More than an envelope filter.
Once again we’ve knocked the world of filter pedals off its axis. Autowah, envelope filter, step filter, random sample/hold filter, even a pixelated envelope filter. This one does it all

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Demo by TheGuacamoleXplosion

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Prometheus DLX

The Vagabond Tremolo embellishes upon one of the most tried and true effects of all time. Tremolo with vintage personality fused with added depth, more speed and more control. 

In the simplest terms tremolo modulates volume. This definition doesn’t exude the inflection of wah, the blunt weaponry of fuzz, or the obvious psychedelic ramifications of echo. In spite of the boring definition, tremolo is a defining sound of so many classic songs and artists. Like many other things in music the early classic designs were imperfect, and those imperfections made them what they were. It made them interesting.

Demo by Deluxe Tone

Review by The Gear Page

Review by Pedalpost Blog

Vagabond Tremolo

Based on the Korg MS-20, the M3 brings the sounds of 70s monophonic synthesizers without the modular complications.

Instead of dual oscillators, the M3 employs 3 digitally controlled oscillators for super fat synth sounds that never go out of tune.

Eleven oscillator combinations cover string sounds, analog bass, bell tones, fifths and more. The algorithm knob’s eleven settings further shapes the sound controlling everything from the filter, two envelope generators, LFOs, portamento and more.

Review by guitar pedal X

Review by BassChat

Demo by  SpiralCasterPlaysPedals

Demo by collector//emitter

The Gurgle and Moan is an envelope filter effect. This is a prototype pedal, and it does have some quirks and rough edges. On a few of them that we have built they oscillate with the resonance knob cranked. Also there is a bit of a "gurgle" in the background due to some crosstalk issues with the control voltage circuitry. I thought it sounded cool, although it may not be what everyone wants in a filter. 

This is a prototype pedal, and has no artwork, or labeling on the face of the pedal. There is a sticker on the back with a brief explanation of what the knobs do.

Controls
Lower right knob: Shape - Varies the shape of the filter from band pass or low pass.
Lower left knob: Resonance - Accents the cut off frequency of the filter. (At max setting it may oscillate)
Upper right knob: Depth- Varies how far your playing dynamics will modulate the filter cutoff frequency.
Upper left knob: Frequency - Varies the cut off frequency of the filter

Warranty: If it ever breaks send it back to us and we will fix it, unfortunately we no longer cover polar bear attacks, alien abduction, willfully destroyed pedals, or any claims involving time travel or toaster repair.

This pedal can be powered by a 9V battery or a standard boss style barrel plug adaptor. Has an LED, True bypass, and a powder coated finish for durability.

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Review by Talk Bass.com

Gurgle & Moan

Take a trip back in time to the underappreciated 12bit era of synthesis. A time of experiments built for mass appeal. Finally, synthesizers were available to the everyday musician. One new idea was phase distortion synthesis.  Casio sold it as the answer to Yamaha’s FM synthesis. Ultimately, Casio discontinued the CZ phase distortion synthesizers, but these synthesizers garnered a cult following for their versatility and relative affordability.

The PixelWave covers a wide range of synthesizer sounds. From string ensembles to filter sweeps and resonant noise. Oscillators can be offset over four octaves by half-step increments and fine-tuning. Use this to create massive 80s unison leads or modern one key dance chords.

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Pixelwave Phase Distortion Synthesizer

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