The Nimbus is a high quality reverb designed specifically for bass and baritone instruments.

 It allows for deep and powerful reverbs to be created, with a built-in highpass filter on the reverb signal to keep the instrument’s low end intact without introducing muddiness, as well as a lowpass filter for creating darker timbres.
The Nimbus has a simple interface which allows the user to sculpt complex reverb sounds in an intuitive way, rather than being locked to presets or pre-defined tonalities.

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Nimbus

The FrantaBit is a digital bit crusher and sample rate reducer. It offers a wide array of glitchy digital tones, lo-fi crunchiness, video game synth sounds and buzzsaw harmonics. It is designed to be extremely powerful, but simple to use and dial in.

The FrantaBit includes an expression jack which can be assigned to bit depth, sample rate, both, or clean/effect mix – expanding performance possibilities in a live environment and in the studio.

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FrantaBit

The Xerograph Deluxe is a 4-pole resonant lowpass filter, inspired by synthesizers, with deep envelope capabilities and expression control, which can be used together or separately.
In addition to the dubby static lowpass sounds and foot-swept resonant filter sweeps of the original Xerograph, the Xerograph Deluxe can create envelope filter sounds from classic auto-wah to modern subtractive synthesis, downward envelopes, and triggered slow synth sweeps.

Demo by Dennis Kayzer

Xerograph Deluxe

The Divaricator is a versatile “tone toolbox” for bassists using effects. Using its 4th-order variable crossover, the pedal splits a signal into high and low frequency bands, and processes the high frequency band with any combination of three “exciters” - each enhancing a different aspect of the sound – before sending this enhanced harmonic content through an external effects loop. To tame the potential for enhancing high frequency noise along with the signal, a noise gate is applied to the excited signal path. The low frequencies are passed through directly, to preserve the bass frequencies without introducing muddiness, booming, or cancellation.

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