Das neueste Pedal von EarthQuaker Device ist in Zusammenarbeit mit Death By Audio entstanden. Dieses neue Pedal ist eine gemeinsame Kollaboration, die ihre klanglichen Trips zu deinem geschmolzenen Verstand bringt.
Mit dem Schalter auf der linken Seite sind die Bedienelemente des Time Shadow vollständig das Werk des EarthQuaker Devices-Genies Jamie Stillman. Legt man den Schalter nach rechts, taucht man in den Kopf des Verrückten Oliver Ackermann von Death By Audio ein, der sich gerade noch an die Realität klammert. Legen Sie den Schalter in die Mitte und Sie betreten ein völlig neues Reich der Pitch Warping Delays, die durch eine telepathische Gedankenverschmelzung mit einem fünfdimensionalen Traumwesen zu Ihnen gelangen.
Alle drei Klänge unterscheiden sich stark voneinander und sind doch so perfekt aufeinander abgestimmt, dass sie sich auf ideale Weise ergänzen und für jeden Musikstil und jedes Genre geeignet sind. Die EarthQuaker Devices-Seite verwandelt alles, was Sie spielen, in den Sound einer Jazz-Space-Bazooka! Es ist ein pitch-morphender Fuzz-Delay-Filter mit so viel Attitüde, dass man tatsächlich eingeschüchtert ist. Es nimmt das Eingangssignal, bläst es mit der Kraft digitaler Verzerrung auf, mischt es mit einer polyphonen Suboktave, speist es in ein Delay ein und spuckt es dann in einem hoch resonanten, hüllkurvengesteuerten Tiefpassfilter aus. Die Death By Audio-Seite ist ein Multi-Delay-Filter-Remorphinator, der von eisigem Schimmern bis zu kosmischen Weltraumhöhlen voller bouncender Repeats reicht. Die mittlere Position ist ein Energiestrahl, der deine irdischen Transmissionen wiederholend dem Himmel näher bringt und gleichzeitig tief in die Höllen eintaucht.
Zusätzlich zu all diesem Wahnsinn bieten wir dir auch eine vom Benutzer zuweisbare Expression-Buchse und 6 Preset-Slots zum Speichern und Abrufen deiner Lieblingseinstellungen! 
Mit diesen drei überirdischen Köstlichkeiten sollten Sie alles haben, was Sie brauchen, um Gehirne zu zerbrechen und Monotonie zu vernichten!
Jedes Time Shadows wurde liebevoll von Druiden mit sehr zarten Händen in dem winzigen Hobbit-Loch in Akron, Ohio, gebaut.

The latest pedal from EarthQuaker Device was created in collaboration with Death By Audio. This new pedal is a joint collaboration that brings their sonic soundscape trips to your melted mind.
With the switch to the left Time Shadow's controls are completely the brainchild of EarthQuaker Devices resident genius Jamie Stillman. Flip the switch to the right, and you enter the head of the madman Oliver Ackermann from Death By Audio barely clutching to reality. Place the switch in the middle and enter a whole new realm of pitch warping delays brought to you by a telepathic mind-meld with a 5th dimensional dream being.
All three sounds are wildly different from each other and yet share a perfectly designed harmony to be completely complementary and suitable for every style and genre of music. The EarthQuaker Devices side transforms whatever you play into the sound of a jazz space bazooka! It's a pitch morphed fuzz delay filter with so much attitude that you are actually intimidated. It takes the input signal, blows it out with power of digital distortion, blends it with a polyphonic sub octave, feeds it into a delay, then spits it out into a highly resonant envelope controlled lowpass filter. The Death By Audio side is a multi-delay filter remorphinator that goes from icy shimmers to cosmic space caves of bouncing repeats. The middle position is an energy beam that brings your earthly transmissions repetitively closer to the heavens while simultaneously diving deep into the hells.
In addition to all this madness we also bring you a user assignable expression jack and 6 preset slots to save and recall your favorite settings! 
With these three unearthly delights, you should have everything you need to break brains and destroy monotony!
Each Time Shadows was lovingly built by druids with very soft hands in the tiny hobbit hole of Akron, Ohio.

Official Product Page

EarthQuaker Devices Time Shadows II Subharmonic Multi-delay Resonator Pedal Demo | First Look - Premier Guitar

EarthQuaker Devices + Death By Audio Time Shadows II - Subharmonic Multi-Delay Resonator - The Pedal Zone

It's About Time! - Time Shadows II Demo - Death By Audio

Time Shadows Subharmonic Multi-Delay Resonator Video Manual | EarthQuaker Devices

Time Shadows Subharmonic Multi-Delay Resonator Demo - EarthQuakerDevices

Manual

Time Shadows II

Das EarthQuaker Devices Afterneath V3 klingt ein wenig so, wie es aussieht: Wie ein Sound-Zauberer, der eine riesige Höhle betritt und sich in die Ambient-Reverb-Schlacht wirft. Das Pedal bietet ein extrem breites Spektrum an unterschiedlichen, riesigen, ausladenden und magischen Ambient-Reverbs und deckt von wilden, verschlungenen Hall-Effekten über atmosphärische, kurze, digitale Delays bis zu Staccato-artigen, rhythmischen Wiederholungen mit bizarren Sounds alle denkbaren Effekte ab. Die Regelmöglichkeiten für Length (Länge des Nachhalls), Dampen (Tone), Reflect (Depth, Regeneration) und Mix (Wet/Dry-Mix) sind bekannte Parameter bei Reverb-Pedalen und arbeiten sehr intuitiv. Der Diffuse-Regler kontrolliert die Streuung des Nachhalls und ermöglicht je nach Setting aggressivere Sounds, bei denen das Einsetzen der einzelnen Wiederholungen deutlicher hörbar oder weicher und verwaschener wird. Der Drag-Regler trennt die digitalen Delay-Gruppen voneinander. So rücken den Repeats je nach Setting näher aneinander (Hall-ähnlicher Effekt) oder werden auseinander gezogen, sodass statt eines Halls verstreute Ping-Pong-Effekte zu hören sind.

The EarthQuaker Devices Afterneath V3 sounds a lot like it looks: a sound wizard bursting forth from ethereal cave and ready for the ambient reverb battle. The pedal offers an extremely wide range of different, vast, expansive, and magical ambient reverbs and covers all possible effects from wild and cavernous reverb effects to atmospheric reverberations of short digital delays to scattered, rhythmic delays with bizarre characteristics. The controls for Length (decay length of the reverb), Dampen (tone), Reflect (depth, regeneration) and Mix (wet/dry mix) are well-known parameters for reverb pedals and work very intuitively. The Diffuse knob adjusts the spread of the reverb, turned counterclockwise, the reverb is sharper with more attack, resulting in a stuttering sputter of individual early reflections. Clockwise casts a washy, more ambient-sounding effect. Drag separates the individual digital delay lines, clockwise positions will gather the delay lines close together for a more reverb-like effect. Turn the Drag counterclockwise, and the delay lines will begin to pull apart for a scattered ping-pong delay effect.

EarthQuaker Devices Afterneath V3 - Review by Gitarre&Bass [DE], [06-2020]

EarthQuaker Devices Afterneath V3 - Official Demo Video

EarthQuaker Devices Afterneath V3 - Official Manual Video

EarthQuaker Devices Afterneath V3 - Official Demo Video, Designer Notes with Jamie Stillman

EarthQuaker Devices Afterneath V3 - Demo Video - Dennis Kayzer

EarthQuaker Devices Afterneath V3 - Review by Gitarzysta [PL], [06-2020]

Afterneath V3

We kept the tightness and clarity you loved about the Hoof, along with the wide range of fuzz sounds, and threw the rest away. NOS Germanium transistors? Nope! In their place, we installed a set of four specially selected Silicon transistors for cleaner cleans, higher gain, improved temperature stability, and a grittier, grindier, nastier fuzz tone with over 4x the gain of the original Hoof. We also replaced key resistors with NOS Carbon Comp components to sprinkle a little bit of vintage flavor into the Cloven Hoof’s searing fuzz fury. It’s like they always say, “In with the old, out with the new.”

The Tone and Shift controls remain intact, only now they’re re-voiced for a smoother sweep, and more precise control over the Cloven Hoof’s beefy low-end. Speaking of low-end, have you heard this thing on bass? Wow. Try the Cloven Hoof on a bass guitar. Seriously. Trust us. You can still cut or boost the mids, and there’s still a metric ton of output on tap, just do us a favor, and for the love of all that’s Cloven, play this pedal with a bass guitar.

Earthquaker Devices Cloven Hoof (CME Exclusive) | CME Gear Demo | Joel Bauman

Cloven Hoof Fuzz Grinder

Das Erupter ist das Resultat von über zwei Jahren an Tone-Chasing, Basteln und Experimentieren auf der Suche danach was EarthQuaker Boss und Produkt-Designer Jamie Stillman "den ultimativen Classic Fuzz Tone ... mit fettem Low End, aber nicht zu matschig, einem beißenden Top-End ohne zu harsch zu klingen und gerade genug Output um deinen Röhren-Amp über die Kante zu kitzeln" nennt. In der Entwicklung des Erupters setzte Jamie jeden Trick ein, den er sich über die Jahre angeeignet hatte und schuf ein Fuzz, das mit jedem Pickup gut klingt, egal wo in der Effektkette, sogar vor einem Wah Pedal, ganz ohne Impedanz Mismatching. Denn das Erupter nutzt eine gebufferte Eingangs-Sektion, eine transformator-basierte Pickup Simulation, neue 5% ½ Watt Kohleschicktwiderstände, Kunststoff-Folienkondensatoren, Sprague und BC Elektrolytkondensatoren und low-gain hand-gematchte NOS Silizium Transistoren, um einen "abgerundeten, definierten Fuzz-Tone mit durchschlagender Intensität" zu liefern.

The Erupter is the result of over two years' worth of tone-chasing, tweaking, and experimentation in search of what EarthQuaker president and product designer Jamie Stillman calls "the ultimate classic fuzz tone . . . with a big low end, but not too mushy, a biting top end without being too harsh, and just enough output to politely send a tube amp over the top". In developing the Erupter, Stillman used every trick he ever learned to craft a fuzz device that sounds good with any pickup type anywhere in the effects chain, even before a wah pedal, and without any impedance mismatching. To this end, the Erupter uses a buffered input section, transformer-based pickup simulation, new production 5% ½ watt carbon composition resistors, metallized polyester film capacitors, Sprague and BC electrolytic capacitors, and low-gain, hand-matched NOS silicon transistors to deliver a "well-rounded and defined fuzz tone with just enough pummeling intensity."

EarthQuaker Devices Erupter - Demo Video - Patrick Hunter

EarthQuaker Devices Erupter - Review by Bonedo [DE]

EarthQuaker Devices Erupter - Review by Gearphoria [EN]

EarthQuaker Devices Erupter - Demo Video - Pedals And Effects

EarthQuaker Devices Erupter - Demo Video - Chicago Music Exchange

EarthQuaker Devices Erupter - Review by Tone Report [EN]

EarthQuaker Devices Erupter - Test by Musicradar [EN]

EarthQuaker Devices Erupter - Demo Video - Reverb

EarthQuaker Devices Erupter - Demo Video - Pro Guitar Shop

EarthQuaker Devices Erupter - Review by Deal Of The Day [EN]

EarthQuaker Devices Erupter - Official Demo

EarthQuaker Devices Erupter - Demo Video - ThePedalZone

EarthQuaker Devices Erupter - Demo Video - Ola Englund

EarthQuaker Devices Erupter - Demo / Review Video - Premier Guitar

EarthQuaker Devices Erupter - Demo Video - Guitar World

Erupter

This joint collaboration between EarthQuaker Devices and Death By Audio is a major update to the original Time Shadows that was released in 2020 and limited to 1000 units! Time Shadows now features 3 modes, user assignable expression control and 6 preset slots to save and recall your favorite settings. The EQD Mode is an envelope controlled sub-octave filter delay, the ALL NEW !¡ Mode is a dual delay where each repeat simultaneously shifts up and down with each regeneration, and the DBA Mode is a multi-delay regenerating filter. All three sounds are wildly different from each other and yet share a perfectly designed harmony to be completely complementary and suitable for every style and genre of music.

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Time Shadows II DBA Edition

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