Dirty and sweet, this classic dual distortion pedal has been praised for its amazing tonal range and ability to deliver everything from a smooth dirty edge to a harrowing wall of distorted sound. It’s one of first pedals we produced, and it set the standard for many T-Rex pedals to come.

Everything that is great about the original Mudhoney – and then doubles it! With two channels of vintage gain, you can easily switch between a clean sound from your amp, a nice edgy overdrive from the one Mudhoney channel and a thick warm distortion from the other channel – delivering deliciously dirty T-Rex tone all the way.

Mudhoney II features the same convenient boost function you’ll recognize from the original Mudhoney (one switch for each channel) and even adds a tone control for each channel – so you can shape the timbre of your drive to create your own signature sound.

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Review by audiofanzine

Demo by Jurren Mekking

Demo by Brett Kingman

Manual

Demo by HaarGuitars

Mudhoney II

With TAP TONE, we wanted to create the world’s most musical delay – one that works more like a musical instrument than an effects box. How did we do it? By marrying tap-tempo control with legendary T-Rex tone.
 

CONSIDER THE POSSIBILITIES...
Tap tempo – or the ability to control the tempo of your delay by tapping a button with your foot while you play – is what separates the men from the boys in the world of delay pedals. It gives you ultimate control of your delay on stage by letting you match the speed of your delay effect to the tempo of every new song you play – without ever missing a beat.

A TAP TONE delay on your pedal board will open up a whole new world of possibilities, where in-sync delay becomes part of the music you make on stage.
 

WICKED-SOUNDING BITE CONTROL
When you add a TAP TONE delay to your rig, you also get that gorgeous, tubey warmth that T-Rex pedals are famous for. TAP TONE delivers an amazing analog sound at any setting, but we also wanted to let you tune the tone of your delay. TAP TONE’s BITE control does just that – it lets you put a nice dirty edge on your delayed repetitions to mimic the funky tape delays of the 60s and 70s.

If you’re looking for a delay that combines phenomenal sound with ultimate control, try the TAP TONE DELAY at your local Guitar Center. We bet you’ll love it.

Review by The Gear Page

Demo by Pedal of the Day

Official Product Video

Review by Christopher Scapelliti, delicious-audio.com

Tap Tone delay

Two channels of precise, fast tracking polyphonic octaves. You can easily switch between two different “mixes” of dry signal, upper octave and lower octave.
Sometimes a certain piece of music calls for some low-end octave rumble, other times you want to simulate two guitars playing the lower and higher part of the same riff. The 8-Ball allows you to do this without having to reach down and turn the knobs manually.
It also works dandy on bass guitars, keys or even vocals.
The custom designed algorithm analog dry signal (no digital conversion) and buffered bypass keeps your tone intact

Review by Thomas Dill, bonedo.de

8 Ball Dual-Octave

The T-Rex Squeezer is a tube driven compressor that can be used on studio or stage. This T-Rex compressor pedal enhances the quality of sound by making it sound smooth with rich tube warmth. Offering you complete control of all vital parameters, this T-Rex guitar pedal enables you to create your own unique compression. This T-Rex compressor pedal makes your bass sound awesome and ensures that it is heard clearly. This T-Rex guitar pedal has a simple, neat and practical design. Fine tuning is possible to an almost infinite degree with the T-Rex Squeezer for the perfect sound.

Review by OVNI LABS

Squeezer

T-Rex Møller 2 delivers the same classic overdrive that made it's predecessor one of T-Rex’s most sought-after pedals. Named after Danish guitarist Knud Møller, for whom the original pedal was designed, Møller 2 features a more durable “Bass Boost” toggle switch and easier-to-read control knob graphics. The pedal is armed with a 0-20 db clean boost, as well as a mix control which lets you dial in the perfect balance between distorted and clean signals. Rolled all the way up and with distortion maxed, the pedal sounds just like a vintage tube amp at full volume. Roll the Mix knob back a bit, and your clean signal starts to get through; if you pick lightly or roll back your guitar volume, you get a stunning clean, softly-clipping sound that retains all the feel and dynamics of your original tone, only bigger, louder and richer. The boost function lets you dial in a solo level, whether the overdrive circuit is activated or not.

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