The EHX Lester G uses the finest rotary speaker simulation available today, and comes with a variety of deluxe features. Stereo outputs provide a lush, realistic effect. Tube-emulated overdrive is available with the DRIVE knob, and speaker mix can be fine-tuned with the BALANCE knob. Switch between adjustable FAST and SLOW modes for an accurate reproduction of a classic rotary speaker cabinet’s speed adjustment. An expression pedal jack allows for fine tuning of the rotation speed with an expression pedal.

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Review by Ed Mitchell, musicradar.com

Review by Paul White, soundonsound.com

Manual

Demo by germanndude

Demo by Sweetwater

Lester G

Offering a total of 30 pitch shift options and expanded controls, the Pico Pitch Fork is the next evolution in pitch shifting from Electro-Harmonix. The original Pitch Fork has garnered praise from all styles of player at every level and the Pico Pitch Fork brings even more features to the celebrated pedal in an impossibly small package.

The Pico Pitch Fork features 10 pitch shift intervals and three modes of pitch-shifting – Up, Down and Dual. Dual mode features specially paired pitch shift intervals to allow for more musical effects.

Demo by Made by Miike

Review by The Gear Page

Review by AMAZONA

Pico Pitch Fork

Twin tuned filters sweep your signal creating a unique vocal tone. Two narrow filters sweep your tones under control of the envelope, generating very unique vocal-like sounds.

True bypass
Tough and compact die-cast chassis
9V battery included

Demo by Nikita Astrakhantsev

BASSBALLS

Small Stone (Big Box)

The EHX Knockout is one of the most specific and powerful tonal adjustment systems that you will ever use. The Knockout consists of one Low-Pass filter, one High-Pass filter and a direct dry signal… each with its own knob. When combined they yield a very specific and focused tonal sculpture.

Extreme and very specific adjustments are not only simple to set up but also yield a very rich and defined tone that cannot be obtained from an amplifier or much more complex equalizing systems. The curves of the filters were specifically selected for their musical value. They may be used independently to reinforce a specific area but their real value can be heard when all three are used together.

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Lester G

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