With its musical response and increased headroom the Boomster mk.2 aims to redefine the quality standards of the buffer and booster genres. Extensive testing and comparison sessions with most of the appropriate chips currently in production, resulted in us opting for the hi-fi-grade Burr Brown® OPA 2132 chips, which deliver effortless fidelity and lushness across the Boomster mk.2's different functions.


Our mission with the mk.2 version of the Boomster was to elevate it into a well-rounded boost pedal encompassing all the necessary features and functions contemporary musicians have come to expect, as well as to offer a standalone buffer that not only sounds great but also feels right under the hands, making it an indispensable tone component of any rig.

Review by guitar pedal X

Review by delicious audio

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Boomster mk.2

Dan here, Mick here – hello!

We have a deep love for the harmonic tremolo’s unique modulation character: a little bit phase-y and a little bit pulsing. It can add a complete, enveloping texture over your whole guitar tone, or sit more subtly as a fantastic ‘widening’ effect either straight mono or in a wet/dry rig.

We wanted to address some of the issues we found in our other favourite examples of the effect and add a superb amplitude trem to boot; enter the Harmonious Monk, a collaboration between JAM pedals and That Pedal Show!

The Harmonious Monk uses all-analogue circuitry with two selectable LFOs providing varying levels of modulation intensity, available in both Harmonic and Amplitude modes: essentially four core sounds. We have included both depth and mix controls, so you can get it sat just right in your overall tone.

Subtle (-) setting in Amplitude mode offers a plethora of vintage-inspired tremolo tones with all the same adjustability as Harmonic mode. Intense (+) setting brings the chop! Stuttering, staccato pulses that add drama and rhythm to your music right up to a fast warble that can sound truly otherwordly.

We also added a footswitch so you can access two tremolo speeds instantly in any mode; internal trimmers to shape the EQ to your liking, and the ability to either boost or cut the overall output level to suit your rig and other pedals.

The Harmonious Monk covers a huge amount of sonic ground and it will inspire you towards a whole new palette of sounds, textures and music.

We summoned the Harmonious Monk from the waves of JAM pedals' sonic ocean so that we can all bathe blissfully in its glorious undulating tones. Let there be wobble!

Review by bonedo

Review by Premier Guitar

Demo by Living Room GD

Harmonious Monk mk.1

The Black Mucks are featuring an NOS batch of early 60’s silicon transistors we came across through our never-ending quest for NOS jewels !

We cannot tell you with certainty exactly what they are, cause as much as we researched them, we couldn’t find sufficient documentation. Based on where our source is located and what we know that they bought back in the day, it is likely that these are grown-junction devices made by either Transitron, General Instrument or both in the early 1960s and the are similar to the 2N335/2N336.

What we can tell you for sure is they sound incredibly unique and made the Black Muck a necessity !

The Black Muck is open and harmonically rich and compared to the Red Muck it is more aggressive, looser with Fuzzier tendencies.

Review by Gearnews

Demo by PedalTVchannel

Black Muck

Inspired by the ’71 “triangle” and the later “Red Army / Civil War” Muffs, the Red Muck boasts a wider gamut of saturation and varied degrees of compression and sustain on tap.
The Boost footswitch engages a dedicated section of the circuit, separately tuned to hit the front end of the Red Muck and generate even fatter walls of Fuzz-Distortion or with the Gain set lower, function as a High-Gain-Stage footswitch.

Demo by Pedals & Friends

Demo by JayLeonardJ

Red Muck mk.2

A Fuzz-Distortion pedal, inspired from the circuits of the ’71 “triangle” and the later “Red Army / Civil War” Muff. Along with our individual touch, the end result boasts a smoother sound, fatter low end, pronounced midrange and added tonal flexibility through the expanded range of the tone knob.

If you’re looking for that lyrical Gilmour tone, then this is the pedal for you!

The Red Muck can also be used with bass guitars.

Demo by JAM pedals

Red Muck mk2

Red-Muck-mk2 by Jam-Pedals

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