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WAH-II Multifunction Wah/Volume

AT+ Andy Timmons Signature | Overdrive - Black

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Noise Gate

My real pedalboard

StroboStomp HD

Super AT Mod Overdrive

SLO Overdrive Purple - Limited Edition

Halo - Andy Timmons Dual Echo (Light Bending Edition)

New Wave Stereo Analog Chorus/Vibrato

Humdinger

FXL8 Pro

MXR M199 TapTempo Switch

Compressor Mini

blueSky reverberator V2

M109S Six Band EQ

Jimi Hendrix erschien 1966 in London und das damals neue Arbiter Electronics Fuzz Face wurde sein bevorzugtes Fuzz-Pedal - der Rest ist Geschichte. In den ersten Jahren wurde das Fuzz Face mit Germanium-Transistoren gebaut bis das Pedal 1969 komplett auf Silizium-Transistoren umgestellt wurde. Hendrix selbst bevorzugte die Silizium-Version wegen des aggressiveren, bissigeren Sounds und natürlich wegen der besseren Beständigkeit. Der JHS Pedals Smiley bietet eine klanggetreue Nachbildung der Eigenschaften, die die frühen Silizium Fuzz Faces bis heute zu einem Meilenstein der Musikgeschichte machen. Mehrere Vintage Pedale wurden sorgfältig analysiert um die Magie dieser Ära mit dem Smiley perfekt einzufangen. Der Smiley ist klar und definiert und überspannt die Grenze zwischen Fuzz Effektpedal und 'sägendem' Sustain. Die Stompbox erhält das Low-End und den knackigen Biss in der Midrange wie man es von einem Vintage Arbiter-Pedal erwartet. Eine der am meisten verehrten Eigenschaften eines guten Fuzz Face ist die Fähigkeit dynamisch auf das Level der Gitarre zu reagieren und cleaner zu werden, wenn die Lautstärke der Gitarre zurückgedreht wird - der Smiley tut dies mühelos. Die Regelmöglichkeiten sind mit Volume und Fuzz denkbar einfach. Volume kontrolliert das Output Level, Fuzz regelt den Grad an Verzerrung - je weiter man den Regler aufdreht, desto mehr Fuzz erhält man. Über einen Schalter an der Seite lässt sich der einzigartige 'JHS Mode' aktivieren, der den Smiley in High-Gain / Gated Fuzz Bereiche bringt. Wenn man nach einem Fuzz für klassische Sounds sucht wird man genau hier fündig. Legenden wie Jimi Hendrix, Jack White, Eric Clapton, David Gilmour und Eric Johnson haben diese Schaltung auf ihren Alben verewigt - jetzt seid ihr an der Reihe!

In 1966 Jimi Hendrix arrived in London and adopted the Arbiter Electronics Fuzz Face as his weapon of choice, and the rest is history. The first few years of the Fuzz Face were manufactured using germanium transistors but by 1969, germanium fully gave way to silicon devices and Arbiter never looked back. Hendrix himself preferred the silicon versions over germanium because of their sound, aggressive bite, and their stability in environments where germanium proved inconsistent. The JHS Pedals Smiley is a sonically faithful recreation of what makes these early silicon Fuzz Faces great. Several vintage units were considered and analyzed so that JHS Pedals could be sure to perfectly capture the magic that everyone loves in this era. The Smiley is clear and defined, straddling the line between distortion pedal and a searing sustain, sustaining low end and crisp mid-range bite that you expect from a vintage Arbiter unit. One of the most revered characteristics of a good Fuzz Face is its ability to clean up when the guitar's volume is rolled back, and the Smiley does this effortlessly. The controls are Volume and Fuzz. Volume sets the overall output level of the effect; turn it up and it gets louder. Fuzz is the distortion control; the more you turn it clockwise, the more fuzz you create. On the side you will see a 'Mode' control. Push this button to access our own unique 'JHS Mode'. This mode sends the Smiley into high gain / gated fuzz territory that you may never want to come back from. If you want a fuzz that covers coveted classic tones, look no further. Legends like Jimi Hendrix, Jack White, Eric Clapton, David Gilmour, and Eric Johnson have used this circuit on countless albums. Now it's your turn.

Official Product Page

JHS Pedals Smiley - Demo / Review Video - Living Room Gear Demos

Manual

JHS Legends Of Fuzz Series - Demo Video - Sweetwater

JHS Pedals Legends of Fuzz Smiley, Supreme, Bender & Crimson - Review by Gitarist [NL], [04-2021]

JHS Pedals Legends of Fuzz Smiley, Supreme, Bender & Crimson - Review by Gitarre&Bass [DE], [10-2020]

JHS Legends Of Fuzz Series - Official Demo Video

JHS Pedals Legends of Fuzz Smiley, Supreme, Bender & Crimson - Review by Muzikus [CZ], [12-2020]

JHS Legends Of Fuzz Series - JHS vs Original Demo Video - Reverb

JHS Legends Of Fuzz Series - Demo Video - Pedal of the Day

Smiley - 1969 London

Wenn du jemals einen originalen Marshal JTM45 gehört hast, dann weißt du, warum man ihn die Stimme des Classic Rock & Roll nennt. Die klassischen JTM45er sind vollgeladen mit warmem tonalen Charakter, der eine Strat singen und eine Paula schreien lässt. Der JHS Charlie Brown ist so designt, dass er jeden guten Amp in eine Replik dieses legendären Amps verwandelt. Der Charly Brown V4 baut auf der Popularität der V3 auf und behält Herz und Seele seines Vorgängers bei, gibt dir aber mehr Flexibilität und Optionen. Wenn du auf der Suche nach einem Classic Rock Overdrive bist, der sich richtig anfühlt, klingt, riecht und schmeckt, bist du hier am Ziel angekommen!

If you’ve ever heard an original Marshall JTM45 then you know why it’s the voice of classic rock & roll. The classic JTM45’s are loaded with warm, rich character that makes a Stratocaster sing and a Les Paul scream. The JHS Charlie Brown is voiced to transform any good amp into a living, breathing replica of the tone that built an era. The Charlie Brown V4 builds on the popularity of the V3 by keeping the same heart and soul while giving more flexibility and options. If you are looking for classic rock overdrive that feels, sounds, tastes, and smells like the real thing... Look no further.

JHS Charlie Brown V4 - Livingroom Gear Demo

Charlie Brown V4

The Ruby Red is a collaboration with one of our favorite artists, producers, and writers in the industry, Butch Walker. He is most known for his breakout work in the Marvelous 3, as well as his long list of producing successes afterward such as: Pete Yorn, Pink, The Academy Is, Weezer, Panic! At The Disco, Taylor Swift, Avril Lavigne, Katy Perry, Keith Urban, Fallout Boy, Ryan Adams, and many more. As one of the busiest and most in-demand guys in the industry, when he isn't in the studio, he’s on a stage. Butch contacted us to let us know that he loved the SuperBolt and had been using it in session after session. We started a conversation about his live rig for upcoming dates, and the rest is history. He needed one pedal that could do everything he needed and do it in the simplest and easiest way possible. Primarily playing a cranked Deluxe Reverb and depending on his guitar’s volume control for much of his dynamics, the pedal had to respond like an amp as well as feel like it was an extension of his amp. This is how the Ruby Red was created.

Official Website

Review by joomag

Official Product Video

Demo by Living Room GD

Ruby Red (Butch Walker Signature)

Der Bonsai ist JHS Hommage an eines der großartigsten Pedale, das je geschaffen wurde - den Tube Screamer. ihres Muffuletta verwendet der Bonsai einen einfachen Drehschalter, um durch neun klassische, Vintage, seltene oder schwer zu findende Variationen des Screamers zu wechseln. Der Bonsai ist eine exakte Nachbildung, keine Emulation. Wenn du einen Modus auf dem Bonsai-Dreh-Schalter wählst, aktivierst du für jeden Modus spezifische Komponenten und spielst den Schaltkreis, den Josh ausgewählt hat, mit allen Macken, Drift, Vintage-Mojo und Individualität, die ein Vintage-Pedal hat.

The Bonsai is JHS tribute to one of the greatest pedals ever created  the Tube Screamer. Following in the steps of their Muffuletta, the Bonsai utilizes a simple rotary knob to switch through nine classic, vintage, rare, or hard to find variations of the Screamer. The Bonsai is exact replication, not emulation.  When you choose a mode on the Bonsai rotary, you are actually activating components specific to each mode and playing the circuit Josh chose along with all the quirks, drift, vintage mojo, and individuality that a vintage pedal has.

JHS Bonsai | 9 Way Overdrive

JHS Pedals The Bonsai (demo)

JHS Bonsai Review by Gitarre&Bass 2018 DE

JHS Bonsai Multi-overdrive Pedal Demo

JHS Pedals Bonsai: Nine Classic Tube Screamers in One Box | Reverb Tone Report

JHS The Bonsai - Demo Video - Pedal Of The Day

JHS Pedals, The Bonsai

Bonsai

The JHS Pedals AT is Andy Timmons’ signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs. By collaborating to tailor the pedal to Andy’s tastes, the “@“ was born and released in 2016. This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig.  So pay ATtention and we’ll see what makes the AT rock.

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