The PastFx Chorus Ensemble Mini (CEM) is based upon the Holy Grail of Chorus pedals, The BOSS® CE-1. First released in 1976 it became famous for lush Chorus and Leslie effect Vibrato.

The CEM is currently the smallest recreation of the The BOSS® CE-1 available. It is approximately 1/4 of the size and weight of an original. At 40yrs of age, original units can develop reliability issues and require capacitor replacement and extensive servicing. Unmodified working originals are becoming harder to find and are expensive. The CEM requires no fuses and is not powered by mains voltage. With today’s advancements in technology, the CEM operates off the same bipolar voltages as The BOSS® CE-1, however it only requires standard 9vdc pedal power supply.

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Chorus Ensemble Mini

 Due to the scarcity of NOS Reticon bucket brigade devices, there will be a limited number of Flangers available.
Unless more NOS Reticon chips become available, we envisage only one production run occuring at this time.

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Reticon Flanger

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PreAmp Crunch

The Past FX PX-101 is a guitar pedal that is part of the Spectrum Collection, a series of pedals dedicated to capturing the sounds and sonic aura of legendary Pink Floyd guitarist David Gilmour. The pedal is designed to recreate the key elements of Gilmour’s sound, particularly his use and manipulation of effects pedals to shape his tone.

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PX-101

The PastFx Patriarch fuzz is a faithful recreation and expansion of the Buffalo FX Patriot MKI and MKII, which was modeled after the Sovtek “Civil War” (Blue & Grey) Muff famously used by David Gilmour during Pink Floyd’s 1994 Division Bell tour and timelessly captured in their acclaimed live album Pulse. It is our highest gain offering within the Spectrum Collection. The Patriarch is characterised by booming low end, cutting lead tones, and jaw-dropping sustain and power, all while maintaining a surprisingly quiet noise floor. It is a heavy, girthy Muff-style fuzz that blasts through the mix and offers punishingly brutal note definition and natural compression that makes for extremely satisfying high gain fuzz tones. The Patriarch is more naturally “mids present” than most other Muff-derived circuits. To further exploit this, the pedal boasts a “Mids” knob that allows users to bring more or less into the mix, as well as a “Lows” cut knob that tames the substantial low end as it is turned clockwise. There is also an internal micro switch for exploring more tone sculpting options for determining the pedal’s mids and EQ response. With the Level rolled down or turned up, the Patriarch can deliver bite, grit, and presence, with a refined fire-breathing attitude that gloriously pummels the senses and rains down sweet muffy goodness at any setting.

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