While the Western world was preoccupied with smooth and soulful Fuzz Faces and Muffs, Asian audio gear manufacturers were creating gnarly mystical fuzzes, heavily imparted with earthshaking Godzilla DNA. This very distinct era in fuzz history gave us many treasures that have been rightfully crowned fuzz legends: the Univox Super Fuzz, Ibanez Standard Fuzz, Ace Tone Fuzz Master, Shin-Ei Companion and several others.

Just like its predecessor, the SolidGoldFX 76 MKII offers up a comprehensive guided tour to the best that the Standard Fuzz and its ilk has to offer without any of the drawbacks. On face value, the improved 76 MKII gives you a multi-voiced fuzz unit that offers loads of octave-up snarl and clang, at the same time as ruthlessly pummeling your amp with hair and fangs.

Review by Pete Thorn

Product Page

Review by BassTheWorld.com

Manual

76 MKII 

The BETA-V is a Bass Preamp pedal that kicks! This latest incarnation of our top selling Beta Series is designed to capture the warmth and grit of favorite vintage tube amps. You know, that distinctive drive and tone that seems to be lacking from much of today’s modern bass amplification. 

Review by Talk Bass.com

Review by reddit /guitarpedals

Review by guitar pedal X

Demo by BassTheWorld.com

Demo by Patrick Hunter

Beta-V Bass Preamp

The Surf Rider III is an updated and expanded variation of our classic Surf Rider reverb designed to deliver an incredible array of warm, lush, 3-dimensional reverb tones in one compact pedal. The Surf Rider III’s rich feature makes it easy to dial in the perfect shade of verb. Using the Decay and Resonance controls, the length and decay of the reverb signal can be fine-tuned to simulate the sounds of small rooms, gated verbs, dense ambient washes and of course, classic amp and surf sounds. The depth and level controls give end users full access to the overall intensity and output of the pedal while the tone knob allows for fine adjustment of the reverb timbre making it easy to pair with any rig. A foot-switchable reverb level boost adds an additional reverb voicing while an expression pedal input offers on the fly Depth adjustments giving users the ability to create crashing tidal waves of sound. Whether you are looking for a highly musical traditional reverb or a more over the top saturated sound the new Surf Rider III is sure to please.

Features:

Tone: Turning this knob to the left will make the reverb darker while turning to the right will make the reverb brighter.
Res: This 3 position switch controls the resonance of the reverb signal by way of negative feedback. With the switch in the center position, the resonance circuit is bypassed. An internal trimpot allows you to dial in the low setting (down position) while the high setting (up position) is fixed.
Decay: This knob controls the decay time of the reverb signal thus creating a vast range of sounds from small rooms to more ambient tones in addition to classic surf reverb.
Depth: This controls the intensity of the reverb signal. When using the expression pedal input, set the Depth knob to the maximum desired setting. We recommend using the M-Audio EXP or Mission Engineering EP-1R Expression pedals.
Level: This controls the mix level or volume of the reverb signal. This control is active in both Hi and Lo level settings.
Boost footswitch: This switch allows you to boost or cut the reverb level. When the Boost LED is on, the Hi level mode is engaged. When the Boost LED is off, the Lo level is engaged and a portion of the reverb level is reduced. An internal trimpot allows you to adjust to level reduction of the Lo setting. Turning the trimpot clockwise will reduce the overall reverb level of the Lo setting.
Bypass switch: Allows you to engage or bypass the effect. The Surf Rider III is True Bypass.



Review by VGuitarForums

Demo by R.J. Ronquillo

Demo by EytschPi42

Official Website

Review by AMAZONA

Review by Pedal of the Day

Surf Rider III

Das Herzstück des Counter Current sind drei miteinander verbundene und höchst interaktive Regler und ein Fußschalter: F.Back (Feedback), Decay, Drive und der Momentary Feedback-Schalter. Wenn Sie diese Regler gemeinsam und großzügig verwenden, eröffnen sich alle Arten von Hall-Sounds.

Beginnen wir mit dem Decay-Regler: Dieser Regler beeinflusst das Endergebnis Ihrer sorgfältigen Reglerplatzierung, indem er die, nun ja, Abklingzeit des virtuellen Halltanks verlängert. Wenn Sie ihn schön hoch einstellen, klingen die Trails länger nach und Sie können das Frontend Ihres Verstärkers wirklich mit dem Herzen des Counter Current überfluten.

In Anlehnung an die Lo-Fi-Hall-Tradition überlastet der Drive-Regler die Wandler des virtuellen Halltanks und sättigt das Frontend mit einem Hauch von Extra-Gain, der Ihren Ton optimal anregt. Wenn Sie diesen Regler zurückdrehen, erhalten Sie einen charakteristisch sauberen Hall-Sound, der immer noch ein absoluter Leckerbissen ist, aber machen Sie ruhig weiter und optimieren Sie das Ding. Wir urteilen nicht.

The heart of the Counter Current is three interconnected and highly interactive controls and one footswitch: F.Back (Feedback), Decay, Drive and the Momentary Feedback switch. By using these controls together and with generosity, all kinds of reverb sounds open right up.

Let's start with the Decay control: This knob affects the end result of all your careful knob placement, by extending the, well, decay time of the virtual reverb tank. Dialing it in nice and high keeps the trails ringing out longer and really lets you flood the front end of your amp with the heart of the Counter Current.

In keeping with lo-fi reverb tradition, the Drive control overloads the virtual reverb tank transducers, saturating the front end with a touch of extra gain that excites your tone in the best way. Dialing this control back gives you a characterfully clean reverb sound that still sounds an absolute treat, but go ahead & tweak that thang. We won't judge.

Review by TDPRI

Review by The Gear Page

Demo by Distortion LTd

Counter Current

Der SuperDrive hat seine Wurzeln in den allzeit beliebten und hervorragend klingenden Overdrive- und Distortion-Tönen der Mitte bis Ende der 70er Jahre. Er wurde mit Blick auf Klarheit und Vielseitigkeit entwickelt und liefert jede Menge knackige, brutzelnde Verzerrung. Unser Ziel war es, ein Pedal zu entwickeln, das es bis an die Grenzen ausreizt und diesen wunderbaren Distortion-Ton auf ein neues Niveau hebt! Wir glauben, das Ergebnis ist nichts weniger als Perfektion.

The SuperDrive draws its roots from the ever popular and superb sounding overdrive and distortion tones of the mid to late 70's. It was designed with clarity and versatility in mind, while pumping out loads of crunchy, amp sizzling distortion. Our goal was to design a pedal that would push it to the limit and lift that wonderful distortion tone to new levels! We believe the result is nothing short of perfection.


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