion sections feature a range of distortion settings from tube-like soft clipping to squared and harsh octave up or down distortion. Distortion 2 has a special ring modulation setting where the two circuits intermodulate each other.

Review by gearnews.de

Steak

What’s Flancher ?

Flancher is a line of 4 different stereo, analog, voltage controlled pedals. They use BBD (bucket brigade device) chips running internally at 15V and are comparable to late 70’s chorus delay studio rack units such as Roland SBF-325 or Boss DM-100.

The FL9 and FL7 are geared towards pitch modulation such as chorus, flanger, vibrato, and quasi-ring mod sounds.

The FL9 uses a 256 stage BBD, while the FL7 uses a 1024 stage BBD. More stages means more delay time, but also more noise.
The FL7 has more delay time available (from 1.5ms to 34ms), but the sound is more filtered. The FL9 has a much smaller range of times (from 0.4ms to 9ms), but can reach ultra-short times that the FL7 cannot.
These differences mean that the FL9 more suited for flanger sounds, while the FL7 is a more natural fit for chorus sounds.

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Review by Elektronauts

Demo by Ponderer Sounds

Review by sequencer.de

Manual

Flancher FL9

What’s Flancher ?

Flancher is a line of 4 different stereo, analog, voltage controlled pedals. They use BBD (bucket brigade device) chips running internally at 15V and are comparable to late 70’s chorus delay studio rack units such as Roland SBF-325 or Boss DM-100.

The FL9 and FL7 are geared towards pitch modulation such as chorus, flanger, vibrato, and quasi-ring mod sounds.
The FL9 uses a 256 stage BBD, while the FL7 uses a 1024 stage BBD. More stages means more delay time, but also more noise.
The FL7 has more delay time available (from 1.5ms to 34ms), but the sound is more filtered. The FL9 has a much smaller range of times (from 0.4ms to 9ms), but can reach ultra-short times that the FL7 cannot.
These differences mean that the FL9 more suited for flanger sounds, while the FL7 is a more natural fit for chorus sounds.

Demo by Stazma

Flancher FL7

Do you want a phaser with unprecedented control? Do you want beautiful vibrato? How about some gnarly synth sounds with fuzz? Here you go. The Pralines covers all of this… and then some.

∙ At the heart of PRALINES, there’s a special filter which consists of 4 band-pass filters running in parallel.
∙ Each filter frequency can be controlled independently. (FREQ) Resonance however, is a global parameter for all 4 of the filters. (PEAK)
∙ Filters can be blended with the dry signal. (MIX)
∙ Modulation applied to filters frequency can be either envelope, LFO or expression pedal. (MOD)
∙ The LFO speed can be controlled by envelope or expression pedal. (LFO CTRL)
∙ A gated FUZZ helps add to the synth-like experience.

Demo by  Zachary Rizer

Pralines

Pralines by Glou-Glou

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Weitere Pedals von Glou-Glou

Glou-Glou

Moutarde Extra Forte

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Steak

Glou-Glou

Flancher FL9

Glou-Glou

Flancher FL7

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