A handmade pedal based on the second generation of 3-transitor boxes from the mid sixties like the used by Page with The Yardbirds and early Zeppelin. With a great amount of saturated gain, this one is equipped with an external bias to be able to dial the different bender tones we heard on records bringing the chance to remove hiss, add sustain, get better cleans with volume roll off or get sputtery and gated tones.

Review by Premier Guitar

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Mark2 Fuzz

The Meteorite is our take on the Rite type fuzzes. It's a hairy vintage silicon fuzz that can either sputtery, gated or thick by adjusting its Depth control.

The originals did not have a great amount of volume so this one features an extra gain stage that will make it cut through in a band situation. You have also the option without the extra stage just like the original, please select an option from the dropdown menu below.

A great tool for garage, punk and surf tones that can help to catch the sounds of The Ventures, Dave Allan or Iron Butterfly.

Review by dhsowmusic

Meteorite

A handmade germanium and silicon booster with tone control, based on the 1966 Dallas Range Master treble booster circuit. Known to be used to sculpt the tones of many UK guitarists in the 60's and 70's as Iommi, Bolan, Clapton, Gallagher, May or Judas Priest in his early works. At some point, some of them changed his germanium transistor based booster to a silicon one due his best reliability and better signal/noise ratio. Also they swapped the input cap to bring more lows, that's the Range control does.

The pedal boost the signal, emphasizing medium/high frequencies adding a raw sound but with a softness similar to the achieved by leaving the wah in a fixed position. With the Range control the spectrum of frequencies is expanded to find the desired tone that suits your equipment.

Review by gearnews.de

Review by musicradar

Review by Guitar.com

Range Booster

A handmade germanium fuzz stompbox based on the first 3-transistor designs from early/mid sixties, the MARK1 has this distinctive zippery vintage tone. Gated and spitty in the decay, with tight bass and a ton of upper mids, the pedal offers two modes, one mids/full body that suits the tone of the likes of Mick Ronson and Jeff Beck and other one more trebly and raspy that catches the Satisfaction or spaghetti western tones.

Mark 1

A handmade boost based on the preamp and limiter section of the guitar wireless system used by ACDC, Van Halen, Gilmour or Kiss and many others live and studio in the late 1970s and early 1980s.

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Vega Booster

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