OC-1

The LP-2™ has been designed to be used with any guitar or bass effects pedal or device that needs a boost or cut when activated. The external pedal connected to the SEND/RETURN must be permanently "ON" as it will be bypassed by the Footswitch in the LP-2™(LED off). For example, it can be used to compliment the early Electro Harmonix Electric Mistress™ pedal, which has an inherent loss of output when in Flange mode.

The LP-2™ INPUT features our world class unit gain buffer and line driver type LD-1™. The SEND is isolated and ground lifted. The RETURN features our well established variable gain stage with gain variation from -16dB to 0dB (unity) to +16dB. The footswitch alternates between bypass (LED off) and loop (LED on) and in active mode the RETURN signal from the external effects pedal is sent to the OUTPUT with any boostor cut that has been added by the RETURN GAIN control. No gain boost is applied to the SEND feed, which is at guitar level and so should not be used for signal matching to Line Level equipment such as rack effects etc.

Review by The Gear Page

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LP-2

Our low noise discrete component Class A pre-amplifier has been specifically designed to overcome the problems often encountered with amplification of Electric Instruments fitted with magnetic transducers.

A frequent cause of these problems is the mismatch of the impedance in the electrical circuit between the pickup and subsequent equipment: this mismatch has been completely eliminated with the introduction of our LD-1™ Line Driver.

The input impedance is identical to a high quality tube amplifier and our Class A Pre-amplifier also features a highly effective RF filter which will help prevent interference from nearby radio transmitters.

Demo by shnobel

Review by Z-Talk

Review by La Revolution Deux

Review by The Fretboard

LD-1

CC-1

The PETE CORNISH SS-3™ is great for crunchy rhythm and a nice  thick bluesy lead; the sound is very much like an overdriven vintage valve amp. The SS-3™ is currently being used by Noel Gallagher of Oasis, and is also a firm favorite of David Gilmour of Pink Floyd and Lou Reed. It has the best bottom end retention ever heard in an effect, whilst the mid-range is sweet and very transparent. The SS-3™ retains all the tonal nuances of your guitar and will make it come alive. It is subtle and yet capable of amazing power and sustain. Using the SS-3™ with a clean amp it is possible to progress from subtle overdriven amp sounds, through rhythmic crunch, up to a blues’ lead. The tonal characteristics and dynamics of the guitar are maintained even when using this pedal at its maximum gain.

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