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Element

When you want to fatten your guitar or bass tone, increase sustain and punch up your sound, a compressor is a way to go. But compressors can dredge up feelings of compromise, confusion, frustration and intimidation. So we set out to make a player-friendly pedal utilizing old school, all-analog, FET-based technology, which is inherently warmer, more transparent, and more musical than other methods.
When it’s time to jump out, a powerful boost function delivers up to 21dB of clean boost to increase your output level –without adding more compression. A true post-boost, this function can also be used independently.

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Review by Music Connection

Manual

Demo by Brett Kingman

Boost Comp

Whether you’re a MIDI-meister or amongst the MIDI-mindless, the MIDI Moose is a super simple, stage-friendly alternative to access 128 patches. Tech 21’s intuitive engineering eliminates the intimidation of trying to decipher an encyclopedia-sized manual just so you can change a darn program. Like its MIDI Mouse cousin, the MIDI Moose is also battery operable and provides a minimum of 200 hours usage. Its sophisticated battery-saving feature turns off the numerical display after 5 seconds. What if you forget where you were? Just hit the footswitch of the individual patch LED that has remained lit, and it will wake up the display without making any program changes.

Housed in a sleek aluminum chassis,there are Up and Down footswitches to select groupings of five preset programs. Individual silent-switching, custom actuators instantly engage each program change directly within the selected grouping.

Operable with standard 9V alkaline battery (not included), optional power supply (Tech 21 Model #DC4-A) or phantom power via the MIDI cable.

Midi Moose

The Geddy Lee MP40 Limited Edition Signature SansAmp sold out so fast, it made our heads spin. Out of respect for the limited number of MP40s featuring custom “Moving Pictures” inspired artwork, we are offering the Geddy Lee YYZ Shape-shifter Signature SansAmp. It has the same color scheme and graphics as Geddy’s other Signature SansAmps (GED-2112 rackmount, DI-2112 desk-top, and YYZ single footswitch pedal), with the same features and functionality of the MP40.
 
The YYZ Shape-shifter SansAmp includes the addition of a selectable Boost stomp switch, providing a 12dB presence boost for increased top-end distortion. Engaging the Shape-shifter button adds 6dB of Schmegilka on top, which, according to Geddy, “is an indefinable thing of awesomeness!”

Demo by Sweetwater

YYZ SHAPE-SHIFTER GEDDY LEE SIGNATURE

Tech 21’s all-analog circuitry squeezes righteous, vintage tones out of every Boost Series pedal with modern dependability. Designed and built from the ground up utilizing the best individually-selected, hand-biased discreet components, each unit delivers optimized performance with studio-quiet operation. And we call them Boost pedals for a reason. Alongside a wealth of hot driven tones, there is a powerful boost function that delivers up to an incredible 21dB of clean boost, which can be used independently from the effect. It is a true post-boost, punching up the tone you dialed in, not smothering it in unwanted distortion. From the high-impedance input to the sweepable low-pass filter in the tone control, your tone will be open and controllable in every setting.

Review by Premier Guitar

Demo by gearuptmntv

Bass Boost Fuzz

A super-compact adaptation of his Tech 21 Ultra Bass 1000 Signature head, the DP-3X also recreates the sound dUg originally developed way back in the ‘80s, merging high-end distortion with low-end bass. Prior to his signature head, this involved running a guitar amp and a bass amp together, along with rack full of effects. Wanting to further streamline his gear for occasions when his full Tech 21 rig simply isn’t practical, dUg collaborated on the all-analog DP-3X pedal. Personally beta-testing the DP-3X on a European tour, dUg encountered a different backline in each and every venue. But no matter which amp was on stage, dUg was able to nail his immense tone each and every night.

In addition to achieving dUg’s unique tone, the DP-3X has the flexibility to provide traditional bass amp sounds as well. Mix mode engages Drive to bring in distortion and Chunk for upper harmonics. A Gain button provides additional distortion and compression. In clean/full-range mode, Drive and Chunk disengage, while Comp and Gain remain active. Other controls include 3-band active EQ with switchable Mid and a master Volume. Features include chromatic tuner, headphone capability, and an XLR Output to go direct to the PA desk or studio board without compromising detail, warmth or responsiveness.

Demo by Tech21nyc

dUg-DP3X by Tech-21

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