Das One Control Strawberry Red DLX ist eine modifizierte und verbesserte Version des klassischen One Control Strawberry Red Overdrive (SROD), das vor allem wegen des hochwertigen Sounds und der hervorragenden Dynamik unter vielen Musikern beliebt ist. Die Deluxe-Version mit sechs Reglern bietet mit einer fein abgestimmten Präzision mehr Kontrolle über den Klang und behält dennoch die klassische Original-Schaltung von Bjorn Juhl und One Control bei, deren natürlicher Overdrive in praktisch jedem denkbaren Genre verwendet werden kann. Um mit einer Vielzahl von Verstärkern und Lautsprechern optimal performen zu können, verfügt das Strawberry Red DLX über einen klassischen Tone Stack mit vier Reglern (Bass, Middle, Treble und Presence ) im Stil alter Verstärker aus England. Mit einem einzigen Regler kann das Pedal einen flexiblen Drive-Sound erzeugen, der von bluesigen Low-Gain Tones bis zu einem satten und kraftvollen Overdrive reicht und bei höheren Settings sogar eine kräftige Distortion bietet. Wenn der Drive-Regler auf Minimum eingestellt ist, kann das SRODDLX als Clean oder Treble Booster Effektpedal verwendet werden. Zusätzlich reagiert das Pedal sehr schön auf den Volume-Regler der Gitarre und erzeugt je nach Setting einen traumhaften Clean-Sound mit ausgeprägten Obertönen. Selbst bei höheren Settings erhält das Strawberry Red DLX die Charakteristik des Instruments und des Verstärkers.

The One Control Strawberry Red DLX is a modified and improved version of the classic One Control Strawberry Red Overdrive (SROD), that has been very popular with One Control users for its high-quality tones and superb dynamic response. The deluxe six-knob version offers more control over the tone with finely tuned precision and still retains the classic original circuit developed by Bjorn Juhl and One Control with an overdrive that transcends at any style and genre. To be able to perform with a wide variety of amplifiers and speakers, the Strawberry Red DLX has a classic four-knob tone circuit 'stack' like many classic UK amplifiers - Bass, Middle, Treble and Presence. With a single knob, this circuit can produce overdrive ranging from low bluesy tones to a hard and powerful overdrive as well as heavier distortions at the far-right side of the dial. With the Drive control set to minimum, the SRODDLX can be used as a clean or treble booster style pedal. When the Drive knob is raised a bit more and the guitar volume knob lowered, the resulting clean sound can be rich with overtones and a thick responsive tone can be had, resembling older one knob tube amps. With the gain levels set higher, the SRODDLX still retains the characteristics of various guitars and amplifiers, never losing the core tone.

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STRAWBERRY RED OVERDRIVE DLX

The One Control Silver Bee OD 4K Mini is a version customized by BJF himself based on his legendary pedal, the Honey Bee OD.

Now that we have created it in the mini format, it can be installed on various pedal boards without taking up too much space. And after many years of research by BJF himself, it became possible to reproduce the original tone even with mini-sized SMD parts.

The design method is different between conventional handmade pedals that use through-hole parts and mini pedals. Because there is the influence of "ghost components" that do not exist as "parts" in mini pedals and do not appear in the circuit, the sound will be different if you simply make it with the same schematic.
BJF reproduced the sound of the BJFE original pedal, taking into account all the effects from the different characteristics of the parts to the ghost components.
Once the sound was completely satisfactory to BJF himself, we were able to release the Silver Bee in a mini size. And to take it to the next level, we also used BJFE's style for pedal design graphics.

The dynamic range response can be easily adjusted from clean to overdrive with the touch of your hand, which is also a characteristic of Honey Bee OD, and a tone that feels familiar as if there is a classic combo amplifier in front of you. It’s a tighter, slightly brighter tone with a firmer low end.

The flat low end and the tone of the sharp and airy top end are reminiscent of the best characteristics of the American-style combo amplifier. Despite the thick presence, the SBOD 4K Mini has a glittering tone that puts you in front of the mix. The tone also has enough flexibility to reduce gain and be used as an “always on” pedal.

While it is the same gain range as Honey Bee OD, it has the best tone for more modern rock/blues/altcountry, creating a large modern to reissue American amplifier tone, whether you are using single coils or humbuckers..

The 2-band equalizer on the SBOD 4K Mini is widely controllable and allows you to easily control the tone to adapt to various guitars and amps.
The T-knob can control the brightness, high-frequency and harmonic components of the tone, creating a drive tone with a beautiful metallic sound.
The B-knob is centered on the low mid, a critical frequency that gives the ability to adjust your tone according to the characteristics of the stage, the amplifier, and guitar.

Highly responsive overdrives sometimes feel difficult to use, but the Silver Bee OD 4K Mini has a solid presence in the sound itself, so it's easy to play with high dynamic response. It combines the expressive ability to freely control the tone with your hands and fingers, as well as sharp articulation and sense of speed.

And there is a VINTAGE/MODERN switch under the Output terminal. This is a switch that switches the response of the whole sound, especially near the low frequencies.

Originally, it was a switch to switch between the current sound of Honey Bee OD, which became the base circuit of the Silver Bee OD, and the earliest sound. Silver Bee OD was already based on "modern" HBOD when it was first developed as a circuit, so we gave you the option to switch to the earlier style circuit, with slightly more sag and a shift in the low mid frequencies.

This switch is a very subtle tonal change, and you may feel that the sound does not change at all depending on the guitar or amplifier you use. However, you can make the whole tone a little thicker or a little cleaner.

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Review by Stefan Karlsson, guitarpedalx.com

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Silver Bee OD

Der One Control Purple Plexifier wurde entwickelt, um den legendären Distortion-Sound alter Plexi-Verstärker aus den 60er Jahren zu reproduzieren. Der Purple Plexifier bietet eine weite Gain-Range und eine Dynamik, die mit den besten Röhren-Verstärkern vergleichbar ist. Das kräftige Low-End und die hellen (aber nicht harschen) Höhen bilden die perfekte Grundlage für flexible Distortion-Sounds und die Mid-Range lässt sich je nach Geschmack über den seitlichen Trim-Poti mit Scooped oder Flat Mids Einstellungen verändern. Der Purple Plexifier erzeugt allein gespielt einen natürlichen, lebendigen Distortion-Sound, kann aber auch ohne Probleme mit weiteren Pedalen oder einem bereits verzerrten Verstärker kombiniert werden. Wie man es von Effektpedalen von Bjorn Juhl gewohnt ist reagiert das Pedal sehr dynamisch auf die Pick Attack und den Volume-Regler der Gitarre um jede Nuance im Spiel bestmöglich darzustellen.

The One Control Purple Plexifier was designed to reproduce the legendary distortion sound of old Plexi amplifiers from the 60s. The Purple Plexifier features a wide gain range and a dynamic response that is comparable to the best tube amplifiers. The tight bottom end and the bright (but not harsh) treble range will amaze you. The thick mid-range, which can be scooped or flattened with the mid-range trim potentiometer, will give you full, natural tone. Use this pedal to create a three dimensional distortion by itself or use it in conjunction with the amp's own distortion settings to create your own sound. The Purple Plexifier rewards the guitarist with a feeling that is rare and responsive, no matter what kind of pickups you use.

One Control Purple Plexifier - Demo Video - Brett Kingman

One Control Purple Plexifier - Demo Video - ProGuitarShopDemos

One Control Purple Plexifier - Demo Video - gearmanndude

One Control Purple Plexifier - Demo Video - Mike Hermans

Review by The Gear Page

One Control Purple Plexifier - Demo Video - Jake Cloudchair

Purple Plexifier

Das One Control Jubilee Red ist ein modernes High-Gain Distortion Pedal, das auf den legendären britischen Silver Jubilee-Verstärker aus den 80er Jahren basiert. Mit dem Jubilee Red AIAB haben Gitarristen vollen Zugriff auf die Mitten in ihrem Sound und profitieren wie bei allen One Control Effektpedalen von einem extrem rauscharmen Betrieb. Die Stompbox harmoniert gleich gut mit Humbuckern oder Single Coil Tonabnehmern sowie modernen High-Gain Pickups oder aktiven Schaltungen und hat auch mit dem zusätzlichen Low-End bei 7- oder 8-Saiter Gitarren keine Probleme. Der Mid-Regler kontrolliert die Tiefe des Mitten-Notch, der bei 600 Hz liegt. Dreht man den Regler auf, wird der Notch ausgeglichen und der Frequenzgang linearer. Der Treble-Regler arbeitet als Tone-Balance und kontrolliert das Verhältnis von Höhen und Bässen um den Mitten-Notch mit einem Treble-Shelf bei ungefähr 2 kHz oder einer Betonung der Bässe bei ca. 100 Hz.

The One Control Jubilee Red is a modern high-gain distortion pedal with tonal roots descending from the legendary Silver Jubilee series of British amplifiers that were created in the late 80's. With the Jubilee Red AIAB, guitarists have access to an enhanced midrange control as well as low noise performance. The pedal pairs perfectly with either humbucker or single coil pickups, including more modern high-gain and active designs. It is also very well suited to handle the additional low end of 7 and 8-string guitars. The Mid control sets the depth of the midnotch and it is centered at 600 Hz - the tone control network creates a midnotch, while turning up the Mid knob lessens the notch and flattens the tonal response. The Treble knob is technically a tone-balance that sets the balances of treble and bass points around a midnotch and the treble shelf is about 2 kHz while the bass hump appears around 100 Hz.

One Control Jubilee Red AIAB - Demo Video - Distortion LTD

One Control Jubilee Red AIAB - Demo Video - Visual Guy

One Control Jubilee Red AIAB - Demo Video - Hans Johansson

One Control Jubilee Red AIAB - Demo Video - Mike Hermans

JUBILEE RED AIAB

STRAWBERRY RED OVERDRIVE 4K – “And the Legend was Born”
It’s been decades since the first effects pedal called an “Overdrive” was born. How many overdrive pedals have been made so far? And can a new overdrive be found that is not a recreation of one of the older designs?
Our new SROD4K does not imitate the sound of existing pedals. For those seeking unique sounds for their creative spirit, we bring to you the latest edition of our founder’s favorite overdrive pedal in the 4K (four knob) style mini enclosure, as well as a special limited art “Japonism” edition. While many pedals seek to “simulate” a style of amplifier, the SROD4K boldly goes forward into the new.
We have ensured that the SROD4K will work well with an extremely wide range of amplifiers – from small solid state practice amps to large tube amplifers with 4x12 cabinets. The most important thing to most players is to have a great dynamic sound that they are comfortable with, so that they can perform their best in various equipment situations. Björn Juhl has designed some of the world’s most desirable tube amplifiers and he has done his best to include as many of the characteristics of these “boutique” amplifiers as is possible. A great pedal can be your “secret weapon” to help get your sound and feel anywhere, anytime.
One of the most important features of the SROD4K is the single GAIN knob. This knob will take you from a low gain treble booster style of effect, up to low gain and medium gain overdrives before noon on the dial. Using the volume knob on your guitar (or your fingers/pick attack) you can easily control the gain level and dynamics. Where many pedals will turn into a “mush” unless played at full volume, the SROD4K behaves like a tube amplifier would and gives both the tone and feel players demand. Using the SROD4K into British-style amps will give the player the ability to further emphasize the characteristics of the amplifier without the entire tone turning to “mush”. You can even help dial in a high gain amplifier by judicious use of the GAIN and TREBLE/LOW knobs to further sculpt a wall of sound. If you happen to like playing a more American style combo amp, these are usually brighter sounding and harder to work with for overdrive pedals – but you can use the tone controls on the STRAWBERRY RED to balance the tone and create a singing, cohesive sound that is impossible to create on those style amps without some pedal assistance.
Many times, players will be using solid-state amps, as they are much more affordable and lighter to carry. The characteristics required for a high-quality amplifier remain the same whether they are constructed with tubes or solid-state components. However, the SROD4K can help bring out the best from any amplifier, regardless of the construction. If you have a high-wattage amp with a large speaker (such as a 12” model) the STRAWBERRY RED can help get a tone and feel similar to a large tube amp with a 4x12 speaker cabinet. While it is not an amp simulator pedal, the SROD4K can help “tame” even the stiffest and most unforgiving transistor amplifiers. The compression and dynamic character introduced into your sound from this pedal will delight your ears and your fingers.
The SROD4K’s TREBLE control is an active tone control that works in the mid to high range from -3db to +6db. When the TREBLE knob is lowered, the range between 70hz and 7khz is adjusted; and when the knob is raised, the range of 700hz to 7khz is lightly boosted. This allows what Björn calls the “luxury trebles” to be heard. It is the difference between painful or annoying high-end content, or a sound that makes sound engineers and music fans smile. No matter how you set the knob, it will give you a great tone that emphasizes the overtone components for a warm sound with great presence. This is one of the secrets of the high-end tube amplifiers. The LOW knob will cut and boost the low end to help adjust for the style of amplifiers that you may be plugged into.
We have always used the highest quality machined aluminum ultra-compact housings for our effects pedals, as well as industry-leading artwork and hardware. Even though the size is small, you can still power our pedals with a 9v battery if you desire. Also, if you wish to experiment with some more dynamic high-headroom tones, the power input can support 9v to 18v operation, which can give you a more “three-dimensional” characteristic to your sound.

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