Two channels of precise, fast tracking polyphonic octaves. You can easily switch between two different “mixes” of dry signal, upper octave and lower octave.
Sometimes a certain piece of music calls for some low-end octave rumble, other times you want to simulate two guitars playing the lower and higher part of the same riff. The 8-Ball allows you to do this without having to reach down and turn the knobs manually.
It also works dandy on bass guitars, keys or even vocals.
The custom designed algorithm analog dry signal (no digital conversion) and buffered bypass keeps your tone intact

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Review by Thomas Dill, bonedo.de

Manual

8 Ball Dual-Octave

Mit dem T-Rex Alberta II Dual Overdrive Pedal hat man zwei Zerrer in einem Kasten. Die Regelmöglichkeiten sind absolut identisch, allerdings unterscheiden sich die Grundsounds der beiden Einheiten leicht. Das macht auf jeden Fall Sinn, denn der erste Kanal bringt einen etwas stärker komprimierten Ton mit einer Ecke mehr Gain, während Channel 2 den offenen Overdrive mit viel dynamischen Reserven zelebriert. 

Alberta II’s channels are highly complementary, for a start. Set one up as your lead and the other up as your rhythm, and you can happily toggle between the two all night. Second, the pedal’s drives are eminently usable even when they’re dimmed; it’s impossible to overdo it. In a world where mega-distortion is the norm, that’s a huge boon.

Demo by Sweetwater

Demo by Audiofanzine in English

Review by Paolo De Gregorio, delicious-audio.com

Demo by Guitar World 

Review by Bonedo 

Alberta II

Having some cool effects at your disposal when playing your acoustic instrument can highlight your performance and playing, but the effects should not cover up the instrument´s acoustic properties/sound and should act as “enhancers” of what´s already there. With a good pickup system, what most players look for is subtle changes, because essentially, they want to hear the instrument, only louder.
More importantly, we need to be able to use the instrument in various environments that are quite hostile for an instrument that is designed to be played acoustically. If signal phase, impedance and feedback mean anything to you, you already know that amplifying acoustic instruments often involves patching in various electronic gadgets that you´d never use in your electric setup,

Demo by David Wallimann

Review by Bernd Strohm, bonedo.de

Demo by T-Rex Effects

Official Product Video

Soulmate Acoustic

T-Rex Mudhoney. We think the name pretty much says it all. Dirty and sweet. Delicious distortion. It’s one of first pedals we produced, and Mudhoney has all the tasty ingredients of a T-Rex classic: the perfect mix of controls, a rugged design, and astonishing tone. It’s been praised for its impressive tonal range and ability to deliver everything from a smooth dirty edge to a harrowing wall of distorted sound.

Demo by Crank my amp

Demo by Brett Kingman

Review by reddit /guitarpedals

Review by guitartest.de

Mudhoney

HOBO DRIVE works like a preamp where you decide how much drive to
send into the master stage. A fully adjustable boost section adds power
to your overdrive sound, and can even be routed to boost your signal
before it hits the preamp – for even more overdrive.

Demo by colin smith

Review by delicious audio

Hobo Drive

Hobo-Drive by T-Rex

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T-Rex

8 Ball Dual-Octave

T-Rex

Alberta II

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Soulmate Acoustic

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Mudhoney

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