Der TS 7 hält in der aktuellen Tone Lok Pedalserie von Ibanez die Tube Screamer Fahne hoch. Die für diese Zerrer schon traditionelle Farbe Grün war schon beim Vorgänger TS 5 auf dem Rückzug, jetzt gibt es nur noch ein kleines, blasses Fleckchen auf dem ansonsten mattgrauen Kasten. Das Pedal ist etwas größer und leichter als ein TS 9 oder TS 10 und kommt aus China. An der Optik scheiden sich die Geister.

The Ibanez TS7 Tube Screamer comes in a Tone Lok metal case. It features Drive, Tone, and Level knobs, with a switch for choosing between the original TS9 mode and Hot mode, which increases the Drive and Level outputs.

Review by zZounds

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Demo by shnobel 

Demo by Wall Of Sound 

TS-7 Tubescreamer

Ein Jahr später, 1986, erschien die “Power Series”, bzw. die 10er Reihe, zu der der TS10 zählt, mit mehr Veränderungen in der Schaltung. Hier wurden sehr kostengünstige Komponenten verbaut, die Stecker sind nicht am Gehäuse, sondern auf der Platine verschraubt und das Chassis ist dünner. Gegen Ende der Produktion wurden einige TS10 in Taiwan gebaut und mit dem MC4558 Chip versehen. Die frühen Made in Japan TS10 sind mittlerweile trotz der erwähnten Abstriche sehr gefragt, nicht zuletzt, weil auch John Mayer mittlerweile dieses Pedal benutzt.

As with other Tube Screamers, the TS10 features the same three controls: Drive, Tone and Level. This model in particular is extremely responsive to the dynamics of your playing, making it a great pedal to crank up and then control via your guitar’s volume knob, for all the control over your overdrive you could want. Starting with the Tone and Drive around 9:00, it’s fun to try out different settings, both on the pedal itself, and playing with your guitar’s controls. The TS10 is also a joy to use with other pedals, especially a good boost, which can propel the overdriven sound to drive your amp beautifully, just beyond break-up, but still clean and clea

Review by pedal of the day 

Review by Gitarre & Bass 

Review by bonedo 

Demo by Pedalboards of Doom 

Demo by Hollywood Rare Guitars 

TS-10 Tubescreamer 

There are autowahs. And there are autowahs. But the Tone-Lok AW7 isn't just any autowah. It's got standard wah where both the highs and lows are cut and it's got a wah setting where only the highs are cut. And it's got distortion. Band Pass Filter provides the sound of a standard wah pedal left at one setting (a favorite wah pedal technique of Joe Satriani). You can even change the chain order of the effects to get different tones: either distortion to wah or wah to distortion.

Demo by Wall of Sound

AW-7 Autowah

The Ibanez DML10 Modulation Delay II is a compact digital delay pedal that offers a wide range of delay effects, from 9msec to 900msec, controlled by a four-position mode selector. It is designed to provide the same level of functionality as larger rack-mount digital delays, but in a compact and portable package.

Demo by Animoscillator

Demo by  つつちちち

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Review by Harmony-Central

Review by The Gear Page

Review by Tonehome

Manual download

DML10 Digital Modulation Delay II

Flanging is a time delay effect using very short time delays mixed together with the input (dry) signal. This creates a series of peaks and notches in the signal's response through the audible spectrum. When the time delay is varied, the peaks and notches move or "sweep." The FL9 Flanger features an extremely quiet time delay section creating an unusually noise-free flange. The sweep and width may be changed as well as overall time delay. This allows the artist to center the flanging action in a particular part of the sound. Flange intensity may be adjusted with the feedback control. The FL9 Flanger provides quality and flexibility that defies comparison.

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