The T-Rex Engineering DGTM Diabolical Gristle Tone Manipulator is not your typical overdrive pedal. Inspired by the savage auditory pummeling of Greg Koch, the T-Rex DGTM brings forth a distinctive overdrive to satisfy many an overdrive connoisseur's palate. From vintage crunch to modern "tweak," the devilish T-Rex DGTM oedak has it all.

Review by Paul White, soundonsound.com

Demo by Wall of Sound

Product Page

Manual

Demo by Alex Hamilton

DGTM

The Alberta is a low-gain overdrive, designed to add a little extra sizzle to your sound, making your notes fly off the fretboard with a bit more personality and feel. It´s a very musical and pleasing tone, that countless players have used as a “sound enhancer”, not just a great sounding overdrive.
It was actually designed for boosting the amp SRV-style (gain down, level up), so it´s lower gain and less strident than Stevie´s pedal.

“The blue one”, as they call the original, is finally available again with the same sound and looks, handmade in Denmark.

Demo by

Alberta - Dino Logo

Dirty and sweet, this classic dual distortion pedal has been praised for its amazing tonal range and ability to deliver everything from a smooth dirty edge to a harrowing wall of distorted sound. It’s one of first pedals we produced, and it set the standard for many T-Rex pedals to come.

Everything that is great about the original Mudhoney – and then doubles it! With two channels of vintage gain, you can easily switch between a clean sound from your amp, a nice edgy overdrive from the one Mudhoney channel and a thick warm distortion from the other channel – delivering deliciously dirty T-Rex tone all the way.

Mudhoney II features the same convenient boost function you’ll recognize from the original Mudhoney (one switch for each channel) and even adds a tone control for each channel – so you can shape the timbre of your drive to create your own signature sound.

Review by audiofanzine

Demo by Jurren Mekking

Demo by Brett Kingman

Demo by HaarGuitars

Mudhoney II

With TAP TONE, we wanted to create the world’s most musical delay – one that works more like a musical instrument than an effects box. How did we do it? By marrying tap-tempo control with legendary T-Rex tone.
 

CONSIDER THE POSSIBILITIES...
Tap tempo – or the ability to control the tempo of your delay by tapping a button with your foot while you play – is what separates the men from the boys in the world of delay pedals. It gives you ultimate control of your delay on stage by letting you match the speed of your delay effect to the tempo of every new song you play – without ever missing a beat.

A TAP TONE delay on your pedal board will open up a whole new world of possibilities, where in-sync delay becomes part of the music you make on stage.
 

WICKED-SOUNDING BITE CONTROL
When you add a TAP TONE delay to your rig, you also get that gorgeous, tubey warmth that T-Rex pedals are famous for. TAP TONE delivers an amazing analog sound at any setting, but we also wanted to let you tune the tone of your delay. TAP TONE’s BITE control does just that – it lets you put a nice dirty edge on your delayed repetitions to mimic the funky tape delays of the 60s and 70s.

If you’re looking for a delay that combines phenomenal sound with ultimate control, try the TAP TONE DELAY at your local Guitar Center. We bet you’ll love it.

Review by The Gear Page

Demo by Pedal of the Day

Official Product Video

Review by Christopher Scapelliti, delicious-audio.com

Tap Tone delay

Stranded as you are on a desert island (or on stage, or in the van on your way to a gig, or in the studio…), you’ll want to be sure you can depend on your stompbox, no matter what kind of stormy conditions arise. Fat Shuga is a compact, but ruggedly built unit that can withstand just about anything you can throw at it.
So visit your local music store today and take Fat Shuga for a spin.