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Demo by  Peta Lukács

DCP series PPE1

The AD999’s Delay tone is pure analog heaven – rich, round and three-dimensional, it reacts to your playing and breathes life into your performance.

The AD999 is loaded with eight custom Bucket Brigade IC’s for 900 milliseconds of warm, organic analog tone.  These BBD’s are clocked extremely low to achieve the longest delay time possible, creating a HUGE delay tone that recalls early 70’s Pink Floyd with stunning accuracy.

Review by Gearspace

Review by Legendary Tones

Review by mixdownmag

Demo by GodlykeInc

AD-999 Analog Delay

SD-9 Sonic Distortion

The AD999 Pro combines features from two of Maxon’s most popular delay pedals into a single, powerful package.
Based on Maxon’s popular AD999 circuit, the AD999 Pro offers the same 900 milliseconds of fat, warm analog delay tone thanks to 8 x custom-made Maxon MC4107D Bucket Brigade IC’s.

Like the AD-9 Pro, the delay repeats of the AD999 Pro are filtered using Maxon's proprietary noise reduction circuitry which reduces the aliasing, clock noise and distortion common to analogs.  The result is a rounder, smoother delay repeat that doesn’t overpower the original note.

Demo by Dennis Kayzer

Review by The Gear Page

Review by DelayDude

AD-999 Pro Analog Delay

In 1994, one Bill Finnegan (and two engineers from MIT) sat down and created the Klon Centaur, one of the most talked-about circuits of all time. While it was at its core an overdrive circuit, it boasted several innovations that put it ahead of the rest of the stuff out there. For one, it included a robust power supply that provided a theoretical 27 volts of headroom from a nine-volt supply. Perhaps more notably, the Centaur thrust the idea of dual-gang potentiometers into the groupthink of pedal development. While these weren’t cutting-edge tech in 1994, very few pedals utilized them. In fact, the Shin-Ei Uni-Vibe is one of the only popular pedals I can remember using one (C100K in fact).

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