The Civil War is for those searching for the sound of the early 90's Russian fuzz.

Even though it has less gain than its predecessors, the Civil War is a full-bodied machine and works great on guitar as well as bass.
The low-end of the pedal gives you incredibly smooth lead tones and bass notes and chords are earth-shaking.

Review by Talk Bass.com

Review by guitar pedal X

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Demo by gearmanndude

Demo by Demos in the Dark

Civil War

The Dirt Preacher is a hybrid between silicon and germanium transistors that gives you a full range of fuzz tones that sounds like a mix between a Big Muff™ and a Tone Bender™ through your favorite, vintage amp.
With the gain control around 9-10 o'clock you can get an overdriven tone. When turning the gain between 11-1 o'clock you get a smooth, muff-like fuzz and with the gain all the way up you get a gnarly, gritty, wooly, fuzz that sounds like you are pushing a maxed out Tweed amp.
The specifically matched, germanium transistor gives you a vintage grittiness and a little, tube-like sag.

Demo by Tone Tailors

Dirt Preacher

The Red Menace is one of the first, modified, muff circuits I did that combines two of my favorite muffs, the early Red Army Overdrive and the 1972 Triangles.

The low end has the perfect balance of low-end and clarity. You can feel the punch of the bass notes cutting through the fuzz. The high strings have a sweet, high-gain, sustain just like the later Triangle pedals.
While adding the mids control I also had to modify the circuit to keep the original punch on chords and the smooth, singing tone on leads.

Review by Premier Guitar

Review by The Gear Page

Red Menace

The "everything" pedal. This pedal can go from an almost clean tone to low-gain overdrive to chewy, fat distortion all with incredible clarity.

The pedal acts like it's adding a gain stage to your amp rather than a pedal up front. Also, it cleans up very well with your guitar's volume and as another gain stage pushing other pedals.

Review by delicious audio

Demo by

Cosmic Queen

Many years ago I was sent some pictures of Frank Zappa's, modified, late 1970's Big Muff™. The mods made to the pedal give it a very smooth, warm sound on the bass side but allows a little brightness on the high strings. 

They also reduce the gain of the pedal making it more of a low to medium overdrive/fuzz mix.
The pedal yields a full-bodied, smooth, low-end and sweet highs with a little bite on lead notes.
In 2016 I made a very limited run of the pedal and called it the Utility Muffin, named after Frank Zappa's recording studio, the Utility Muffin Research Kitchen. 

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