The A+ Prism II is a new version of the Prism-9 complex effect pedal. Combining multiple techniques in a single unit, the device employs an outside-the-box approach to sound processing. The Prism II is comprised of subtractive and additive synthesis elements along with reverberation and various types of modulation (frequency, temporal and spatial). Rather than being lined up in a typical linear fashion, all parts of the system form a single "organism", allowing multiple parameters to be tweaked simultaneously. You could try and replicate it by using a chain of multiple time-synced effects — but that would be no easy feat, as the Prism II has 3 pitch shifting sections, 4 multimode filters, 2 modulation blocks, and a single reverb section. All the elements are organized in two identical chains (as the device works in stereo) with a separate mix section at each stage. The pedal's four LFOs provide extensive control over the stereo field and filter automation. The Prism II can be controlled via the TAP footswitch or synced to an external clock. Additionally, the device offers an expression pedal simulation mode along with a DETUNE function.

The Prism II is a compact inspiration generator which can single-handedly replace a sizable Eurorack system. In the guitar world, fully replicating the effect would be difficult even with a huge pedalboard.

Demo by ShurSoma

Demo by  RESEARCH100500

Review by gearnews.de

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Prism II

The Prism III is a unique sound texture generator. The pedal's 22 complex algorithms combine additive synthesis, reverb and various types of modulation (frequency, amplitude, time). It's hard to pinpoint a single role for this compact stereo device, so the name highlights its three key elements: modulation, filtering, and pad creation.

The Prism III can be easily integrated into any setup (even the most esoteric one). The pedal's interface saves settings automatically, and the parameters can be controlled externally via MIDI or CV.

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Demo by Harp Lady

Prism III

The Shift Line Twin MkIIIS is the third revision of our tube guitar preamplifier which boasts a characterful sound, universal connectivity, and a compact enclosure.

The dynamic range has been expanded to achieve more maximum gain. As a result, it can go from its renowned clean sound into crunch and overdrive without external boosting. The cabinet simulation is based on the Impulse Response Convolution technology, which provides a realistic and detailed sound while preserving the character of the power amp, cabinet and microphone used to record the impulse. The device comes with two impulses recorded from the Fender Twin combo amplifier. The microSD card slot allows users to upload their own cabinet impulses.

Review by Stompbox Steals

Review by The Gear Page

Demo by  Jon is just TOO LouD!!

Twin MkIIIS

The Astronaut v1 is a reverb pedal that offers a range of atmospheric effects, from traditional reverb algorithms to complex acoustic structures and arpeggios.
The pedal features 22 varied algorithms, including extended versions of some from previous Shift Line products, such as the Astronaut and Shift Line Force.

Review by Gearspace

Demo by Brett Kingman

Astronaut v1

Who said bass guitar didn't need distortion? We believe it definitely does - and there's a growing number of bass players who agree with us. Alas, there are still few dedicated bass distortion pedals; for the most part, bass players have had to use either guitar stompboxes or no distortion pedals at all.

Here at Shift Line, we take bass distortion seriously - most of us are bass players, after all. As soon as we released our Olympic MkII bass preamp, we started working on our brand new distortion pedal for bass: the A+ BUZZ.

And let us tell you this: we are very happy with the sounds Buzz can produce. It sings, it growls, it saturates - and it does it all at your command. With A+ Buzz, your bass guitar will truly stand out in the mix. Let there be rock!

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Buzz v1

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