Die Entwicklung des Chorus-Effekts scheint im Pop der 80er Jahre stecken geblieben zu sein, zusammen mit überarbeiteten Gitarren, kitschigen Synthesizern und geplatzten Kragen. Das ist nicht diese Art von Chorus. Als wir die Boost Chorus-Pedale entwickelten, gingen wir zurück in die 70er Jahre, als Chöre noch satt, weich und männlich waren. Wir haben herausgefunden, was diese Vintage-Stompboxen so gut klingen ließ, und haben dieses Wissen in ein neuartiges Chorus-Pedal mit deutlich verbesserter Leistung und einer ganzen Reihe nie zuvor gehörter Sounds einfließen lassen. Slapback, Echo, Flanging und Doubling-Effekte sind mit den bescheidenen Boost Chorus-Pedalen möglich.

The evolution of the chorus effect seems to have gotten stuck in ’80s pop, along with over-processed guitars, cheesy synths and popped collars. This ain’t that kind of chorus. When we designed the Boost Chorus pedals we went back to the ’70s, when choruses were rich, smooth and manly. We figured out what made these vintage stompboxes sound so good and poured that knowledge into a new kind of chorus pedal with greatly improved performance and a whole slew of never-before-heard sounds. Slapback, echo, flanging and doubling effects are all possible from the modestly named Boost Chorus pedals.

Product Page

Review by Premier Guitar

Review by Talk Bass.com

Review by musicradar

Review by Gitarre & Bass

Manual

Demo by Hollywood Rare Guitars

Official Product Video

Boost Chorus, Bass Boost Chorus

A super-compact adaptation of his Tech 21 Ultra Bass 1000 Signature head, the DP-3X also recreates the sound dUg originally developed way back in the ‘80s, merging high-end distortion with low-end bass. Prior to his signature head, this involved running a guitar amp and a bass amp together, along with rack full of effects. Wanting to further streamline his gear for occasions when his full Tech 21 rig simply isn’t practical, dUg collaborated on the all-analog DP-3X pedal. Personally beta-testing the DP-3X on a European tour, dUg encountered a different backline in each and every venue. But no matter which amp was on stage, dUg was able to nail his immense tone each and every night.

In addition to achieving dUg’s unique tone, the DP-3X has the flexibility to provide traditional bass amp sounds as well. Mix mode engages Drive to bring in distortion and Chunk for upper harmonics. A Gain button provides additional distortion and compression. In clean/full-range mode, Drive and Chunk disengage, while Comp and Gain remain active. Other controls include 3-band active EQ with switchable Mid and a master Volume. Features include chromatic tuner, headphone capability, and an XLR Output to go direct to the PA desk or studio board without compromising detail, warmth or responsiveness.

Demo by Tech21nyc

dUg DP3X

Get it on with this orange-flavored retro rocker. Experience T-rextacy with the greasy grit of ‘70s London glam, or take it deeper and darker into Paranoid vintage metal grind. Dime the gain to experience the sludgelicious roar of contemporary stoner rock pumping through a 4×12 cab loaded with English Greenback-style speakers. From sweet cleans to crushing distortion, the Oxford is one juicy pedal.

Review by audiofanzine

Review by The Gear Page

Demo by  Kaleidoscope School of Music

Demo by chatreeo

Oxford

The original Fly Rig, introduced in 2014, was a true game-changer for players in all categories, from touring pros to bedroom hobbyists. At a time when pedalboards were expanding and backs were breaking, the innovative Fly Rig enabled players to slim down without sacrificing great tone, and travel without fear of baggage surcharges and dreaded mystery backlines. Going beyond being just a multi-effects unit, the all-analog SansAmp technology enables any Tech 21 Fly Rig to be an actual “rig.” You can run directly into mixers of recording desks and PA systems, as well as augment your existing amplifier set-up. Always seeking to improve our offerings and listening to customer feedback, we’ve incorporated some new features to follow the same form factor as later Fly Rigs, such as the Bass, Acoustic, and Paul Landers Signature PL1. The Fly Rig 5 v2 retains the same SansAmp heart, Plexi/Cali distortion and Delay, but adds a few twists and turns within these sections. New features include an independent reverb with choice of room size, an effect loop, a tuner, and an XLR Output.

Demo by Vince Genella

Fly Rig 5 v2

When you want to fatten your guitar or bass tone, increase sustain and punch up your sound, a compressor is a way to go. But compressors can dredge up feelings of compromise, confusion, frustration and intimidation. So we set out to make a player-friendly pedal utilizing old school, all-analog, FET-based technology, which is inherently warmer, more transparent, and more musical than other methods.
When it’s time to jump out, a powerful boost function delivers up to 21dB of clean boost to increase your output level –without adding more compression. A true post-boost, this function can also be used independently.

RockBoard Artists

Aktivitäten Übersicht

Boost Comp

Media

Videos

Handbücher

Reviews

Links

Technische Daten

Weitere Pedals von Tech 21

Tech 21

Boost Chorus, Bass Boost Chorus

Tech 21

dUg DP3X

Tech 21

Oxford

Tech 21

Fly Rig 5 v2

Produkte

Bau dein Board

Services

Community