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Weltweiter Standard in puncto Overdrive für Bass. Der ODB-3 eignet sich für den gesamten Frequenzbereich des Basses, Fünf- und Sechs-Saiter inklusive. Von einem leicht angezerrten, warmen Röhrensound bis zu harter Distortion sind alle Bass-Verzerrungen möglich.

The ODB-3 Bass OverDrive delivers the chest-resonating distortion that hard rock, thrash, and punk bassists have been waiting for. This hot compact pedal has been designed specifically for bass applications.

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Review by TonePedia

Review by Oliver Poschmann, bonedo.de

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ODB-3 Bass OverDrive

For 14 years, the famous BOSS FV-300 served as an industry-standard volume pedal. The tradition continued with the FV-50 series, but today the bar has been raised with BOSS’s FV-500H (mono, high-impedance, inst. level) and FV-500L (stereo, low-impedance) pedals. These tank-tough diecast pedals are designed to meet the needs of the most demanding customers. The pedals offer a new stylish design, a road-tough build, and a comfortable, smooth action. Both models also provide an Expression output for use with expression-compatible amps, effects, and even synthesizers.

Review by musiker-board.de

Demo by Cryptic Mask Guitar

FV-500H

Zur Feier des 40. Geburtstags der BOSS Compact Pedals bündeln BOSS und JHS Pedals ihre Kräfte in einer historischen und kreativen Zusammenarbeit zweier Branchenführer. Das JB-2 Angry Driver bietet das klassische BOSS Compact-Design und vereint den Sound des legendären BOSS BD-2 Blues Driver mit dem renommierten JHS-Pedal Angry Charlie. In enger Zusammenarbeit entwickelten die beiden Pedal-Innovatoren eine komplett neue, kombinierte Schaltung mit einem verfeinerten Sound und einer perfekt auf den Dual-Mode Drive-Betrieb ausgerichteten Performance.

Das JB-2 Angry Driver verfügt über drei Doppeldrehregler für die unabhängige Kontrolle von Drive, Tone und Level bei jedem Overdrive-Typ. Über den Sechsfach-Modus-Wahlschalter kannst du die einzelnen Overdrives individuell auswählen sowie in serieller oder paralleler Konfiguration anordnen. So lassen sich die berühmten, ausdrucksstarken Sounds aus dem niedrigen bis mittleren Gainbereich des Blues Driver mit den aggressiven Rocksounds des Angry Charlie vielfältig kombinieren und erzeugen im JB-2 Angry Pedal eine unvergleichliche Bandbreite, die kein anderes Overdrive-Pedal bietet.

To celebrate the 40th anniversary of BOSS compact pedals, BOSS and JHS Pedals have come together in a historic creative collaboration between the two industry leaders. Housed in the classic BOSS compact design, the JB-2 Angry Driver pairs the tones of the iconic BOSS BD-2 Blues Driver with JHS Pedals’ popular Angry Charlie. Working closely together, the two pedal innovators have developed an all-new combined circuit with refined sound and performance perfectly tuned for dual-mode drive operation.

The JB-2 Angry Driver features three dual-concentric knobs that provide independent drive, tone, and level control for each overdrive type. Via a six-position mode selector, you can use each overdrive independently, or combine them together in series and parallel configurations. With the ability to blend the Blues Driver’s famously expressive low-to-mid gain tones with the Angry Charlie’s aggressive rock voice in any combination, the JB-2 Angry Driver delivers unmatched range and versatility from a single overdrive pedal.

Review by Robby Mildenberger, bonedo.de

Review by Jonathan Graham, guitarinteractivemagazine.com

Demo by intheblues

Demo by Rabea Massaad

Official Product Video (JHS)

JB-2 Angry Driver

Seit das BOSS DM-2 Delay im Jahre 1984 nicht mehr hergestellt wurde, entwickelte es sich zu einem der meistgesuchten Effektklassiker bei Gitarristen auf der ganzen Welt. Es war berühmt für den einzigartig, warmen, analogen „Eimerketten-Sound“. Jetzt kommt dieses Delay wieder zurück! In der „Waza Craft-Serie“ von BOSS wird es als DM-2W Delay wiedergeboren und bietet jetzt noch mehr Flexibilität um sich auch in modernen Musikstilen behaupten zu können. Mit einer 100% analogen Schaltung bietet das DM-2W im „original-mode“ die exakte Betriebsart - mit dem leicht verwaschenen Grundsound - des alten DM-2 Delays und 20-300ms Delayzeit. Im neuen „custom-mode“ ändert sich der Sound in einen etwas „cleaneren“, aber immer noch analogen Sound, mit mehr als der doppelten Delayzeit.

Since the BOSS DM-2 Delay went out of production in 1984, it has become one of the most sought-after effect classics among guitarists around the world. It was famous for its unique, warm, analog "bucket chain" sound. Now that delay is coming back! It is reborn as the DM-2W Delay in BOSS' "Waza Craft Series" and now offers even more flexibility to assert itself in modern music styles. With a 100% analog circuit, the DM-2W in "original mode" offers the exact operating mode - with the slightly washed-out basic sound - of the old DM-2 delay and 20-300ms delay time. In the new "custom-mode" the sound changes to a somewhat "cleaner" but still analogue sound, with more than double the delay time.

Review by Total Guitar, musicradar.com

Review by Thomas Dill, bonedo.de

Demo by Pete Thorne 

Demo by 
Eric Merrow

DM-2W Delay (Waza Craft)

Produced from 1983 to 1991, the BOSS HM-2 Heavy Metal is a true legend in the history of distortion pedals. Its signature “chainsaw tone” with all knobs maxed is the defining voice of Swedish death metal, and the slightly milder sides of its personality can be heard on tracks from mainstream to shoegaze. 

Review by Christian Braunschmidt, gitarrebass.de

Review by Reverb

Demo by Reverb

HM-2-Heavy-Metal by BOSS

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HM-2 Heavy Metal

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