The BloodMoon is built on the foundation of the classic SuperMoon algorithm, but features a full wet/dry mix with a fluid and thick reverb voicing.

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Review by Musiker-Board

Demo by Nate Leslie

Demo by Sofa Jams

Bloodmoon

The Super-Extra Five Thousand features two independent, true-bypass channels:
The Amplifier Driver and The Super Booster.

The Amplifier Driver channel is a perfectly voiced drive-channel with a clean amp, or a damned fine way to push a dirty amp into all out high-gain mayhem.
The Amplifier Driver is nearly impossibly dynamic and can get totally clean, just by softening your pick attack or rolling back your guitar volume control, and it is not impedance sensitive so its incredible dynamics are retained with passive and active pickups alike.
It's got that elusive, super-sweet top-end with incredible articulation, detail and response, and can be fed directly into the Super Booster which generates +1dB to +14dB of pure, clean volume-- perfect for popping out for a lead or REALLY banging your amp.

You can also simply use the Super Booster on its own as a VERY powerful clean booster or effects chain buffer/driver.

The Super-Extra Five Thousand's ideally matched impedances allow it to seamlessly integrate anywhere in your effects chain.

Mr. Black Super-Extra Five Thousand Product Page 

Super Extra Five Thousand

FwonkBeta has that fonk that'll have you telling everyone in the room you swear you changed your socks this morning.

But its that Purple. Purple funk.
Get up for the DownStroke.

This Envelope/Low-Pass filter is funkier than nine pounds of shaving powder, and with the Fwonk control up high, it is anything but subtle or mellow.

Serious low-end thump when desired, the FwonkBeta will probably knock down anything hanging on the wall, and maybe even push around free standing furniture. It is just that off the chain.

Demo by Get Offset

Demo by Pertybass

Review by Basschat

Review by Talk Bass.com

Manual

FwonkBeta

SuperMoon

While the JDS-50’s sleek and un-assuming looks may insinuate that you’ve got a standard overdrive pedal before you, the JDS-50 really isn’t quite like any other overdrive out there.

From its perfectly balanced frequency spread, to the ridiculous dynamic response held within, the JDS-50 is not only an indispensable pedal-board staple, but a highly expressive instrument unto itself.

Effortlessly delivering tones ranging from meticulously tuned, touch-responsive crunch, to thick harmonic-laden overdrive and even to near-full distortion, the JDS-50 not only sounds phenomenal, but responds and feels like a high-quality tube amplifier, all while retaining the unique signature tonal characteristics of your guitar, or bass.

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