This is a detailed compact replica of one of the world’s most iconic effects. The Dallas Rangemaster ® treble booster, originally produced in 1965 has been used by many of the worlds most respected artists including Eric Clapton, Tony Iommi, Rory Gallagher, Brian May, Marc Bolan, Richie Blackmore, and many more… although classed as a Treble Booster the Rangemaster was used as an overdrive pedal to give a more distorted but focused tone with many classic British amplifiers that included the legendary Marshall Bluesbreaker and Vox AC30

User Manual 

Compact Series Rangemaster

NOS Dallas Rangemaster

Das British Pedal Company Buzzaround aus der Vintage Series ist eine detailgetreue Nachbildung des originalen Baldwin-Burns Buzzaround Pedals von 1966, das für viele Fans und Sammler der 'Heilige Gral der Fuzz-Effekte' und eines der begehrtesten Pedale der Welt ist. Das ursprüngliche Buzzaround (entwickelt von Gary Hurst) war ein einzigartiges Fuzz, das 3x NKT213-Transistoren für ein smoothes Sustain verwendete und zum ersten Mal eine Regelmöglichkeit für die Klangfarbe (Timbre) bot, die dem Fuzz-Tone eine andere Dimension verlieh. Das Buzzaround kam in einem einzigartigen Wedge-Gehäuse mit den Regelmöglichkeiten an der Stirnseite. Zu den bekanntesten Nutzern gehört Robert Fripp (King Crimson).

The British Pedal Company Buzzaround from the Vintage Series is a detailed replica of the original 1966 Baldwin-Burns Buzzaround pedal that to many fans and collectors is the 'holy grail of fuzz effects' and one of the most sought-after pedals in the world. The original Buzzaround (designed by Gary Hurst) was a unique fuzz which utilized 3x NKT213 transistors for a smooth sustain and for the first time offered a timbre control which gave different dimension to the fuzz tone. The Buzzaround also came in a unique wedge-shaped casing with controls on the front and was most famously used by Robert Fripp (King Crimson).

Official Product Page

British Pedal Company - Vintage Series Buzzaround & Special Edition Britsound MK III - Deutsch -  W-Music Distribution

British Pedal Company - Vintage Series Buzzaround & Special Edition Britsound MK III - English - W-Music Distribution

British Pedal Company Vintage Series Buzzaround - Official Demo Video

Manual

Buzzaround

Das British Pedal Company Special Edition Britsound MKIII basiert auf dem MKIII Tone Bender Fuzz von 1968 und verfügt über drei Gain-Matched OC75-Transistoren sowie Regler für Volume, Fuzz und Treble. Das Pedal im MKIII-Stil wurde um 1968 für verschiedene Marken hergestellt, darunter den britischen Saitenhersteller Rotosound, Vox Amplification und Park Amplification. Led Zeppelin Gitarrist Jimmy Page, zuvor Besitzer des Professional MKII Tone Bender mit zwei Reglern, spielte im Jahr 1969 zahlreiche Gigs mit dem MKIII Fuzz, einschließlich Auftritten in der Royal Albert Hall.

The British Pedal Company Special Edition Britsound MKIII is based on the 1968 style MKIII Tone Bender fuzz and features three gain-matched OC75 transistors as well as controls for Volume, Fuzz and Treble. The MKIII style pedal was produced in circa 1968 for various brands including UK string manufacturer Rotosound, Vox Amplification and Park Amplification. Led Zeppelin guitarist Jimmy Page, previously a user of the 2-knob Professional MKII Tone Bender, can be seen using the then new 3-knob MKIII style fuzz throughout 1969 with the band including performances at the Royal Albert Hall.

British Pedal Company - Vintage Series Buzzaround & Special Edition Britsound MK III - Deutsch - W-Music Distribution

Britsound MKIII

Der British Pedal Company Professional MKII Tone Bender OC75 aus der Vintage Series ist eine detailgetreue Nachbildung der 1966 von Gary Hurst entwickelten Professional MKII Tone Bender Pedale. Im Gegensatz zur MKI.5 nutzt die MKII eine Schaltung mit 3 Transistoren, die je nach Produktion und Lieferung entweder aus 3x OC75- oder 3x OC81D-Transistoren bestand und mehr Sustain bot. Die MKII mit OC75-Transistoren ist unter anderem auf dem legendären Song 'Keep on Running' der Spencer Davis Group zu hören.

The British Pedal Company Professional MKII Tone Bender OC75 from the Vintage Series is a detailed replica of the 1966 Professional MKII Tone Bender pedals created by Gary Hurst. Unlike the MKI.5, the MKII had a 3 transistor circuit which, based on production and supply, comprised of either 3x OC75 or 3x OC81D transistors and offered increased sustain. The OC75 loaded MKII can be heard on the iconic track 'Keep on Running' by The Spencer Davis Group.

British Pedal Company Vintage Series Professional MKII Tone Bender - Official Demo Video (OC81D vs. OC75)

British Pedal Company Vintage Series Professional MKII Tone Bender OC75 & OC81D - Fuzz - English

British Pedal Company Vintage Series Professional MKII Tone Bender OC75 & OC81D - Fuzz - Deutsch

Professional MKII Tone Bender OC75

Der British Pedal Company Compact Series MKII Tone Bender ist eine kompakte, moderne Nachbildung der 1966 von Gary Hurst entwickelten Professional MKII Tone Bender Pedale. Der BPC MKII Tone Bender verfügt über eine authentische Schaltung mit 3x OC81D-Transistoren und bietet einen satteren, weniger aggressiven Sound als die MKI-Version. Die MKII mit OC81D-Transistoren ist auf vielen Tracks von Jimmy Page (Led Zeppelin) wie 'Whole Lotta Love' zu hören.

The British Pedal Company Compact Series MKII Tone Bender is a compact, modern replica of the 1966 Professional MKII Tone Bender pedals created by Gary Hurst. The BPC MKII Tone Bender features an authentic 3 transistor circuit with 3x OC81D transistors that provides a thicker and slightly less aggressive sound than the MKI version. The OC81D loaded original MKII can be heard on many Jimmy Page (Led Zeppelin) tracks such as 'Whole Lotta Love'.

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