The Ibanez SM9 Super Metal is a vintage distortion pedal from the 1980s, known for its powerful and aggressive tone. It’s based on the TS9 Tube Screamer overdrive circuit, but with increased gain and a larger bottom end. Ibanez marketing from the time described it as “The ultimate overdrive weapon!”

The SM9 uses a Japan Radio Company JRC4558D operational amplifier chip, similar to its predecessor, the iconic Ibanez TS-808. This pedal is often compared to a Tube Screamer on steroids, offering a wild and crazy tone that’s perfect for metal and hard rock music.

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SM-9 Super Metal

The Ibanez AD99 Analog Delay is a high-quality, made-in-Japan pedal designed to provide authentic analog delay tones. With a delay time of up to 300ms, it offers a range of possibilities for musicians seeking to add depth and ambiance to their sound. The pedal features three controls: Delay Time, Feedback, and Delay Level, allowing for precise adjustments to tailor the delay effect to individual preferences.

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AD-99 Analog Delay

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Jemini Distortion

The Ibanez Phase Tone PT-999 is a guitar effects pedal that electronically simulates the sound of a rotating speaker, or “Doppler Effect,” by applying an integrated circuit. It provides a clear and defined phase shift without distortion. The pedal features a single knob, Rate, which controls the speed/rate of the LFO wave that controls the effect.

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Phase Tone (PT-999)

The Ibanez FL99 Classic Flange is a rare flanger produced from 1997-1999 by Ibanez featuring the desireable MN3210 chip at the core of its design. The pedal has controls for speed, depth, manual, regeneration, a filter switch (similar to Eric Johnson's sound on 'High Landrons') and an 'intense' footswitch. Unit has true bypass (bypass works when the unit does not have power).

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FL99 Classic Flange

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