Since the first Diablos hit the market 15 years ago they found a permanent place on thousands of pedalboards all over the world. The Dual adds some often requested features to the classic Diablo circuit.

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Review by delicious audio

Review by Gitarre & Bass

Demo by Alberto Barrero

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Diablo Dual

Gritty overdrive, low gain fuzz, vintage preamp – no matter how you call it, the Holy Grit combines the clarity and dynamic response of a great overdrive with the raw and complex texture of a vintage fuzz. The intuitive controls let you dial in anything from cleanish boost with a little grit to full-blown vintage „amp on 11“ sounds. Plug it into a clean or driven amp, stack with boosters, overdrives or fuzz pedals, Holy Grit will deliver – for guitar, bass, keys or whatever you want to spice up.

The circuit is based on the classic Fuzz Face/Tone Bender but heavily tweaked into something else. We’re using a set of matched low gain silicon transistors here (parts numbers may differ from one unit to another), voiced between germanium warmth and silicon presence.

Review by guitar pedal X

Quick Start Guide

Review by The Gear Page

Demo by Demos in the Dark

Holy Grit

Der Okko CocaComp ist ein weiteres Pedal aus der Leipziger Edel-Effektschmiede, von der schon bisher Geräte wie der Twinsonic, Black Beast, Dominator und andere sämtliche bonedo-Tests mit Höchstbewertungen durchliefen. Eine Herausforderung also für unseren aktuellen Kandidaten, der als Kompressor diesmal zu den Effekten gehört, die die Dynamik eines Tonsignals beeinflussen, indem sie Lautstärkeunterschiede ausgleichen und Pegelspitzen verhindern.

The Coca Compressor is a studio quality compressor and clean boost pedal.
It doesn’t color your tone but enhances it.

Review by bonedo 

Demo by IvanBassist

Coca Compressor

Diablo

The TwinSonic MkII brings back our classic TwinSonic and takes it to another level. What we got here is two OD circuits which can be used independently or stacked together.
Combining the both opens up plenty possibilities, you can go all the way from edge of breakup into heavy vintage distortion or fuzz territory.

The blue channel is the original TwinSonic circuit, a discrete OD with a bold, open, grainy sound like a cranked vintage amp. It’s incredibly dynamic and cleans up perfectly with the guitar volume control.
The newly designed red channel is a transparent Overdrive with a slightly smoother gain structure, designed to perfectly stack with the blue side or to add some dirt and harmonics to your base sound on its own. The gain range goes from sparkly clean to dynamic singing mid gain overdrive.

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