Basierend auf der Schaltung der geschätzten Para DI, kombiniert der ALIGN Equalizer unsere charakteristische High-Grade-FET-Gain-Stufe mit einem kraftvollen Tone-Shaping-EQ, der jedem akustischen Pickup-Signal Fülle und Ausgewogenheit verleiht. 
Ein 6-Band EQ formt die Frequenzen, welche wir am nützlichsten für die Verbesserung akustischer Gitarren-Pickups empfinden. Multi-Instrumentalisten können, speziell auf die Ausgangsleistung  ihrer Instrumente eingestellte EQ-Pedale nutzen, um ein Pegelanpassung durchzuführen.

If you like your acoustic-electric guitar's core tonality, then you'll be able to bring out the best in it with the LR Baggs Align Equalizer and preamp pedal. Switchable input gain and a Volume control allow you to dial in your signal level perfectly, and that's just the start. The Align Equalizer's 6-band EQ and highpass filter have been tailored specifically to the most impactful frequencies when it comes to acoustic amplification, giving you the ability to emphasize girth and power, woodiness, airiness, or presence on demand. Guitarists at Sweetwater appreciate its notch filter, which effectively minimizes resonant frequencies without sacrificing your tone. However great your plugged-in tone may be, it can sound even better with the LR Baggs Align Equalizer pedal.

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Align Series Equalizer

In the same way a choir enhances the foundation of a melody, the Align Chorus complements your acoustic guitar rather than placing the effect in the limelight. With the purity of LR Baggs’ circuitry and the effect in side chain, the Chorus adds fullness behind your guitar without any signal degradation. We designed the pedal with simple and intuitive controls that help you dial in a pleasing effect quickly and easily. A unique Size control blends two chorus voicings that interact with one another as you turn the knob. It’s essentially like adding more instruments as you increase the size. Additionally, a Tone control shapes only the affected signal, enabling you to dial in the perfect balance for your instrument.

Review by Guitar World

Review by Accoustic Guitar.com

Demo by Pedal of the Day

Align Series Chorus

Session circuitry enhances your acoustic pickup and imparts the rich sonic character that you’d expect from an experienced audio engineer using some of the world’s finest studio gear.
Unlike standard compression that can squash the entire range of your signal, the Session’s Comp EQ features 3 narrowly focused bands of compression that tame common problematic frequencies and uncover the voice of your guitar. The low, mid, and high frequency compressors are essentially “touch-sensitive” EQs that respond in real-time to your dynamics. The harder you strum, the more they compress and vice versa.

Review by Guitar IQ

Demo by Guitar IQ

Demo by Clever Little Rodents

Align Series Session

Voiceprint DI ist das Produkt von fast drei Jahren intensiver Forschung und Zusammenarbeit mit einem Team, bestehend aus L.R. Baggs Ingenieuren und Wissenschaftlern, die sich freuen, mit der Voiceprint DI das nächste bahnbrechende Kapitel in der akustischen Verstärkung aufzuschlagen. Voiceprint DI misst das akustische Verhalten der Gitarre und nutzt die Rechenleistung eines Smartphones, um die einzigartige Klangfarbe der Gitarre präzise zu erfassen. Danach wird dieses Setting in die Voiceprint DI geladen. Das Pedal ergänzt das Signal des Tonabnehmers mit dem erstellten Voiceprint, um das beste Klangerlebnis zu erzielen das L.R. Baggs bisher in über 40 Jahren erreicht hat.

Review by Gitarre & Bass 

Review by bonedo 

Demo by LR Baggs 

Voiceprint DI

Thanks to its studio quality performance, powerful tone shaping EQ and rock-solid reliability, the Para DI has become an indispensable stage tool for countless musicians around the world. This roadworthy box effortlessly tames the stage and enhances any acoustic pickup for a fuller, more complex sound. The Para DI features a 5-band EQ with a tunable midrange and notch, variable gain control for passive or active pickups and a high-quality DI output for a pristine signal to the board.

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