In 1994, one Bill Finnegan (and two engineers from MIT) sat down and created the Klon Centaur, one of the most talked-about circuits of all time. While it was at its core an overdrive circuit, it boasted several innovations that put it ahead of the rest of the stuff out there. For one, it included a robust power supply that provided a theoretical 27 volts of headroom from a nine-volt supply. Perhaps more notably, the Centaur thrust the idea of dual-gang potentiometers into the groupthink of pedal development. While these weren’t cutting-edge tech in 1994, very few pedals utilized them. In fact, the Shin-Ei Uni-Vibe is one of the only popular pedals I can remember using one (C100K in fact).

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OD820 Overdrive Pro

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DCP series PPE1

In 1977 Maxon released their first effect pedal - the OD880 Overdrive/Soft Distortion – and the world would never be the same.

Employing a passive distortion circuit based around the 741 Op Amp (also used in the popular DOD 250), the OD880 was coveted for its warm and natural overdrive tone. The 880 was perfect for use as a transparent booster to take a tube-amp over the edge, offering singing blues tones unrivaled by other boxes.

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OSD9 Overdrive/Soft Distortion

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AD9Pro Analog Delay

- Fuzz engine based on vintage Shin-Ei / Univox Super - Fuzz
- Square Wave clipping with upper octave harmonic
- Level and Expand controls
- Parametric Tone circuit with Frequency and Cut/Boost controls
- Unlimited variety of tonal colors
- Mechanical True Bypass Switching

Water’s powerful parametric EQ covers a massive frequency range from a hefty 100 Hz to ear-splitting 5 kHz. Select a frequency and then boost or cut to tweak your tone with pinpoint accuracy.

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