Echolution 3 is a multi-tap stereo modulation delay offering a myriad of sound design options including reverse, jump, pong, modulation tempo sync, variable low pass filter, flexible signal routing and comprehensive MIDI control. Delay times ranging from 100ms to 5 seconds can be dialed in using the Time knob or via Tap Tempo using the left footswitch. A second delay tap can be set to the same length or a fraction of the main delay time to create rhythmic echoes. The ¾ fraction creates a dotted eight note delay, while the Golden fraction uses the sacred geometry of the Golden Ratio (.382) as the multiplier for the second tap. The multi-tap settings can be even further enhanced by the stereo ping pong effect, which causes the different delay taps to switch sides on each repeat. Store up to 4 presets, unlock hidden features with the Universal Remote footswitch, and design yet unheard delay lines. Runs on standard 9VDC.

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Echolution 3

Pigtronix Ringmaster is a ring modulator synth designed to create analog harmonizer and tremolo effects that can be made to follow the notes you play. Expanding on the “Intelligent Ring Mod” found in the original Mothership pedal, Ringmaster adds LFO and Sample + Hold modulation sources, pitch following tremolo and well as wave shaping for both inputs to the analog multiplier circuit at the heart of this uniquely musical ring modulator

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RING MASTER ANALOG MULTIPLIER

Resotron is an analog filter pedal that brings the sound of 70s keyboard synthesizers to the world of envelope pedals for guitar, bass and beyond. The filter at the heart of the Resotron is based on the SSM2040 chip found in the legendary Prophet 5 and Octave CAT synthesizers. This 24db/octave, state-variable filter provides the full gamut of familiar envelope filter sounds with Up and Down sweeping modes, as well as a Sensitivity control to dial in the response of the effect based on how hard you play. In addition to these vintage-correct filter tones, the Resotron incorporates an analog pitch-tracking system to move the cutoff frequency of the filter up and down. The pitch-following filter effect found in the Resotron moves around based on the notes you play instead of how hard you play. The attack time and rate of filter motion can be adjusted using the Glide knob to dial in how long it takes for the cutoff to travel between pitches.

Demo by Mike Hermans

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Resotron

Disnortion is an analog Fuzz and Overdrive offering gushing tone. A single gain knob controls the saturation of both the fuzz and overdrive circuits simultaneously. Disnortion features the ability to switch from parallel routing to a new, super-saturated series routing where the 6-stage CMOS overdrive circuit is cascaded into unique diode-clipping fuzz and then output through a 6-way passive filter network. The Parallel routing mode is ideal for players who like to pile on the gain without sacrificing clarity, dynamic response, punch or low end. It’s like double-tracking your guitar within a single pedal. The Series routing mode offers an even wider range of gain and more extreme filter effects for metal tones and beyond, including self-oscillating timbres that can be modulated by pickup selection and guitar control settings.

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Disnortion Micro

igtronix Rototron is an all analog rotary speaker effect that combines frequency modulation, phase shifting, tremolo, bucket brigade-based chorusing and a three-way crossover all meticulously voiced to achieve unsurpassed, three-dimensional rotary realism in a compact, easy to use pedal.

Designed by Howard Davis and David Koltai, the Pigtronix Rototron accurately recreates the complex acoustic phenomenon of the legendary dual rotor 122 and 147 cabinets as used by Peter Frampton, Danny Gatton, the Beatles and many more. The analog design approach used within the Rototron sounds warmer, fatter and feels far more realistic than the digital rotary effects currently available from other companies. Line-level headroom and full stereo input and output options make the Rototron ideally suited to keyboardists as well as guitarists who use a stereo setup live or in studio.

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